2018 Year In Review: IU dyers and yarns

I get so much inspiration from the knitters who find wonderful things to make with hand-dyed yarn — especially when they get creative and combine yarns from different indie dyers in colorwork projects, or find the perfect pattern for that semisolid or speckled colorway. Here’s a compilation of my favorite projects using yarn from Indie Untangled artisans.

Above is perhaps my favorite project of the year, Vicki’s All Points South with Dark Harbour Yarn Starboard, Duck Duck Wool Silky Singleton and The Farmer’s Daughter Fibers Foxy Lady. I love how the four colorways from three different dyers look meant for each other (and I definitely looked to Vicki’s pullover shawl, as the designer Casapinka calls it, as inspiration when knitting my version with Duck Duck Wool.

Mary’s Heart of Glass with Duck Duck Wool 80/20 Merino Silk Fingering

Carol’s Tulle Shawl with Spun Right Round Superwash Sock 80/20

Lavanya’s Rue St. Antoine with Astral Bath Yarns Astral Sport

Amanda’s Beeline with Marianated Yarns Scrumptious HT

Karen’s Yin & Yang Loop with Middle Brook Fiberworks Vintage No. 3

Jenn’s Stripey Cowl with Canon Hand Dyes Charles Sock

Elizabeth’s Sunset Highway with Hue Loco Single Sock, Skeinny Dipping Merino Single and Voolenvine Yarns Nouveau

Kate’s Guthrie with Spincycle Yarns Dyed in the Wool and The Farmer’s Daughter Fibers Juicy DK — which won the 2018 Indie Untangled KAL

2018 Year In Review: IU exclusives

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One of the best things about running Indie Untangled is getting to work with talented dyers to come up with exclusive colorways, whether it’s for the Rhinebeck Trunk Show, the Knitting Our National Parks project or the Where We Knit yarn club. And while I love collecting hand-dyed yarn as much as the next knitter, I truly enjoy seeing those colorways put to use in beautiful sweaters, shawls, cowls and more.

For the 2018 Indie Untangled Year In Review, I’ve compiled some of my favorite projects that use Indie Untangled exclusives.

Pictured above is Cecilia’s Sunset Highway with La Bien Aimée Merino Singles in Automne à Rhinebeck, Asylum Fibers Solitary in Rhinebeck’s All The Craze, Dark Harbour Yarn Port in Davy Jones Locker and La Bien Aimée Merino Singles in Yellow Brick Road

Aimee’s Rainshadow in La Bien Aimée Merino Singles Kingston and Hudson

Janet’s Local Yarn Shawl with The Farmer’s Daughter Fibers Foxy Lady in Kiowa

Kelly’s Glaciers and Wildflowers Pullover with Duck Duck Wool DK Limited in Glaciers and Wildflowers

Tawana’s The Doodler with La Bien Aimée Merino Singles in Automne à Rhinebeck and Asylum Fibers Solitary in Rhinebeck’s All The Craze and Sleepless

Deborah’s Do It Up with Gauge Dye Works SHAWL: MCN Fingering in Hudson Valley

Jerrill’s Birds and Ships with Little Fox Yarn Vixen in Birds and Ships

Amy’s Close To You with Asylum Fibers Solitary in Acadia Lights

Abigail’s Concentra Cowl with Backyard Fiberworks Terrain in North Cascades Night and Merino 2/6

Maggie’s Lemon Pie with La Bien Aimée Merino DK in Automne à Rhinebeck

See many more FO’s using yarn from Indie Untangled dyers here.

2018 Indie Untangled holiday newsletter giveaway

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In what has become an Indie Untangled holiday tradition, I am thanking the knitters who invite me into their inboxes each week with a special holiday giveaway.

For the 2018 Newsletters to Santa and Hanukah Harry giveaway, I’ve gathered together some amazing prizes from several artisans, some who were new to the Indie Untangled community this year and others who are favorites, and doing a string of giveaways (eight plus one) starting this Monday and running through Christmas Day.

Here are the rules: Sign up for the Indie Untangled newsletter by 9 p.m. EST and you will be eligible to win that day’s prize (anyone already on the mailing list is entered to win). After 9 p.m., I’ll pick a winner via random number generator and send out an email. The winner will arrange shipment with the dyer/artisan. The grand prize will be a very special package of yarn and knitting stocking stuffers that I will ship out to the winner.

