In honor of LYS Day tomorrow, April 27, the Dragonfly team has created kits for Casapinka’s new pullover shawl (not a poncho!) called Magical Thinking. The yarn is the squishy Superwash Merino Dragon Sock and you can see the sample that North Carolina LYS Friends & Fiberworks worked up here in that last color combo — Silver Fox, Kelpie, Sixteen Candles— which is exclusive to their shop. You can get a list of the dozen shops that are carrying the kit here. Dragonfly will have the first three combos, along with their festival exclusive Carroll Creek Park colorway at Maryland Sheep & Wool.
Speaking of mohair, Mary Annarella’s latest sweater design, Branches In Bloom, calls for holding a strand of mohair-silk lace weight with a strand of single-ply fingering.
Michelle of Crafty Flutterby Creations has debuted the newest must-have notion, the Suavest Sheep! 3D printed by Michelle using biodegradable polylactic acid, these cuties can be used to tidy your cast-on end, hold yarn joined in the middle of your project, act as a handy color swatch to carry with you, or make for an adorable display of your favorite yarns.
Sweater Sisters’ newest team member, Dana Gervais, has released a new knee high sock pattern called Mojo. They feature 16 Bimini sparkle minis and Selena is offering the kits in two color sets. They are on sale through next Friday, May 3, only.
Kelly’s latest shawl design, Round the Mountain, has a combination of fun stitch patterns, color changes and shapes.
Time for a DK spring sale! All DK in the Big Foot Fibers shop is 20% off through April 30 using the code DkSale.
TNNA, or The National Needlearts Assocation’s summer trade show, hadn’t originally been on my calendar. Though I did have some FOMO with last year’s show (at its usual location in Columbus, Ohio, home of the knitter-approved Jeni’s ice cream) I heard that a lot of people were skipping the 2018 summer show in Cleveland because of an increase in membership dues. But Bronwyn, AKA the designer Casapinka, convinced me to attend and be her roommate, and my husband had really enjoyed Cleveland when he visited a couple years ago, so I booked my flight and packed some business cards.
Casapinka’s soon-to-be-released Acoma sweater in the Dream In Color booth.
Whereas at the show in Washington, DC, I only went on the show floor, this time I got the full TNNA experience, attending the opening night fashion show, where companies showed off the newest designs in their yarns — Acoma, Casapinka’s soon-to-be-released sweater, knit with Dream In Color Smooshy With Cashmere, was a highlight and is getting on my needles as soon as it’s published — and Sample IT!, an Indie-Untangled-at-Rhinebeck-like shopping frenzy where shop owners buy kits to make samples of the products they plan to carry.
Shelli Martinez, who’s behind the brilliant enamel pins and T-shirts of ShelliCan.
The major buzz around the show was the sharp decrease in attendance, as many shop owners, designers and others in the industry had decided not to pay the higher dues. On the flip side, over the last few years there has been an increase in the number of indie dyers attending the show to build the wholesale side of their businesses, and there were even a few dyers who only sell wholesale. It created an interesting dynamic and a lot of the shop owners I spoke with were excited to find unique products that they could introduce to their customers.
One of my favorite discoveries was Emma’s Yarn, which has a great background story: it’s run by 16-year-old dyer Emma Galati and her older sister, Aspen, who just graduated college (their parents own the Four Purls Yarn Shop in Winter Haven, Florida) and the business is part of Emma’s home schooling curriculum. Emma and Aspen currently only sell wholesale to yarn shops, or do trunk shows and events, so if you like what you see you might want to ask your LYS to look into hosting them.
I was also excited to see Cashmere People, a company I’d first discovered at a Brooklyn General trunk show during the Brooklyn yarn crawl. The company, which has a U.S. rep in Portland, Maine, works with a collective of women in Tajikistan and Afghanistan who hand spin and hand dye Cashgora and Cashmere yarns. Mainer Bristol Ivy recently designed her Shape of a Bay shawl with their Cashgora Fingering and there were also kits at Sample IT! for Carrie Bostick Hoge’s Flora Cowl.
mYak, which also has a similar fair trade ethos, sourcing yak fiber and Cashmere from a Tibetan cooperative of nomadic herders, was also at the show and a lot of yarn shops were excited about their designs from Justyna Lorkowska and Michele Wang.
Among the other indies, Twisted Owl Fiber Studio was showing off new Batman colorways. I also was excited to discover Round Mountain Fibers. The Vermont-based company’s nature-inspired colors are pretty much available only at yarn shops, but they do have an online store that offers seconds at 50% off the retail price (you may also see a Knitting Our National Parks colorway from them in the near future…).
Of course, what would a knitting event be without some sort of offshoot indie event? Jeanne of Destination Yarn came through with an open house at her gorgeous Cleveland studio.
There were TNNA attendees and non-industry knitters browsing the shelves of colorways inspired by travel, with clever base names like Postcard, Letter and Souvenir.
