What to stash this week: Anybody want a peanut?

It’s inconceivable that there are still Princess Bride bags and accessories available from Slipped Stitch Studios.

You bullet journalers will appreciate the new base from With Pointed Sticks. Fountain Pen, named after the height of luxury in writing instruments, is a blend of 70% Superwash Merino, 20% silk and 10% Cashmere. Susan’s also running an Instagram giveaway that ends today.

Just in time for the official start of baseball season (meaning spring training) Lindsay’s Pitch Cowl is a blend of triangles and parallelograms that recalls baseball stripes. A video tutorial is available for the more challenging bits.

Margaret of French Market Fibers is closing shop (::sob::) and is having the first of her final updates today at 11 a.m. Central. 

Check out the new Sand Layers Shawl kit from Bijou Basin Ranch.

IU newcomer Andre Sue Knits creates artsy painted sock blanks that provides a beautiful yet unpredictable colorway for your project.

What to stash this week: Yarn love

Fides and Gaby at Siidegarte have released a limited edition Valentine’s Day colorway that is only available through February 19. The rose-inspired color — blush pink, mixed with an almost lilac silver and a tiny bit of green — is available on three bases: the laceweight Siide-Füürneem, a blend of silk and Royal Alpaca; Siide-Fideel, a silk/Merino fingering weight; and Siide-Liind, a mix of fine silk and Merino, combined with SeaCell.

Speaking of love, Julia of Pandia’s Jewels has special Outlander Wedding kits available for preorder through Feb. 19. The kits, inspired by the love shared between Jamie and Claire, contain a skein of Snug light fingering in the Tartan colorway, a project bag by Debra of Addicted to Sock Knitting in special Outlander Wedding fabric designed by Julia and a matching notions tin.

Aside from collaborating with Casapinka on her latest shawl design, Gray Area, and getting ready for upcoming shows, including Stitches West, Sue of Invictus Yarns has created a special colorway for Sock Madness.

Lindsay of Knit Eco Chic’s latest design, Alternating Paths, is a cozy cabled sweater that will keep you beautifully toasty during these winter months. It’s worked seamlessly, with some room for customization.

Picking complementary colors is a no brainer with Bijou Basin Ranch’s latest Master Color Series.

Sound of Music fans, this new club from Go Knit Yourself is for you.

Wild Hair Studio’s latest shop update includes some Harry Pottery-themed goodies.

What to stash this week: Get your yarn ball on

When I found out that Alice of Backyard Fiberworks would have a booth at Vogue Knitting Live NYC this year, I knew Vicki of That Clever Clementine, practically Alice’s neighbor in Maryland, would be on board for a collaboration. We decided it would be the perfect place to debut a new yarn ball bag, and I made sure to have extra on hand for those of you who couldn’t make it to Times Square last weekend — you can get yours here! If you’re interested in a kit with special Backyard Fiberworks yarn, head on over to Instagram

Fans of Camelot can’t help but full in love with the newest Round Table Yarns yarn club, inspired by the story of Tristan and Isolde, a forbidden affair between a knight and lady. There will be nine separate shipments, with each colorway based on a new part of the story. The bases, which range from lace to aran weight, will include some special ones chosen just for the club.   

Vogue Knitting Live NYC 2017: A weekend of color

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For me, this year’s Vogue Knitting Live in New York City was all about color. Yes, I know that knitting in general, and the world of hand-dyed yarn in particular, is already pretty focused on color, but my experience this weekend very much revolved around it. Believe it or not, I didn’t really think about this common theme when I picked my classes — two-color knitting with Amy Detjen on Friday morning, a color theory class with designer Veera Välimäki on Friday afternoon and a dyeing class with Felicia Lo, the owner of SweetGeorgia, on Saturday morning — but it definitely worked.

The classes

Amy’s class was a pretty straightforward technique lesson. Our homework was the start of a basic colorwork hat, moving on to using the second color in class. Amy provided instruction on how to capture longer “floats,” or the long runs between colors, and stressed the importance of keeping an even tension in both your right and left hands. I will need to practice this more, as knitting with my left hand is like learning to knit all over again, but I now feel confident enough to attempt a colorwork pattern.