PLEASE NOTE: Winners must respond within 48 hours of when the notification email is sent to claim the prize. If not, another winner will be selected.

Here’s the schedule:

December 17: A skein of the winner’s choice from McMullin Fiber Co.

Congrats to winner Donna!

December 18: A skein of the winner’s choice from Hazel Knits

Congrats to winner Kathy!

December 19: A sterling silver double sided “Yarn Life” and stockinette stitch motif necklace from Porterness Studio

Congrats to winner Janet!

December 20: A skein of the winner’s choice from Murky Depths Dyeworks

Congrats to winner Natalie!

December 21: A skein of the winner’s choice from October House Fiber Arts

Congrats to winner Cheryl!

December 22: Two skeins of yarn and a project bag from Lady Dye Yarns

Congrats to winner Rhianna!

December 23: The winner helps hellomello handspun create a custom color.

December 24: A Birds of a Feather kit from Junkyarn

Congrats to winner Shelagh!

December 25: A project bag from Woodsy and Wild, yarn from Magpie Fibers, pins from Shelli Can, project bag tags from Katrinkles and a Stash Rabbit pin from Indie Untangled.

One other winner will also receive a set of four OOAK skeins of DK-weight Selene from Spirit Trail Fiberworks and swag from this year’s Indie Untangled Rhinebeck Trunk Show.

Congrats to winners Jody and Patricia!

Untangling C.C. Almon of Javapurl Designs

C.C. wearing her A Walk in the Park Cowl.

Knitting and caffeine seem to go together like, well, yarn and needles. C.C. Almon of Javapurl Designs takes that to the next level with her designs, many of them coffee related, or with a geeky twist. There’s also a bit of Gilmore Girls thrown in (again, coffee) as she often collaborates on collections with her daughter, Dami.

C.C. also often works with dyer Julia of Pandia’s Jewels, and for this year’s Where We Knit yarn club, she created two items: her Brackett’s Landing socks and cowl are now available to purchase.

When and how did you learn to knit and how did you decide to become a designer?

I’ve always been crafty having grown up with a great-grandmother who did needlework, a grandmother who painted and sewed and a momma who did lots of crafts including cross stitch. I dabbled in lots of crafts over the years, but had always wanted to learn to knit. Why? I’m not sure. I didn’t know anyone who knit. It was just always calling to me.

So I finally answered the call in 2005 when I purchase a Learn to Knit kit from a big box store. I was instantly in love! The first few years, I knit mostly blankets and hats.

Things exploded in 2012 when I took a sock knitting class. In 2013, I released my first big pattern (Rescue Me, Chin Boy, & Show Me the Stars – a Doctor Who-inspired Socks) after I was gifted a gorgeous skein of yarn that I knew needed to be a certain pattern, but I couldn’t locate one, so I made it up.

Since then, I’ve designed 60 patterns (mainly socks, but also shawls, cowls, and a few miscellaneous things).

What did you do before becoming a designer and how does it inform your design work?

My final job before I became disabled was as a hospital chaplain. My primary unit was the Neonatal Intensive Care Unit (NICU). I desperately miss working with those wee babes and their families. As a way to continue to bless them, I designed my Top Down Preemie Hat pattern (free on Ravelry) with seven sizes from 24 weeks to full-term. Since 2014, I have knit one preemie hat each week which I then donate to a local hospital.

How did you decide to team up with your daughter, Dami, and how do you work together on your designs?

My Dami (she’s 19 years old and a freshman in college) is a prolific knitter. For a couple of years, she helped me by knitting the samples for my designs. In 2016, she had an idea for a pair of socks inspired by the TV show Elementary. Once she designed those, she continued with eight further patterns and she is now working on a collection of patterns inspired by one of her favourite musicals, Hadestown. We haven’t both collaborated on singular designs, but rather design our own things that then come together in a collection or book.

Tell me about what inspires your designs.

Our pattern design inspirations range from geeky things like Doctor Who and Elementary, to TV shows such as Gilmore Girls and Outlander, to coffee, to colourways that demanded to be something, to locations such as the city of Edinburgh, and more.

What’s the first thing you do when you start designing a pattern?

I need to connect to the specific thing that inspires me (whether it’s a TV show or a colourway or a location or a coffee drink) first and then the design flows out of that.

