I loved that Stephanie of Asylum Fibers dyed her Acadia Lights Knitting Our National Parks colorway on two bases, as it provides multiple project options for those of us who aren’t always in the mood to take on a fingering-weight project (though I’m still going to get both bases!).
Stephanie sent my several good ideas for both her Solitary fingering and Golden Goose DK.
Check out more suggestions here.
I’ve been attending Vogue Knitting Live in NYC regularly for the last several years, and each year I’ve seen more and more indie dyers and makers in the marketplace. VKL NYC 2018 is shaping up to be one of the indie-est years in recent memory, with a huge selection of dyers and makers, many of them local, scattered over the two floors at the Marriott Marquis in Times Square from January 12-14.
To help prepare you for what I know will be a whirlwind weekend, I decided to create a special shopping guide to some of the Indie Untangled vendors at the show, with a sneak peek at the yarns and products they’ll be bringing.
I’ll be around all three days, taking classes with Melanie Berg, Clara Parkes, and Andrea Mowry, and doing some damage in the marketplace. If you see me, definitely come by and say Hi!
Sixth Floor, Booth 907
Alex is a NYC native, born and raised in Harlem. He taught himself to crochet at age 13 and opened his Etsy shop in 2011, and is known for his candy-colored gradient yarn.
Pictured clockwise from the top left are Ombre Sock yarn in Strawberry Lemonade, MCN in Disco Heaven, Ombre Targhee in Blue Bombsicle, and Single Ply Merino in Pennies from Heaven.
Fifth Floor, Booths 314 & 316
Alice, who is based in Maryland, is not only bringing her popular semisolid and speckled colorways, but is debuting the first installment of the Knit Like a Local series she has collaborated on with designer Kathleen Dames. I Knit NY includes 10 patterns by a team of local designers — including Brittney Bailey, Kirsten Kapur, Xandy Peters, and Lars Rains, along with Kathleen — inspired by New York City landmarks like Rockefeller Center and the clock at Grand Central Terminal, all made with Alice’s yarn. The book also includes a yarn store guide written by yours truly and an essay by Kay Gardiner of Mason Dixon Knitting.
In the first image, pictured clockwise from the top left are Backyard Fiberworks Sock in Urchin, Stormcloud, the Spiced Cider mini skein set, and Mallow.
Sixth Floor, Booth 910, 912 & 914
Also from Maryland, Kate and her crew are VKL veterans, and always bring a huge selection of colorful yarns to their massive booth.
Pictured above is their exclusive VKL colorway, Twilight Skate, along with, from top to bottom, the colorways Jocelyn, Springtime In Washington, and Denaili.
Fifth Floor, Booth 102
Rebecca launched her business after taking a dyeing class with Felcia Lo at last year’s VKL. This fast learner creates gorgeous colorways from a studio in northern Connecticut, housed in a factory that once manufactured safety fuses for mining.
Pictured clockwise from top left are Wintergreen, Straw, and Moorland and Stone Walls on Fuse Fingering and Pearls on Fuse Merino Singles. Rebecca will have a sample of Caitlyn Hunter’s Zweig sweater that I can’t wait to see.
Sixth Floor, Booth 1103
Kemper’s hand-dyed yarns are inspired by inspiring women, from actresses to activists.
Pictured above is Andrea Mowry’s Comfort Fade knit with Junkyarn DK (100% Superwash Merino) in the colorways Fleur, Lara, Dolly, and Diana. The top photo is of Holly Golightly, a VKL 2018 exclusive, and below that is the colorway Amilyn.
Fifth Floor, Booths 600, 604, 606 & 610
Not only does Dami, another dyer from Maryland, create lovely colorways, but she also collaborates with other popular yarn companies, including Spincycle Yarns from Washington State.
Pictured clockwise from the top left is 5 Pointz in Swanky DK, Paris Train and London Rain in Swanky Sock, the Stoirm cap in Swanky Sock Castaway and Spincycle Dyed in the Wool Family Jewels, and the Gailleann sweater in Domestic Worsted. Christina Danaee will be debuting both designs in the Magpie booth.
Fifth Floor, Booth 514
Based in New Jersey, Angela offers both colors and bases that take cues from pop and rock music.
Pictured clockwise from top left are Walk This Way, Rolling in the Deep, A Thousand Years, and Electric Love.