Veera provided an overview of basic color theory, as well as her insights into mixing both complementary and contrasting colors, especially when using hand-dyed yarns. I enjoyed seeing the examples from her own designs (such as her Stripe Study Shawl, pictured above) and, during our in-class exercise, encouraged one of my classmates to pair her earthy green with a bright yellow and melon color.

Of course, I had to show off one of my favorite FOs, Veera’s Urban, which she was thrilled to see in person, as she’s only seen photos of the projects on Ravelry.

My dyeing class was probably the best one of the weekend. While I’ve had some experience with kettle dyeing and hand painting yarn, Felicia provided some practical information on using the right ratio of dye to fiber weight, as well as techniques to use for creating layered colors. Much of this will be in her newly-published book, Dyeing to Spin & Knit (disclosure: this is an Amazon affiliate link) which I can’t wait to get my hands on. If it’s anything like her in-person class, this book will be indispensable.

We started off the hands-on portion of the class by creating a set of mini skein gradients. As there was limited space and time, we had to split into groups of three and each create one color value (the lightness or darkness) of the gradient. Felicia had already mixed the dye powder and water, so we just had to measure out the right amount for our specific color value.

For the other techniques — low-water emersion dyeing and resist dyeing, in which you twist and untwist the skeins to get a more subtle dispersion of color — we had to choose color by committee, and ended up each make a contribution. Luckily, I was paired with some experienced classmates, including Sharon of Knit Style Yarns. For the low-water emersion skeins, we decided on orangey pink, medium blue, purple and yellow to create what I first dubbed Funfetti cake and which I later decided was very My Little Pony-esque. Our layered color started off with a short dip in light pink dye, followed by a jammy purple, mixed by yours truly, and a lighter violet.

The class definitely inspired me do some more dyeing myself and experiment with the techniques while making my own color choices.

The Marketplace

Of course, no VKL would be complete without a trip or two (or three) to the marketplace.

I spent a fair bit of time in the Backyard Fiberworks booth, as a tiny portion of it had some Indie Untangled merch! I had teamed up with Alice, and Vicki of That Clever Clementine, on some special Indie Untangled kits that were available at the show. The kits were a big hit, and I was also thrilled to see the rest of Alice’s yarn get scooped up — the booth was very popular. She had some wonderful sock yarn mini-skein sets that were perfect for one of Melanie Berg’s designs. I snagged a pinky purply set called Dove in a Plum Tree and a light pink semisolid called Mallow to make On the Spice Market.

Aside from Backyard, I loved taking in the Neighborhood Fiber Co. booth (I’d heard at Rhinebeck that Karida wasn’t going to be at VKL this year, but luckily she ended up changing her mind!). I fell in love with a sample she had of Olga Buraya-Kefelian’s Boko-Boko Cowl, knit with Neighborhood Fiber Co. Studio Sock yarn held together with Chromium, which has steel wool to make the little points stand up. It was such a deviation from the patterns I’m normally drawn to, but it was so sculptural and interesting that I had to make it. I feel like it could be a great stand-in for a statement necklace, with the bonus of keeping me warm.

Speaking of necklaces, I was very impressed by the products at Knitten Jen’s Beads. She had kits to make your own beaded beads (wooden beads covered in beaded stockinette stitch fabric), ready-to-string beads and finished pieces. I couldn’t decide whether I wanted to DIY it or get a ready-made necklace, but I was definitely intrigued.

I also paid a visit to the Yarn Culture booth, which focused on a small collection of indies, and learned that my favorite discovery from last year’s VKL, Crave Yarn, has branched out with a new venture called Brim Collections, featuring gorgeous mill-dyed skeins and coordinating patterns. I am hoping to learn more from Amor of Crave/Brim Collections and will report on it further…

And, I made sure to get my VKL NYC limited stitch markers from Marsha of One Geek to Craft Them All.

Aside from classes and shopping, my weekend was rounded out by many familiar faces (on Saturday, I could barely get to the elevators without seeing someone I knew from my various knitting circles) and spending time with my nearby knitting friends.