What are your favorite colors and have they changed at all since you started designing?

PINK!!!!!!!!!! Always PINK!!!!!! (Although I have surprised some people recently by sharing that my second favourite colour is orange, not bright orange, but rather that autumnal burnt orange.) I love PINK so much that we designed an entire book inspired by the colour (Tickled PINK ~ two designers, four indie dyers, eight PINK-tastic patterns).

ks.jpg” alt=”” width=”700″ height=”700″ class=”size-full wp-image-15447″ /> I Love You More Than Pumpkin Spice Socks

Where is your favorite place to knit?

In a coffeeshop with a cuppa coffee (what kind varies by the season, pumpkin spice lattes are my absolute favourite) with either a good friend to chat with or a good book to read or an intriguing podcast to listen to.

Indie turns 5 at Rhinebeck

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Organizing each year’s Indie Untangled Rhinebeck Trunk Show is like completing a new knitting project. With nearly every one, I learn something new that makes me a better knitter. I get a little help — sometimes a lot of help — from my fellow stitchers. And I have late, often sleepless nights coming up with solutions to tricky problems.

And, as much as I knit, my stash continues to grow…

There were a lot of changes this year. The show moved to a new venue in Saugerties, which provided much more space, and natural light, for shopping than our previous home at the Best Western. We expanded the hours. It was also, for the first time, a fully ticketed show, and we utilized shuttle buses to ensure the venue’s parking lot wouldn’t be overtaxed. After the unprecedented crowds, long lines and parking issues of last year, these were things that had to be done, though I regret this meant that not everyone who wanted to come was able to.

While many shoppers were anxious about this new system, it was, overall, a relaxed and celebratory atmosphere — with a little bit of that festival frenzy thrown in.

My fellow helpers and I — including Petrina Hicks, a knitting friend who I discovered, via Instagram, lives across the street from me and is an event planner! — learned a lot from this year’s show. I know it will help ensure that future Indie Untangled events, whether it’s a kickoff to Rhinebeck or special event in Brooklyn, become my, and your, favorite FO yet.

And speaking of knitting friends, here are some photos of Indie Untangled 2018 taken by my talented friend Carolina of Triple C Photography.

Working the Night Shift at the Spincycle Booth.

Designers Catherine Clark and Caitlin Hunter pose for one of many pics.

A shopper spotted with multiple Indie Untangled bags.

A wall of color at the Hue Loco booth.

More beauties at Junkyarn.

Checking out the colors from IU newcomer Hu Made.

Taking a (short) break from shopping in the MDK Lounge.

Colorful project bags from That Clever Clementine and wooden goodies from Katrinkles.

Showing off my All Points South while taking in my other indie FO.

Getting ready for Rhinebeck with Mason-Dixon Knitting

This is the 12th in a series of blog posts featuring the fabulous sponsors of the 2018 Rhinebeck Trunk Show.

Ann Shayne and Kay Gardiner of Mason Dixon Knitting have been corresponding about knitting since 2003, so they know a thing or two about Rhinebeck. This year, they will be the hostesses with the mostest in what is being dubbed the MDK Lounge at the fifth annual Indie Untangled Trunk Show.

I recently asked Ann and Kaye about their plans for the big weekend:

Who are you both most looking forward to seeing at the Indie Untangled Rhinebeck Trunk Show?

An event like Indie Untangled gives us the opportunity to see our invisible internet friends in actual 3D human form — it’s incredibly good fun. We’ll be in the Indie Untangled Lounge all day — beginning at 1 p.m. rope drop! — so we hope to say Hi to as many folks as we can. Really looking forward to talking yarns and designs with everybody. Pub nights are kind of a branded thing with us. We love a good sit ’n’ knit.

Tell me about some of the most recent dyers that you’ve stocked your shop with.

The MDK Shop, our online yarn emporium, features a bunch of dyers that we admire and respect so much — a number of them are Indie Untangled vendors, and we’re proud to be working with them. Recently, that group includes Julie Asselin of Julie Asselin Yarns, Amy Lee Serradell of Canon Hand Dyes and Alice O’Reilly of Backyard Fiberworks. We met them all at Indie Untangled, so it’s a bit of a reunion to get to see them again. And we have an MDK exclusive, beautiful yarn coming soon from Karin Maag-Tanchak and Jill Draper.