Overall, it was a productive trip, and you should see the ideas that were generated from it in the coming months…
I have to admit that when I first learned of the designer Casapinka, I was kind of intimidated by the idea of approaching her about posting on Indie Untangled. I had discovered her Loop shawl at the first Maryland Sheep & Wool indie pop-up at The Knot House and thought she was so talented with her innovative use of variegated yarns. I was also in awe of her colorwork skills with the Fall Is a Color hat that she designed for the 2015 Rhinebeck Trunk Show. When I learned she has worked as an ER doctor, I was convinced she was one of those people that is just so amazing at everything that you should probably hate them.
However, after getting to know Bronwyn (her real name), I was thrilled to find she is one of the most down to earth and hilarious knitters I’ve ever met. Her patterns simultaneously wow me with their brilliant use of color and crack me up with hilarious names like Welcome Back Garter, Mick Jagged and Your Slip Is Showing. I recently asked her to tell me a little bit more about her process and give me a small peek behind the speckled curtain:
You’ve worked as an emergency medicine doctor. How did you decide to become a designer?
Designing found me rather than my deciding to become a designer. I was very ill with Lyme Disease and I couldn’t stand lying around doing “nothing.” At least knitting made me feel productive… and then I found indie-dyed yarns. And I got addicted. You see where this is going!
How did you come up with Casapina and why do you use it as your designer name?
I chose the name Casapinka in 2007 when my husband and I bought a house that needed some work. Design blogs were just getting started and I would post about painting my dining room hot pink, wallpapering my dishwasher, that sort of thing. So the “Casa” part refers to the house and the “Pinka” was just chosen at whim… and then when I segued into knitwear design I just kept the name because it fit me.
When and how did you learn to knit?
As an exchange student in high school, I lived in New Zealand, land of three million people and 70 million sheep. I was stranded one week in the rain during spring vacation at a friend’s house on Lake Taupo. It poured for days and her sister knit most of a sweater during this time. It looked so boring and lame to be knitting, but as the week went on, we’d watched a bunch of movies and had nothing to show for it — and she had this amazing sweater. I actually thought those tiny needles and the slowness of knitting meant actually making a sweater was impossible, but as a metaphor for anything difficult, knitting consistently builds on itself. I was completely hooked and learned how to knit intarsia immediately so I could “draw” with my yarn.
Tell me about what inspires your designs.
Color! I adore rich color, hand-dyed yarn, and how different stitches work to show off the colors in the yarn. It usually begins with a color combination that catches my eye or a stitch pattern, a photograph, or some combination of the three. Seeing how indie dyers combine their colors is also inspiring and I never tire of looking at their Instagram posts.
What’s the first thing you do when you start designing a pattern?
It all begins with the yarn. If I know I want to knit something in particular (for example, I’m working on a swing coat right now) I don’t do anything until I find the right yarn. Sometimes, the yarn isn’t available in enough yards. Sometimes, it’s discontinued or in another country, or looks different in person compared to online. I adore when a local yarn store has a yarn for me because it’s the best of all worlds.
If a dyer has contacted me to do a design, I have to get the yarn first. Sometimes I’ll do a private Pinterest board with the dyer to get an idea of a particular inspiration that they would like, but usually I get free reign. If I try too much to make it into something specific I fall flat on my face. And finally, I’m sometimes asked to submit a proposal or draw a design that I have in mind. My drawings are laughable and do not reflect what goes on in my head. I can’t seem to make my vision go through my hand onto paper — just onto knitting needles.
What are your favorite colors and have they changed at all since you started designing?
Despite the moniker “Casapinka” I adore aqua. All shades of aqua! I also love pink but not all colors of pink. A gorgeous blue-red cannot be beat. Magenta (is that considered pink?) and recently certain greens are on my radar. It has absolutely changed and constantly changes, especially with the invention of speckled yarns. Suddenly, I can have a tiny bit of a certain color and it grows on me until I’m in love, like some of the gold/yellows… Oh, and did I mention coral? That’s a new obsession!
You’ve published a few sweater designs, but is there a reason you stick to shawls and accessories?
This is entirely by accident. I’ve made and designed a lot of sweaters but didn’t publish them because I don’t enjoy grading of sizes — and only learned about the all-important technical editor a few years ago. I’m fairly addicted to shawl knitting but I also have plans for more sweaters. The portability of accessories is also handy, as I have ended up knitting during swim meets, robotics practices, and Rubik’s Cube competitions. I actually have a tunic, a sweater, and a coat coming out in conjunction with Edinburgh Yarn Festival.
Where is your favorite place to knit?
I love, love, love knitting in airports. I’m a plane/airport geek and can sit there for hours staring out at the runway, coffee by my side, phone turned off. I’m one of the rare humans who welcomes an airport delay (if I have my knitting, of course).