Fifth Floor, Booth 117
Marsha, who lives just a few blocks away from me in Brooklyn, crafts fun stitch markers with a geeky, pop culture spin (think Dr. Who and Harry Potter).
The above sets, which include a VKL exclusive, are just a small sampling of what she’ll be bringing. Marsha is sharing a booth with one of my favorite NYC LYSes, Woolyn, which will have store exclusive colorways from Asylum Fibers, MollyGirl and more.
Sixth Floor, Booth 1103
If you collect (or want to start to collect) knitting-related enamel pins, you need at least one from Shelli. Based in Alexandria, Virginia, Shelli also designs creative knitting-related accessories, like the gift tags, mug and t-shirt pictured above (I’ve already claimed a shirt in XS!).
Fifth Floor, Booth 114
Pronounced yock-i-gainey (think “yock” like “sock”), this team from the Youghiogheny River valley in Pennsylvania creates vibrant colorways.
Pictured clockwise from top left are Forest Sprite on Wooly Yak, Spilled Wine on Highlands Festival, Warm Honey on Silky Yak Singles, and Cloudy on Somerset Silk.
I love nostalgia, especially when it’s knitting related.
I’m continuing my tradition of an Indie Untangled Year in Review, featuring several talented knitters who finished projects in 2017 using yarn from Indie Untangled dyers. There are so many beautiful shawls, socks and sweaters — oh, the sweaters! — to show off.
Above is my On the Spice Market using Backyard Fiberworks’ Sock in Stormcloud and the Dove in a Plum Tree miniskein set (photo taken by the wonderful Nancy of Knitty City). It was one of my favorite FOs of the year.
I hope these projects provide some inspiration for your 2018 knitting.
I’ll be adding more of my favorites to this tag.
If you want some help easing your Rhinebeck hangover, or want to get that same “happy place” feeling even if you weren’t in New York this past weekend, you can browse the post-Rhinebeck pop-up shop on Indie Untangled. You’ll find the remaining skeins of Julie Asselin’s exclusive Road to Rhinebeck, Asylum Fibers’ Rhinebeck’s All the Craze, a selection of Merino/silk and plump Merino fingering across the seas from New Zealand’s Dark Harbour Yarn and the awesome Stash Indie enamel pins designed by Shelli Can. You can also preorder Indie Untangled Rhinebeck Trunk Show tote bags, which I’m having reprinted due to popular demand.
Mary’s latest sweater design, Heart of Glass, is fresh off its Rhinebeck debut. I, and I’m sure many knitters at the fairgrounds, were envious of the short-sleeved version of this drop-shouldered pullover, which drapes beautifully and features a lovely lace hem.
I’m convinced knitters will one day take over the world. Until they do, you can get your hands on Laura’s Pinky & the Brain Bag of the Month. They will be on sale from today at 9 a.m. Pacific time to Monday at midnight.
Laura’s latest design is Rusalka, a triangular shawl knit with about 175 yards each of five shades of yarn. You can vary things up with a selection of lace stitches, a bit of garter stitch and a bunch of stripes.
It’s probably a little late to knit your Halloween costume, but you can channel a dragon with Robynn’s latest designs. Haku and Chihiro are companion one-skein cowls using the dragonscale stitch pattern and beads.
Speaking of holidays, the Holidays with a capital ‘H’ are just around the corner, at least when it comes to knitting. This IU newcomer — pronounced “yock-i-gainey” — has three holiday colors to help you get in the spirit.
Samantha of Lavender Lune Yarn Co. has some aran weight yarns in her shop all ready to be made into winter hats.
It’s the last call for Pumpkin Spice Latte — mini skeins from BigFootFibers, that is.
I love seeing my favorite indie dyers and designers collaborate on special projects — especially when it’s for something as special as Rhinebeck.
Massachusetts-based designer Valerie Hobbs recently worked with Alice O’Reilly of Backyard Fiberworks on two designs that will be showcased at the Indie Untangled Rhinebeck Trunk Show next Friday, Oct. 20. The Winter Creek Vest, pictured on Valerie above, was knit with Backyard Fiberworks Field, a 100% Superwash Merino worsted weight, and her Meadow Cardigan, which will be released Nov. 1, uses Backyard Fiberworks Meadow, a DK weight MCN. Both garments will be on display at the Backyard Fiberworks booth at the show.