Indie Untangled at VKL NYC

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One of my favorite parts of the Indie Untangled trunk show at Woolyn a couple of months ago was getting to spend time with Alice of Backyard Fiberworks. You may know Alice from her creative Instagram Advent promotion, her dreamy American-grown Cormo fingering or her beautiful speckled sock yarns. If you don’t know her work, you should get to know it.

While we were hanging out at the store, we talked about Alice’s booth at Vogue Knitting Live , which takes place this weekend, from January 13-15 at the Marriott Marquis in Times Square, and which I was of course planning to attend. Alice generously invited me to have some space in her booth, and that led us to start scheming away on a special IU-themed kit to offer for the occasion.

So, I looped in Vicki of That Clever Clementine, who suggested an Indie Untangled logo version of her popular zipper wristlet bags. As Vicki got to sewing, Alice (who conveniently lives about 20 minutes away from Vicki in Maryland) grabbed a scrap of the logo fabric and created a complementary teal and orange speckled colorway, pairing it with a deep blue for her Ridgeline pattern, a textured fingering-weight cowl.

If you’re coming to VKL this weekend, I hope you’ll stop by the Backyard Fiberworks booth — Booth 326 — and get your hands on a kit. You can also preorder your kits by filling out this form and picking up at the booth.

Along with Alice’s lovely yarn, there will also be some Indie Untangled ceramic shots and Stitch ‘n’ Sip games from the talented folks at JamPDX.

If you’ll be in the marketplace, please stop by the Backyard Fiberworks booth for an Indie Untangled meetup at 2:30 p.m. on Saturday. I hope to see you there!

What to stash this week: Knit the force

Many of us are still reeling from one of the last losses of 2016. Laura of Slipped Stitch Studios has decided to honor our favorites princess with her Bag of the Month, a collection of accessories that goes on sale today at 9 a.m. Pacific time. 

Continuing the Star Wars tribute, Julia of Pandia’s Jewels has a batch of Star Wars-inspired items, including two kits with stitch markers and additional colorways, that will be available for pre-order through this Sunday, January 8th.

Toby Roxane Barna, a designer who has long gravitated toward indie-dyed yarns for her shawls, sweaters and other accessories, has launched a line of yarn. The yarns include both subtle and bright semisolid and variegated colorways in fingering and DK weights. You’re sure to find something that would go well with one of Toby’s designs which, coincidentally, are 20% off on Ravelry through January 15th with the code INWITHTHENEW. Oh, and the yarn on her website is 17% off, too, with the same code!

Laura’s latest design, a scarf called Yarn Chicken, is not as daunting as it sounds. It comes with options and notes so that you can maximize the yarn you have, and win your own games of yarn chicken.

Bijou Basin Ranch is giving one lucky person a chance to win two skeins of Xanadu, 100% Mongolian Cashmere yarn, enough to knit Equinox, a pair of thigh-high yoga socks in Jen Geigley’s new book, EVERYDAY.

What to stash this week: Yarny Advent

Aside from creating beautiful colors, and being an all-around cool person, Alice of Backyard Fiberworks has some great ideas. Her latest is the Backyard Fiberworks Advent calendar. Each day through Christmas, you get to open a new window on a discount, a new product, or some other form of merriment via Instagram — plus, there’s a new giveaway to enter each day.

Here’s something to look forward to after the magic (and stress) of the holidays is over — a journey with the ultimate indie yarn club. Four dyer/designers teams — The Woolen Rabbit & Anne Hanson, Eden Cottage Yarns & Mindy Wilkes, Three Fates Yarns & MK Nance and Spun Right Round & Casapinka — will create exclusive colorways and accompanying accessory patterns inspired by where they knit. If there’s a special knitter in your life, or you want to give Santa a hint, there’s an option to send a gift subscription. Sign-ups are open until December 18th.

Bijou Basin Ranch is making things easy for holiday gift knitting (or knitter wish lists) with a selection of kits for their most popular patterns.

Untangling: Gilmore Girls knits from lisa lucia

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From left, Lucia and Lisa at extras in Luke’s Diner. Lucia almost finished knitting one of their “Split Infinitive” wrap sweaters during the full day it took to film the diner scene in the “Winter” episode.