Are there any indie dyers and designers that you think should be on knitters’ radars?

We often say we’re living in a golden age of yarn — it’s hard for us to keep up with the dyers who are emerging on the scene, but what a wonderful problem to have. Naturally-dyed yarns are really making us happy these days. Brooke Sinnes of Sincere Sheep is brilliant at pairing beautiful fibers with her color sense. Marcia McDonald of Lana Plantae gets these incredibly vibrant colors from plant dyes. And Meg Anderson of Nutmeg Yarns is working in the gentlest, softest palette imaginable.

Ann’s Birkin by Caitlin Hunter.

What are you each planning to wear to both Indie Untangled and the New York Sheep & Wool Festival?

We hope for a daily high of 57 degrees, because that is the perfect temperature for SWEATA WEATHA. Ann has about a half dozen potential sweaters, ranging from Carbeth by Kate Davies (in case there is a blizzard—that thing is HOT) to Birkin by Caitlin Hunter (fingering weight). Kay is madly knitting away on a vintage Kaffe Fassett kit from 1986 that is going to ROCK THE FESTIVAL one of these days (three years since cast-on! This could be the year!). If the Kaffe is not quite ready for showtime, and even if it is, Kay’s brand-new Savage Heart Cardigan by Amy Christoffers is going to make its maiden voyage this year.

What do you think is going to be the most-seen sweater at Rhinebeck this year?

Our prediction: many, many, many yoke sweaters. When have we ever had such a bumper crop of yoke designs? My guess: Humulus (Isabell Kraemer). More Birkins (Caitlin Hunter) Fades being found all over the place. And Carbeth, our Bang Out a Sweater sweater of 2018, will surely be everywhere if the temps are cool enough. (You could cast one on right now and get it done in time. We aren’t kidding when we say BANG OUT.)

Tell me the projects that are currently on your needles.

Ann: Making a giant Parallelogram Scarf by Cecelia Campochiaro from MDK Field Guide No. 5: Sequences. And Thea Colman’s Appleseed Mitts from MDK Field Guide No. 8: Merry Making. And every other pattern from that Field Guide because we’re in the midst of a giant Bunchalong on MDK, where knitters are making holiday gifts in multiples. I’ve got ten weeks and a mighty momentum getting warmed up.

Kay: Currently blocking: three (three!) Stranded Diamonds Hats from MDK Field Guide No. 8. Next up: untold numbers of Slip-Stitch Caps and Appleseed Mitts and Chalice Cowls from Field Guide No. 8. I’m going to win the Bunchalong. (Wait — I’m not eligible to win the Bunchalong. But: bragging rights!)

Stranded Diamonds Hats from MDK Field Guide No. 8.

What are each of your favorite FOs from the last year?

Ann: I love my Birkin yoke sweater by Caitlin Hunter so, so much. I used Backyard Fiberworks Sock in the shades of Jamberry and Patio, aka the loudest colorway I’ve ever made. It makes me feel pretty and witty and bright.

Kay: My most recent FO is always my fave. I love love lurve my Savage Heart Cardigan, and may cast on a second one in Spud & Chloe Sweater, because it’s such a perfect match for the pattern. I also have to give a big thumbs-up to the Parallelogram Scarf from Field Guide No. 5. I’ve made 2, which are really 3, since the second one was a double-wide version. Once you start some soothing sequence knitting with Freia Fibers’ slow-changing Shawl Balls, you can’t really find a good stopping point. Just… keep… knitting…

The Knot House gets ready for Rhinebeck

This is the 11th in a series of blog posts featuring the fabulous sponsors of the 2018 Rhinebeck Trunk Show.

The Knot House in Frederick, Maryland, is an LYS that really supports indie dyers. It’s where trunk show vendor Dami of Magpie Fibers learned to knit and launched her company and always showcases the latest and greatest at their indie pop-up during the Maryland Sheep and Wool Festival.

I asked owners Heather and Cathy to give us a look at their plans for Rhinebeck and also learned about a new dyer who has come on the scene…

Who are you both most looking forward to seeing at the Indie Untangled Rhinebeck Trunk Show?

Hu Made. We haven’t met Amanda, so we are looking forward to meeting her and seeing her yarns in person.