When Valerie is not designing patterns, she works as an interior designer and furniture consultant for a large university. I asked her to tell me a little more about her inspirations and herself.
Tell me what inspired the Winter Creek Vest and Meadowbrook Cardigan?
Winter Creek – I was playing with a long scarf and came up with the idea of shaping it around the neck and having the ends drape down the front, and then adding stitches for the armholes and body. The stitch pattern was from a cowl I had designed previously but never published. I made a fleece mock-up to figure out the draping, and the shaping of the armholes and neck.
Meadowbrook – This one started as a sketch. I had an idea for a cardigan with columns of lace that started at different points. I then turned to my stitch dictionaries to find the right lace and ended up modifying a stitch pattern from a Japanese stitch dictionary. When I had the sweater almost completed, the lace and cashmere seemed to call out for a ruffled collar. I checked with my daughter, who has excellent taste, and she agreed it would be the perfect finish!
How does your work as an interior designer inform your knitwear designs?
I work at a university – my interior design work is classic and functional to fit my clients’ needs, and I think my knitwear design is similar.
What made you decide to start designing knitwear?
Like so many designers, I was always modifying patterns, whether they were for knitting or sewing. About seven years ago, I designed a cardigan because I couldn’t find the style I wanted. I got so many requests for the pattern on Ravelry, that I published it, and then a couple of years after that, started designing more seriously. I’ve always been a designer one way or the other, whether in the theater, where I worked in costume design and construction, or as an interior designer, or for my own personal needs. So when I reconnected with knitting after a long break, designing knitwear seemed like a natural choice.
When and how did you learn to knit?
I’ve been knitting for so long I don’t even really remember. I think my grandmother taught me the basics, but mostly I learned from books — it was the pre-Internet era!
What’s the first thing you do when you start designing a pattern?
Usually, I’ll start with a sketch. I’m always scribbling down ideas – I even have a notebook in the car for those times I’m stopped in commuter traffic. When I’m ready to start a new design, I’ll go back through my notebooks to see what inspires me. Sometimes I’ll have a yarn or a stitch pattern in mind as I look at the sketches – and if not, I’ll go through my stitch dictionaries, look through my stash, research options, draw a schematic. And then I swatch!!
What are some of your favorite colors and how has designing changed them?
I like all colors except orange! My favorite is purple – but I’ve been staying away from it because it’s so hard to photograph. I seem to be using a lot of blues most recently.
Have you been to Rhinebeck before? What are some of your favorite things to see there?
Yes, I’ve been traveling there with a group of knitting friends for the last few years. My favorite thing – looking at the sweaters, shawls, and other knitted objects that people are wearing! And of course, all the yarn!
This is the fourth in a series of blog posts featuring the fabulous sponsors of the 2017 Rhinebeck Trunk Show.
Pom Pom Quarterly is one of my favorite knitting magazines, if not my very favorite. Aside from publishing four magazines a year, the team there also partners with some very talented designers to publish pattern books. The latest is Bristol Ivy’s Knitting Outside the Box, which just became available to preorder this week. If you’re going to Rhinebeck, you can also preorder it to pick up from the Merritt Bookstore booth.
The book originates from Bristol’s Knitting Outside the Box workshops and provides an insight into her design process as well as 15 garment and accessory patterns using plenty of hand-dyed yarns. I asked Bristol to tell me a bit more about it.
What inspires the designs in Knitting Outside the Box?
The designs in Knitting Outside the Box were all inspired by wanting to push boundaries. With each, I wanted to explore certain techniques and see what that method of manipulating stitches could do to create a garment that made knitters think about knitting in a new way. Whether that was starting from a different direction, combining techniques to get the result I wanted, or asking a simple “what if?” s I wanted to make sure that the way the garments worked would open new doors of exploration and thought. I also wanted to make sure that they did this while maintaining wearability and knitting interest. I hoped the garments would feel like things that I would want to knit, AND want to wear!
What makes this book different from other pattern collections?
I spend a lot of time in the book going into not just the “how” of the knitting patterns, but the “why.” Why have I chosen to use this stitch pattern? Why did I use this increase rate here, and a different one there? I talk through the process of how I use what technique where, and I hope by doing so I give other knitters the license to experiment and play with the structure of their knitting.
Which special techniques did you use and why?