From left, Lucia and Lisa at extras in Luke’s Diner. Lucia almost finished knitting one of their “Split Infinitive” wrap sweaters during the full day it took to film the diner scene in the “Winter” episode.

Like so many knitters I know, I was very much looking forward to the new season of Gilmore Girls that premiered on Netflix November 25th. I tried valiantly to avoid spoilers on social media as I was waiting until after I came home from a post-Thanksgiving business trip to Chicago to start watching.

Instead of plot spoilers, my social media feeds blew up with photos of, and links to, two scarves worn by Rory and Paris in the first episode. I soon learned that two Chicago-based designers — Lisa Whiting and Lucia Blanchet of lisa lucia — had connected with Brenda Maben, the Gilmore Girls costume designer, who commissioned the designs, Dots & Dashes and Eponymuff. I had to learn more.

Since I was, coincidentally, in Chicago, I thought I’d be able to meet Lisa and Lucia for coffee at Lukes somewhere in the city last Monday, but they were busy launching kits for their patterns that evening. So, instead, I emailed them some questions and they filled me in on their whirlwind experience, with a written back and forth reminiscent of GG creator Amy Sherman-Palladino’s rat-a-tat dialogue.

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Tell me how this collaboration came about. How did you meet Gilmore Girls costume designer Brenda Maben?

Lucia: Lisa met her first — she was a regular at the LYS Lisa owned in Chicago, Sifu Design Studio & Fine Yarns, which is also where Lisa and I met as well. I don’t remember exactly when I met Brenda, but I hadn’t been teaching/working at the shop for long before I began to look forward to buckets of tea and yarn talk with Brenda around our scarred green work table.

Brenda and Lisa, taking selfies in the shop.

Brenda and Lisa, taking selfies in the shop.

Lisa: I remember exactly when I met Brenda. It was at my first Sifu location in Andersonville. She came in wanting help with a project and she sat down at that same green table and we got to chatting. She was in town for a family gathering. At this point she was living in LA working on several different TV shows. We hit it off immediately. She was mostly living in LA at that point but when she made the permanent move to Chicago, Brenda started visiting us regularly at our Edgewater location.

Cell phone photos that Brenda sent Lisa and Lucia from set. Note: Rory’s “Dots & Dashes” scarf was originally knit in Mirasol Miski yarn in “Misty Grey” and “Denim,” but these colorways have since been discontinued. For the kits, they have substituted this with The Fibre Co.’s Knightsbridge, a llama/wool/silk blend.

Cell phone photos that Brenda sent Lisa and Lucia from set. Note: Rory’s “Dots & Dashes” scarf was originally knit in Mirasol Miski yarn in “Misty Grey” and “Denim,” but these colorways have since been discontinued. For the kits, they have substituted this with The Fibre Co.’s Knightsbridge, a llama/wool/silk blend.

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What was it like to see your designs on the small screen?

Lucia: Oh, it was pretty exciting, but not as surreal as it was to see them on the actors on set. Lisa has a good story…

Lisa: We were on set standing outside Luke’s diner waiting to be seated in our spots and up walks Liza Weil and I gasped. Not because it was her, but because she was wearing our scarf and it looked so good on her. Then I realized that she was smiling and nodding at me. I was so embarrassed thinking she might think I was some weird fangirl that I turned to Lucia with my face all beet red. Later, Brenda told me that she was acknowledging me as the designer of the scarf. I was bowled over!

Paris’s “Eponymuff” was knit with The Fibre Co.’s Road to China light in “Tanzanite” and “Topaz.”

Paris’s “Eponymuff” was knit with The Fibre Co.’s Road to China light in “Tanzanite” and “Topaz.”

Lucia: I’ll add that I also got a real thrill out of seeing our pieces hung up and labeled with our brand name in the costume department, because at that point, they were the very first products that “lisa lucia” had ever sold. We were really in just the planning stages of creating the business in the fall of 2015 when Brenda said she wanted to feature some of our stuff in the show. We still hadn’t even closed Lisa’s yarn shop yet! So things got super-accelerated all of a sudden because the show started filming in February immediately after the store closed so during that January, I personally knit four of the six pieces commissioned for the show myself while Lisa dealt with most of…everything else, including making sure I ate regularly.