Tell me about some of the most recent dyers that you’ve stocked your shop with.

We have two that we have added recently:

1) Nice & Knit – We love their Sock and DK. They have great colors and are just a pleasure to work with.

2) Chasing Rabbits – Love the Sock and her colors.

Cathy and Heather

Are there any indie dyers and designers that you think should be on knitters’ radars?

I have to give myself a plug here. We have our own hand-dyed yarns now. We launched our La Di Da DK and Mo Debonair Mohair earlier this fall. With the focus on sweaters, we have focused on tonal solids.

How did you decide to dye your own yarn?

I don’t really know. I had thought about it before but never really thought of myself as an artist. But Mom and I thought I should try to supplement the shop. So Mom ordered yarn and I ordered dye and got started.

Where do you dye?

I currently dye in my home kitchen but we are working on building out a small studio in the basement.

What inspires your colors?

I have always loved textiles and have been known to spend way to much on decor fabrics. I love a room done well with pops of color. So I get a lot of inspiration from home decor pictures and fabrics. I also love timeless fashion. Matter of fact, I took a picture of Uma Thurman in the streets of NYC in 1987 and used it to come up with a small collection. In my option, yarn colors have to be truly wearable. I will be doing a sock weight in variegated fun stuff soon!

What are you each planning to wear to both Indie Untangled and the New York Sheep & Wool Festival?

Not exactly sure yet, but I’m sure Mom and I will both be wearing something from Boyland Knitworks and/or Andrea Mowry.

An FO of Caitlin Hunter’s Tecumseh.


What do you think is going to be the most-seen sweater at Rhinebeck this year?

Tecumseh and The Throw Back!

Tell me the projects that are currently on your needles.

Mom is working on Caitlin’s Ramblin Woman Cardigan [a pattern that is debuting at Indie Untangled] using Knot House La Di Da DK. I am working on Millie by Nice & Knit and the Aim True Hat by Caitlin Hunter.

Cathy’s Sipila sweater.

What are each of your favorite FOs from the last year?

I think mine is still Sunset Highway and Mom’s is her Sipila sweater.

Viola’s ‘Knits About Winter’

This is the 10th in a series of blog posts featuring the fabulous sponsors of the 2018 Rhinebeck Trunk Show.

Ever since I discovered indie-dyed yarn, Viola has been one of the dyers whose yarns I have lusted after. Emily’s colors are lightly speckled, but not the eye-poppingly bright speckles that have become popular in recent years. They’re more like gelato, with subtle swirls that look good enough to eat.

While following Emily’s business over the years, through her work experience with UK-based mill John Arbon Textiles — which created a line of colors inspired by her — to her move to a studio in Mooresburg, Ontario, and development of bases, like her Mooresburg DK, it was my dream to have her vend at the Indie Untangled Rhinebeck Trunk Show. So I was thrilled when, earlier this year, Amy of Pom Pom Quarterly asked if Emily could have a booth to sell her yarns, which would be featured in Knits About Winter, a book of Emily’s designs that Pom Pom Press was publishing in the fall.

In advance of the premier of Knits About Winter at the New York Sheep & Wool Festival (you can preorder your copy from the Merritt Bookstore to pick up in their booth at the festival), I spoke to Emily about the book and her work as a dyer.

What inspires the designs in Knits About Winter?

Knits About Winter is entirely inspired by the winter landscape surrounding my home in Mooresburg, Ontario. I moved here at the beginning of a very cold and snowy winter a few years ago and was almost instantly captivated by the quiet magic of winters here. Winter can be cold and harsh but also mysterious and magical. My goal with each of the designs in Knits About Winter was to create patterns that would be warm and comfortable in the cold of winter, all the while remembering the colours, shapes and light of winter.

Did you come up with new colorways for the collection?

Yes! There are four new Viola colourways that are launching at the same time as the book. Each colourway is also inspired by Mooresburg winters past and present. I knew roughly what I wanted each colour to be, but did a lot of visual research and experimenting before I landed on the finished colourways. Visual research is one of the most fun jobs that I have, especially in winter, because it involved frequent snowshoeing adventures with my camera! Each colourway is inspired by a variety of different sights in my winter landscape. I decided to combine elements of texture, light, shape and, of course, colour that stood out to me and suited the palette I wanted to achieve.