The book is divided into three different sections, one of which explores exercises to help you jump-start your creativity, one of which goes through a series of ways to manipulate your fabric to get the end result that you want, and one that talks you through the design process from start to finish. Within this, I concentrated on three big areas of manipulating your fabric: increases and decreases, short rows, and stitch patterns that can change your gauge. I think each of these has so many possibilities for restructuring how we think about knitted fabric, and I really wanted to highlight them. That way, we can see how even these simple techniques that we know and have used for our entire knitting careers can make something entirely new.
Do you have any tips for knitters who are intimidated by certain techniques?
Just go for it! I think one of the best things about knitting is that it can be undone and you can start again. There’s no risk factor—at the end of the day, if what you tried didn’t work, you still have the same materials you started with, PLUS a wealth of new knowledge on what works and what doesn’t. So there’s no risk at all in trying something new, or trying something that you thought would be intimidating. Give it a go!
Why did you chose the dyers and producers that you did?
I am lucky enough to know some amazingly talented yarn dyers and producers, and it was a definite struggle narrowing down the list to just the ones used in the book! (I have my fingers crossed that someday I’ll write another book just so I can use the yarns I didn’t get to use in this one.) We had a very specific color palette that we were working with, and that dictated a bit whose yarn would work for the book. I also wanted a healthy mix of nationalities represented, since the audience for PomPom is so international. And I also chose yarn that I was just plain excited about working with! I love every garment in this book to bits and a good portion of that is that they’re all knit in AMAZING yarn.
Do you have a favorite pattern from the collection and, if so, why is it your favorite?
It changes daily! The Lillemor Shawl, the Pina Cardigan and the Arbus Pullover are always high on the list, but there’s also the Wislawa Cowl, the Carr Shawl, the Yayoi Pullover, the Mailou Mitts… it took me a long time to put together the list of designs for this book because I wanted to make sure none of them felt like throwaways or filler. I wanted each one to be significant in and of itself, and to feel true and authentic to how I feel about fabric and design. And I also wanted them to feel like something I would want to wear and never take off! My only hope is that other people will feel the same. 🙂
Preorders for the Pigeonroof Studios Knitting Our National Parks colorway are now open! Mountains and Valleys is inspired by this gorgeous photo of the Grand Canyon taken by photographer Kelsey Hilgers. It is available, appropriately, on American Sock, a skein of 100% Superwash Merino completely grown and spun in the U.S. Krista is dyeing a limited number of skeins, and they will be available to preorder through August 18th or when they sell out.
Another Knitting Our National Parks colorway means that Vicki of That Clever Clementine is releasing a new POP Thru The Parks souvenir! Starting today, preorder a SNAPdragon notions pouch with fun fabric from Amy Peppler Adams’s Soda Nation Collection. The pouches are available for preorder for two weeks or until the limited edition of 24 items is sold out (which they did last time, so act fast!).
Rebecca of Fuse Fiber Studio, one of Indie Untangled’s newest dyers, has a new website stocked with plenty of skeins of fingering and DK. Her fun dappled colorways are inspired by places she’s traveled, favorite books, funny family memories and her favorite things in nature.
Ewe want to knit more sheep? Well, Melissa Kemmerer has you covered! Are Ewe Feeling Sheepish?, a worsted-weight unisex pullover, has joined her flock of sheepy patterns on Ravelry. Melissa has more adult sweaters coming and three baby sweaters, with a fourth on the way. Join her for a sheep-a-long on Rav.
Robyn of TeenyButton Studio has released a new Harry Potter club color and she is dyeing up more to celebrate! There will be eight Harry Potter colorways for sale, including the newly-released April 2017 club colorway, Beauxbatons, and a new Halloween colorway called Dementor’s Kiss. The shop update is today at 5 p.m. Central Time.
Laura of Slipped Stitch Studios is allowing customers to make their own custom tiny Tot project bags and waiving the custom fees. There are tons of awesome fabrics to choose from and, as a bonus, you can add on a custom lanyard for $5 or use a special $6 off coupon code to mix and match with an existing lanyard.
Christine of Skeinny Dipping had her last shop update before the Rhinebeck Trunk Show.
IU newcomer Mouse House Fiber Co. has a new kit out called the Highland Thistle Cowl Kit.