In addition to the three pieces that made it into the final cut of the show — “Eponymuff,” “Dots & Dashes,” and Lane’s “Jumbo Coffee Sweater” — Brenda also bought three other sweaters from Lisa Lucia, including their “Split Infinitive” wrap sweater (the pattern for which is already available on Ravelry & was Yarnbox’s “Luxe” box kit for the month of November) as well as two others which are upcoming in the New Year.

In addition to the three pieces that made it into the final cut of the show — “Eponymuff,” “Dots & Dashes,” and Lane’s “Jumbo Coffee Sweater” — Brenda also bought three other sweaters from Lisa Lucia, including their “Split Infinitive” wrap sweater (the pattern for which is already available on Ravelry & was Yarnbox’s “Luxe” box kit for the month of November) as well as two others which are upcoming in the New Year.

Lucia: So anyway, while it was indescribably cool to see our pieces on the set and on-screen, I’m also really looking forward to seeing finished objects of these patterns knit by people we’ve never met.

Did the characters of Rory and Paris inspire the designs and the colors you chose?

Lucia: Well, it was more like the pieces were inspired by the show aesthetic in general, because they didn’t all end up where we thought they would. “Dots & Dashes,” for example, was originally supposed to be Lorelai’s, I think, though it totally makes sense that it would end up on Rory in that case. Brenda picked pieces out of our portfolio, some of which we came up with before we heard about GG, some of which emerged in the weeks immediately after we got that news, and in at least one case (Dots), Lisa first drew it up on scrap paper while Brenda was in the room.

Proto-”Dots & Dashes” sketch. Brenda opted for the blue/gray option.

Proto-”Dots & Dashes” sketch. Brenda opted for the blue/gray option.

Lisa: We had a very grammar/language-themed collection because of the quick witty banter that happens on the show. “Dots & Dashes” was because of the telegraph style speech patterns between characters. And “Eponymuff” was named in honor of Lorelai naming Rory after herself. And seriously, how could we not do a giant coffee mug on a sweater? We both are fueled by caffeine so we relate heavily to the necessity for coffee in one’s life!

Lucia: Oh yeah, and we also picked the color scheme for the “Jumbo Coffee Sweater” based on the interior set of Luke’s Diner and made it an intarsia raglan as a nod to Lorelai’s fondness for baseball tees. While the sweater I made for the show was knit out of Cascade 220 that we had on hand, some of those colors are now discontinued and since we’re also invested in supporting other independent fiber artists, for our upcoming (mid-December) kit we commissioned Michelle Kaston of Essential Fiber to custom dye yarn for us. Something else that’s great about this collaboration is that since three of the colors are used only for the duplicate-stitch detailing, Michelle is making mini-skeins for our kits to reduce waste and bring down material costs for both us and the consumer.

Original “Jumbo Coffee Sweater” sketch.

Original “Jumbo Coffee Sweater” sketch.

Lisa and Lucia’s friend Sian de Freyssinet modeling the kit version of “Jumbo Coffee Sweater.” Photo by Kim Saar Richardson.

Lisa and Lucia’s friend Sian de Freyssinet modeling the kit version of “Jumbo Coffee Sweater.” Photo by Kim Saar Richardson.

Lucia: The timing was all so whirlwind, and didn’t always match up, so things happened like we came up with a bunch of cute, food-themed pieces inspired by Sookie before it looked like Melissa McCarthy wasn’t going to be in the Revival, but by the time she signed on, it was too late to get those into production in time. And Brenda was considering this one really fitted, vintage-inspired sweater of ours for Rory, but Alexis was pregnant up until really soon before shooting began so we couldn’t get accurate measurements in time. As a result of things like that, a fair amount of what we’ve got upcoming will be Gilmore-inspired to some degree, since as other knitwear designers will probably agree, having the image of something in your mind – or even on paper – is just the bare beginning of all the work it takes to translate that into an actual garment much less a fully fleshed-out knitting pattern.

