For me, this year’s Vogue Knitting Live in New York City was all about color. Yes, I know that knitting in general, and the world of hand-dyed yarn in particular, is already pretty focused on color, but my experience this weekend very much revolved around it. Believe it or not, I didn’t really think about this common theme when I picked my classes — two-color knitting with Amy Detjen on Friday morning, a color theory class with designer Veera Välimäki on Friday afternoon and a dyeing class with Felicia Lo, the owner of SweetGeorgia, on Saturday morning — but it definitely worked.
Amy’s class was a pretty straightforward technique lesson. Our homework was the start of a basic colorwork hat, moving on to using the second color in class. Amy provided instruction on how to capture longer “floats,” or the long runs between colors, and stressed the importance of keeping an even tension in both your right and left hands. I will need to practice this more, as knitting with my left hand is like learning to knit all over again, but I now feel confident enough to attempt a colorwork pattern.
Veera provided an overview of basic color theory, as well as her insights into mixing both complementary and contrasting colors, especially when using hand-dyed yarns. I enjoyed seeing the examples from her own designs (such as her Stripe Study Shawl, pictured above) and, during our in-class exercise, encouraged one of my classmates to pair her earthy green with a bright yellow and melon color.
Of course, I had to show off one of my favorite FOs, Veera’s Urban, which she was thrilled to see in person, as she’s only seen photos of the projects on Ravelry.
My dyeing class was probably the best one of the weekend. While I’ve had some experience with kettle dyeing and hand painting yarn, Felicia provided some practical information on using the right ratio of dye to fiber weight, as well as techniques to use for creating layered colors. Much of this will be in her newly-published book, Dyeing to Spin & Knit (disclosure: this is an Amazon affiliate link) which I can’t wait to get my hands on. If it’s anything like her in-person class, this book will be indispensable.
We started off the hands-on portion of the class by creating a set of mini skein gradients. As there was limited space and time, we had to split into groups of three and each create one color value (the lightness or darkness) of the gradient. Felicia had already mixed the dye powder and water, so we just had to measure out the right amount for our specific color value.
For the other techniques — low-water emersion dyeing and resist dyeing, in which you twist and untwist the skeins to get a more subtle dispersion of color — we had to choose color by committee, and ended up each make a contribution. Luckily, I was paired with some experienced classmates, including Sharon of Knit Style Yarns. For the low-water emersion skeins, we decided on orangey pink, medium blue, purple and yellow to create what I first dubbed Funfetti cake and which I later decided was very My Little Pony-esque. Our layered color started off with a short dip in light pink dye, followed by a jammy purple, mixed by yours truly, and a lighter violet.
The class definitely inspired me do some more dyeing myself and experiment with the techniques while making my own color choices.
Of course, no VKL would be complete without a trip or two (or three) to the marketplace.
I spent a fair bit of time in the Backyard Fiberworks booth, as a tiny portion of it had some Indie Untangled merch! I had teamed up with Alice, and Vicki of That Clever Clementine, on some special Indie Untangled kits that were available at the show. The kits were a big hit, and I was also thrilled to see the rest of Alice’s yarn get scooped up — the booth was very popular. She had some wonderful sock yarn mini-skein sets that were perfect for one of Melanie Berg’s designs. I snagged a pinky purply set called Dove in a Plum Tree and a light pink semisolid called Mallow to make On the Spice Market.
Aside from Backyard, I loved taking in the Neighborhood Fiber Co. booth (I’d heard at Rhinebeck that Karida wasn’t going to be at VKL this year, but luckily she ended up changing her mind!). I fell in love with a sample she had of Olga Buraya-Kefelian’s Boko-Boko Cowl, knit with Neighborhood Fiber Co. Studio Sock yarn held together with Chromium, which has steel wool to make the little points stand up. It was such a deviation from the patterns I’m normally drawn to, but it was so sculptural and interesting that I had to make it. I feel like it could be a great stand-in for a statement necklace, with the bonus of keeping me warm.
Speaking of necklaces, I was very impressed by the products at Knitten Jen’s Beads. She had kits to make your own beaded beads (wooden beads covered in beaded stockinette stitch fabric), ready-to-string beads and finished pieces. I couldn’t decide whether I wanted to DIY it or get a ready-made necklace, but I was definitely intrigued.
I also paid a visit to the Yarn Culture booth, which focused on a small collection of indies, and learned that my favorite discovery from last year’s VKL, Crave Yarn, has branched out with a new venture called Brim Collections, featuring gorgeous mill-dyed skeins and coordinating patterns. I am hoping to learn more from Amor of Crave/Brim Collections and will report on it further…
And, I made sure to get my VKL NYC limited stitch markers from Marsha of One Geek to Craft Them All.
Aside from classes and shopping, my weekend was rounded out by many familiar faces (on Saturday, I could barely get to the elevators without seeing someone I knew from my various knitting circles) and spending time with my nearby knitting friends.