Julia of Pandia’s Jewels has kits for her gorgeous I Left my Heart in the Highlands Wrap available to preorder until until July 16. Each Highlands Knit Kit includes five skeins of her Aran Tweed yarn, a shawl pin and a copy of the pattern, with a big, smooshy cable. There are two different kits available: The Highlands, which moves in a gradient from gray to dark green and Heather on the Hills, which is various shades of green and pinks.
Stephanie of Three Fates Yarn has many new awesomely-named miniskein color sets available. They include Science Is Real, which you They Might Be Giants Fans may be familiar with, and I Remember California, which goes out to my fellow REM lovers.
Jennifer of Spirit Trail Fiberworks has stocked the shop with tons of new yarn and products, including new sock blanks in bold colors and a new “market” section with stitch markers from Katrinkles Knitting Jewelry, project and notions bags, mugs and more. If you’re starting to think about your Rhinebeck sweater (it’s time…) there’s some Brigantia (DK weight Polwarth/silk) and Zalti (100% U.S. grown and processed Targhee), as well a Birte and Verdande (both Superwash Merino, Cashmere and silk) in stock.
I’ve been on the hunt for the perfect draped front sweater and Windswept by Melissa Kemmerer looks to be The One. This top-down seamless sweater is knit with fingering-weight yarn and offers the option to customize, with either subtle or wild, speckled stripes.
Add some flowers to your summer with Laura Patterson’s newest shawl design. The lovely Vervain, knit with 525 to 1,825 yards of laceweight yarn, uses two different Estonian flower stitches, one with clusters and another with double yarn overs.
Lara Smoot has released her new sock pattern, Shark Bite II: The Revenge, into the wild.
Since getting a glimpse of Alice of Backyard Fiberworks’ North Cascades Night colorway for Knitting Our National Parks, I’ve been obsessively combing Ravelry for the perfect projects. The fact that it’s a sportweight yarn means it works for a variety of patterns, from one-skein hats and mitts to pullovers and cardigans that don’t feel too endless.
I’ve found some ideas from a variety of designers, including those who post to Indie Untangled. Below is just a small list of possibilities. You can also check out the ever-growing bundle I’ve created on Ravelry.
Pleasant Trip by Laura Aylor: 3 skeins
Little Black Shawl by Laura Aylor: 2 skeins
Marshwood by Lara Smoot: 3 skeins
French Cancan by Mademoiselle C: 2 skeins
Vinegar Hill by Kirsten Kapur: 2-3 skeins
Sport Aureed by Meiju K-P: 4-8 skeins
Warszawa Soft by Meiju K-P: 5-7 skeins
Grisalia by Meiju K-P: 3-6 skeins
Celia by Mary Annarella: 3-6 skeins
Shifting by Justyna Lorkowska: 4-6 skeins
Rieth by MK Nance
Backflip Mitts by Melanie Berg
Fathom by Veera Välimäki
Portlander Mitts by Shellie Anderson
Have you found some other great ideas? Please share in the comments!
Those of you who have seen me in person know that I’m a little on the short side — 4’9″ to be exact. I barely reach Stephen West’s shoulders. So, when I heard about Teresa Gregorio’s Knit Petite Project, I knew I had to reach out.
Teresa is a designer under the name Canary Knits, who has published patterns for Knit Picks as well as in Knitscene, so she knows a thing or two about construction. Her project has started a fascinating conversation about petite sizing, common issues that petite knitters run into and altering patterns to get the best fit.
I chatted with Teresa about what she’s learned and what her goals are for the project.
What inspired the Knit Petite Project?
I started this project because, being petite myself, I’ve found there’s a lack of clear, centralized resources and discussion about the petite person and knitwear.
I love that in recent years the knitting community has opened up conversations about different sized individuals in a body-positive manner. We have a number of great resources that talk quite specifically about, for example, the plus sized woman’s body and options she has for knitwear from aesthetic choices to more inclusive size ranges.
A likewise petite-specific conversation about height and vertical measurements can create a community that knitters can go to and learn more about fit. I think it’s a conversation worth having, and that’s what I’d love for the #KnitPetiteProject.
What do you hope to achieve with the project?
I want us all to take the power into our own hands to shape our clothes to suit our tastes. We’re all makers, and that puts us in a fantastic position to achieve the modified fit we want.