Do you know if any members of the cast or crew of Gilmore Girls are knitters?

Lucia: Well, Brenda, obviously.

Lisa: Alexis Bledel’s mom.

Lucia: She’s not a crew member obviously, but one of the sweetest things that happened while we were on set was when Alexis came up to a table where Lisa and I were knitting and asked to take a picture of us and our knitting to send to her mom. We are actually going to be doing an interview with Brenda soon specifically about the knitting episode so we’ll find out more then, but she has told us that that episode was basically a gift to her from the producers and that a bunch of the “knitting extras” in that episode were her friends.

Lisa: I would love to do a video interview of all three of us knitting.

Lorelai Gilmore wearing one of her signature baseball tees in an early-season Luke’s Diner scene.

Lorelai Gilmore wearing one of her signature baseball tees in an early-season Luke’s Diner scene.

Who are each of your favorite Gilmore Girls characters?

Lucia: This is a hard question! Hmmm, my favorite character whose last name isn’t Gilmore is probably Paris. I love “difficult” female characters and complicated, nuanced relationships between women in my fiction (Sookie, Lane and Mrs. Kim are also in the running).

Lisa: I actually didn’t watch GG as religiously as Lucia did. I watched it if it was on but I didn’t have two different VCR players recording Gilmore Girls and Buffy the Vampire Slayer at the same time like Lucia did.

Lucia: Heh. Yeah, I was not messing around. Side note: I actually wrote my undergrad thesis about serial television narrative and the emergence of DVD box sets and Netflix back before streaming video.

Lisa: NERD. Anyway, I would say my favorite character now is Paris or Sookie. As a big girl, I tend to gravitate toward actresses who are bigger because it wasn’t always socially acceptable to be thickums. I like hearing the voices of beautiful funny rubenesque women.

Lucia: Me too, sweetheart.

Um, what else? My answer to the question that always comes up when people talk about GG – who should Rory end up with? – is multipart: a) I don’t really care, because the primary relationship for me on the show has always been between Rory and Lorelai; but, b) If I did care, I’d say Paris! In a different way, my favorite “character” is actually the town of Stars Hollow, because I grew up in a really small New England town (Marlboro, VT, population: 978) filled with eccentric weirdos and Gilmore Girls started airing the same year I moved across the country to go to the University of CA, Santa Cruz, so it was kind of a weekly tonic for my homesickness.

Lisa: Hence the videotaping!

Tell me about your design partnership and how it works.

Lucia: That’s evolving as we transition from the roots of our friendship and how we worked together in the store. It’s definitely entwined with both similarities and differences in our aesthetics, personality, strengths, etc.  

Lisa: We both have ADD/ADHD and for me specifically, I find working with another person increases my productivity because I am distracted less. We bounce ideas off each other. I have a fine art degree and have been in the creative pursuits my entire life. Lucia is, on the other hand, more academic. She is a literary genius and the best pattern editor I have ever met in person. Our aesthetic sensibilities are very similar and really meld well together. I tend to do a lot of colorwork and pieces that are technically challenging to knit. Lucia likes clean, interesting shapes that are relatively easy to knit but challenging to design.

Lucia: But even though one of our designs might be more “Lisa style” or “Lucia-esque,” we both have a hand in every piece we put out, whether it’s creative input or technical implementation.

Lisa: There is just so much to do when creating patterns. It isn’t just about putting some math down on paper and putting it up on Ravelry. We are committed to consistency, uniformity in our pattern drafting, and providing easy-to-follow, simple-yet-informative instructions so that any knitter at any skill level can pick up a pattern and feel confident they can do it. We are also writing our patterns to be a FULL range of sizes. It is hard to find beautiful designs that are outside of the range of Medium. There are a few designers who are doing a great job of this. Ysolda Teague is one of them and we really admire her for plowing that field!

To sum up, I couldn’t do this without Lucia. AND I WOULDN’T WANT TO. She is my best friend and even though we have some challenges in working with our disabilities we really are necessary for each other. She is one of my favorite humans!