Do you have a favorite pattern from the collection and, if so, why is it your favorite?

My answer to this question changes every day, so I suppose they’re all my favourites. My focus was to create designs that would be versatile and serviceable, yet beautiful. I also wanted to create pieces that would be easy to layer and wear together, so I think of these patterns as a knitted outfit rather than individual pieces. I can honestly say that I can’t wait to wear all of them, and am so pleased with their minimalistic beauty and wearability.

Tell me about how you got started dyeing yarn.

After working in a small knitting store in Toronto, I discovered the wonders of hand-dyed yarns. It didn’t take long before I was experimenting with dyes for myself, and just a little while longer before customers at the shop claimed skeins for themselves. The business grew quickly from there, along with my dyeing and business skills. I learned everything as I went along, through lots of trial and error and lots of making mistakes.

How did you decide on the name Viola?

That was an easy decision actually. Viola is the name of both of my grandmothers! Both women were seriously talented knitters and made my sister and I countless amazing outfits. One grandma is even known to have been able to knit whilst reading a book and snacking (I think apple slices were her favourite).

Do you have a favorite color or colors, and have they changed since you became a dyer?

That’s even trickier than choosing a favourite design from the book! I find that my colour preferences change reliably with the seasons, even more than they change through the years. Since I started dyeing yarn I have developed a more focused way of observing colours around me. Right now (and I think always) I know that I am drawn to complex, layered and hazy colours. I’ll always pause to inspect a colour under frost or water or behind mist. Reflections in puddles or the sky hidden by clouds. A bright colour might catch my eye, but it is usually the murky tones, textures and light around that colour that interest me. I also like to explore the balance between warm and cool in colours, and often prefer shades that land right in the middle.

That said, I do have some favourite starting points, they become more faded and subdued in the winter and a little more colourful towards the summer. All types of pink, copper, peach, beige, gold and olive are my go to shades, and I use these colours more often than you might think in all Viola colourways.

Is there a color that you would love to dye, but that is challenging to create?

This happens to me quite often, actually. The more layers of dye in a colourway, the easier it is to tip too far in one direction or another and become too hazy or simply transform into another colour altogether. Often I discover great new ideas when overdyeing colours that I’m not happy with, and that’s just what happened with a colour called Peat that I’ve been struggling with for months. I’ll get there, because it is a beautiful and moody colour (and I want to knit a sweater with it!) but often the first run of a colour is almost impossible to recreate for me.

Tell me about the decision to work for John Arbon. What were some of the best things you learned while there and how did it inform your dyeing?

About three years after I “accidentally” started Viola I was feeling overwhelmed by how quickly the business had grown. It was a fluke that John and Juliet had a job opening up exactly when I contacted them, and even more of a fluke that they took a chance on a Canadian girl they’d never spoken to before! I think it only took about a month or two from contacting them, to boarding the plane to England.

I loved working for John and Juliet as well as living in beautiful North Devon. I learned more that I could have ever hoped to about fibre, yarn construction and operating loud and dangerous fibre processing machinery. I think the most useful thing that I took away from my time at John Arbon Textiles was John and Juliet’s attitude, creativity and work ethic. I never slacked off at Viola, but would often struggle when a problem arose. Running a small business, this happens at least once a day. Watching John and Juliet navigate similar issues rationally and calmly taught me that there is no ready made solution and I have to figure it all out for myself. I still struggle with complicated problems and decisions, of course, but take comfort in the fact that I am in control of the journey as well as the outcome.

How has having a new studio space changed your business?

I have been working in the new studio space for just over two years. When we renovated the space I was optimistic that it would make my dyeing process more efficient and as of about three months ago, it finally did. My answer to this question two years ago would have been that the new space will allow me to dye more yarn and be more productive. While that would have been fantastic, I think my business gained something even more valuable – resiliency. Countless things have broken, gone wrong, fallen apart, frozen, blown up and been eaten by ants. Just at the moment that one problem was fixed, the next one materialized. Amidst it all, I simply had to keep going and deal with the issues as they arose. The new studio space as taught me that good things take time, and lots of patience. It’s working really well at the moment, but I am still braced for the next potential catastrophe.

Kitterly gets ready for Rhinebeck

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From left to right: Kitterly co-founders Elizabeth Rowen and and Mari Bower.