To do that, I thought it would be great to have a thorough, in-depth discussion about sizing and its history, how we do or do not accept the sizes available to us, how petite people are catered to, what we want to change and how we can change it.
Ultimately, I think the most practical application of the Project is a community built around supporting each other through suggestions, conversations, a thorough online resource, and (hopefully!) a KAL later on this year.
If you feel you fit into the petite knitter category, join us! And please remember, for the #KnitPetiteProject, petite is a vertical concern and includes women of all ages, body shapes, and weights.
What have you learned so far and what has surprised you?
There has been SO much I’ve learned already! I’ve been quite careful in selecting resources, and have been steeped in scholarly papers over the last few months regarding sizing in clothing design. For example, the book Sizing in Clothing: Developing Effective Sizing Systems For Ready-To-Wear Clothing is filled with information from the history of “standardized” sizing (which isn’t that old of a history!) to specifics on grading and serving modern populations through computer-aided design software and 3D scanners that can produce data for a more representative, accurate fit.
I’ve also learned so much from discussions with other knitters about sizing; there’s a lively thread on Ravelry that in part inspired me to start a Ravelry group specifically for the #KnitPetiteProject. Hearing from others who have such deep expertise and first-hand experience has been very rich and rewarding! I appreciate their generous sharing.
How tall are you and how has that affected your sweater knitting
I’m 5’1”, and have been since I was 10 years old. I actually hadn’t given a lot of thought to my height (outside of those flares I used to wear in high school ALWAYS dragging on the ground and getting ripped up). I began considering fit a number of years ago when I started to design knitwear and sew garments for myself.
Seeing something I knit in “my size” on a person of the “same size” was VERY illuminating. My most recent post (May 2) for the #KnitPetiteProject gives a number of examples of how vertical measurements can affect the fit of a knit sweater.
For example, yoked sweaters extend a bit too far down my upper torso. This is a great example of how my shorter vertical measurements don’t line up with what the sweater assumes I’m measured, with results that I’m not happy with and are a bit more complex to alter than simply making it shorter.
I notice you reference Amy Herzog’s Custom Fit software. Have you used it? What do you think? (I’ve done a few Custom Fit sweaters and one “mashup” with Amy Christoffers’ Acer, and I have been very happy with all of them, but mashups can be tricky when using a particular design. A friend of mine Custom Fit Thea Coleman’s Ommegang, but she has a huge list of notes.)
I haven’t yet used Amy Herzog’s Custom Fit, but I love what I’ve seen of it and her Craftsy class on the topic. She’s thorough and body-positive, which is very important to me.
What I would really love is, if people are keen, we can hold a #KnitPetiteProject KAL later on this year. In it, we can each pick a sweater and work with each other through conversation and sharing online to consider what we would like to modify, and how we could achieve what we want. Amy Herzog’s Custom Fit software is perfect for this! And I’m very happy to hear you’re pleased with the results you’ve had from it.
What do you think knitwear designers can do better to accommodate a range of sizes? As a designer yourself, how is this a challenge?
Knitwear designers need size charts, and any size chart functions by averaging and assuming a body shape. So that’s a big challenge for designers. Creating a petite sizing chart would require thorough anthropometic data collection, which is a huge undertaking. I’ve been able to find size charts for petite women (up to a bust size of about 42”), but not beyond that. One size group that I’ve had a heck of a time locating detailed charts for is petite plus women.
A suggestion that’s come up during #KnitPetiteProject discussions is for designers to add, when appropriate, suggested lengthen/shorten notes within the pattern. Sort of like a sewing pattern would.
That said, row gauge and stitch gauge are tied to each other and sometimes it’s quite complicated to separate out, depending on the design elements and construction involved in the pattern.
What is crucial for knitters to know about fit and modifying patterns?
First, there’s NOTHING wrong with your body. Any fitting issues are simply a result of the fact that the shape of human bodies is very complex, and we are all going to differ from a sizing chart in one way or another.
And second, I want to encourage people to feel empowered to modify modify modify for THEIR own tastes, preferences, and body. This can be daunting, because sometimes I think it may be difficult to know why you dislike the fit of something, or why it’s fitting you in a displeasing way. It’s YOUR knitting, so change what you want, whenever you want to!
My hope is that the #KnitPetiteProject will help with this, as a resource and community filled with talented, kind, thoughtful, supportive, and body-positive individuals.