Lucia: And now I’m blushing. Knowing Lisa has changed my life. In an alternate reality, I’m using my degrees to teach college kids about intertextuality and fanfiction; in this one, I knit sweaters for my favorite teevee characters, research the history and evolution of knitting pattern notation, and wrack my brain trying to figure out how to knit a cable that forms the shape of interlocking knit and purl stitches. I’m still the same flavor of nerd, but working with Lisa has helped me branch out beyond the sphere of language and analysis. Her way of being in the world reminds me that if you want to Make Something, you might as well just go ahead (and you don’t have to do it alone). We also have a larger community of knitters and artisans to help and inspire us, which includes people like Brenda. I’m so grateful for that.

In terms of the nitty gritty, there are very few practical aspects of pattern production that we don’t both take on to greater and lesser degrees, depending. Plus, even though Lisa draws all our sketches and diagrams, I have input on what a given image should look like; likewise, while I generally draft the final text of our patterns, Lisa is always involved throughout. The way we went about responding to these questions is a pretty good example of our working dynamic, actually: we both worked in the same Google doc on two separate computers, often at the same time, while also communicating with one another over email, phone, text, and in person. We talk to each other a lot when we’re physically apart, and can also spend vast amounts of time in the same room doing different things.

Lisa: IT’S ALL SO META. Because as we are finalizing this for you, we are also on the phone talking about how to end it. So I think this is where we say, THANK YOU!

Lucia: Yes, thank you!  So much!

Lisa: We really have enjoyed doing this questionnaire for you and we are excited to share more of our work in the very near future. See you all on Ravelry.

What to stash this week: Where We Knit 2017 sign-ups now open!

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After an amazing inaugural year of the Indie Untangled Where We Knit yarn club, I’m excited to announce the indie dyer/designer teams for the 2017 club! They are: The Woolen Rabbit & Anne Hanson, Eden Cottage Yarns & Mindy Wilkes, Three Fates Yarns & MK Nance and Spun Right Round & Casapinka. Each dyers/designer team with work together to come up with an exclusive colorway and accompanying accessory pattern inspired by the places they knit. You can read about each team’s Where We Knit inspiration, and sign up for the club, here.

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If you loved those rainbow knitting Llamicorns bags from Slipped Stitch Studios, then you’re in luck, because there’s more! Pandia’s Jewels is accepting pre-orders for two different rainbow knitting llamicorn kits through Nov. 22. They will ship out in early December.

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Keya’s new shawl design is the perfect pattern to get you through your favorite sportsball season. Called Verge, after the time she spent on edge watching basketball while knitting it, it’s knit in worsted weight yarn, with garter stitch and a lace edge.

After a hiatus, indie dyer Elliebelly will be reopening in January.

If you live on or near the East End of Long Island, or will be visiting soon, Despondent Dyes has just sent yarn to Black Sheep Knitworks in East Hampton.

My Mama Knits will be moving over the holidays, so the Etsy shop will be shut after Nov. 30 until the New Year.

What to stash this week: Home is where your yarn is

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Next week, I’ll be moving (no, not to Canada). Among the piles in my bedroom is a huge box of yarn, with skeins from Kim of The Woolen Rabbit and Nikki of Dark Harbour Yarn that are for sale on Indie Untangled. I’m hoping that the skeins go to good homes before I put the box on a moving truck, so I’ve decided to hold a little sale. Through Monday, Nov. 14, all yarn is 15% off with the code MOVING. If you buy from multiple shops, I’m happy to combine shipping.

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What, other than yarn, could bring a smile to your face? Adorable animals! Julia of Pandia’s Jewels has collaborated with Noel of Wanderlust Woolves on Winter Woodland Animal kits. The kits, available to preorder until Nov. 13, include a choice of stitch markers, a project bag, a skein of worsted-weight yarn in an exclusive color and a download code for Noel’s Neko Cowl.

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Despondent Dyes, but this mother-daughter dyeing operation is anything but. For every skein of their bright, cheerful yarn that you buy, the pair will donate $1 to charity, to celebrate their second year in business. Through November, their charity is Hope for Paws, an animal rescue operating out of Southern California.