This is the ninth in a series of blog posts featuring the fabulous sponsors of the 2018 Rhinebeck Trunk Show.

Can you believe it’s exactly one month until Indie Untangled — and Rhinebeck?! Before this popular knitting weekend extravaganza, I asked Elizabeth Rowen and Mari Bower, the founders of Kitterly, which sells knitting and crochet kits, to talk about their plans for Rhinebeck and their predictions for this year’s most popular Indie Untangled and Rhinebeck sweaters.

Who are you both most looking forward to seeing at the Indie Untangled Rhinebeck Trunk Show?

We’re really excited to see the variety of products, new products that inspire us and catch up with our vendors and meet new ones!

What are each of your Top 5 favorite Kitterly kits from the last year?

Mari: From a site popularity standpoint, the Sushi Scarf by Stephanie Shiman and Wonderland Yarns is a perennial favorite with our customers.

We’ve been so fortunate to work with so many amazing designers like Andrea Mowry, Isabell Kraemer and Melanie Berg, to name a few. It’s been fun to meet and feature designers from all over the world.

Liz: I love them all! Our designers as so talented and it’s always so inspiring to work with them.

Sushi Scarf by Stephanie Shiman.

Are there any indie dyers and designers that you think should be on knitters’ radars?

Mara of Aya Fibers
Steffi of Uschitita
Renee of Spun Right Round
Aimee of La Bien Aimée

There are so many more we could list but we’re running out of space!

What are you both planning to wear to Indie Untangled and the New York Sheep & Wool Festival?

Mari: Depending on weather I’m going to wear my newly knit Humulus pullover by Isabel Kraemer knit in The Fibre Company Cumbria and Spincycle Dream State. I hope to be able to finish my Rose cardigan, knit in Olann Sock Sport, in time.

Liz: I’m going bring my Sheltered poncho by Andrea Mowry, my Sipila pullover knit in Olann Singles as well as my Impressionists shawl by Helen Stewart. Hoping to have my Comfort Fade cardi in Olann complete too!

The Throwback © Andrea Mowry

What do you think is going to be the most-seen sweater at Rhinebeck this year?

Mari: I’ll think we’ll see a bunch of The Throwback cardis by Andrea Mowry, Sipila by Caitlin Hunter, Rose cardigan by Andrea Mowry, Carbeth Cardigan by Kate Davies and Weekender by Andrea Mowry.

Liz: I imagine we’ll see many Fading Points by Joji, Comfort Fade Cardi by Andrea Mowry and The Doodler by Stephen West.

Tell me the things that are currently on your needles.

Mari: Rose cardigan by Andrea Mowry and Separate Ways by Joji.

Liz: Comfort Fade Cardi by Andrea Mowry, Neridah by Ambah O’Brien and a test knit for Lesley Robinson of Knit Graffiti.

A WIP of Mix and Mingle by Andrea Mowry.

What are each of your favorite FOs from the last year?

Mari: Weekender by Andrea, Mix and Mingle, a Kitterly Special project for Kitterly by Andrea Mowry, and Kobuk by Caitlin Hunter.

Liz: Too many to name!

Pre-Rhinebeck Untangling: Amor Valdez of Crave Yarn

This is the eighth in a series of blog posts featuring the fabulous sponsors of the 2018 Rhinebeck Trunk Show.

The upstate New York LYS Yarn Culture has been a fixture at knitting marketplaces around the country — this will be Patti and Mitch’s fourth year as a vendor and sponsor for the Indie Untangled Rhinebeck Show.

Yarn Culture always brings a variety of dyers and indie yarn companies. This year, they will be representing Crave Yarn, Spun Right Round, The Uncommon Thread and WalkCollection. I decided to learn a little bit more about Amor Valdez, the New Mexico based dyer behind Crave who also has an LYS of her own — AMORES in Santa Fe.

Tell me about how you got started dyeing yarn.

My dyepot journey was catalyzed by a hunt for pistachio green. I wanted to knit a shawl for a friend in her favorite color, as a personalized gesture to say, “I see you and love you.” Her favorite color, you likely guessed, is pistachio green. The hunt in my LYSs was in vein, but it did lead me to the doorstep of perhaps the most life-changing lighting bolt of an idea… maybe I can dye the color myself.

I found an online course created by Kim McKenna. In this course Kim guides you through the process of creating a color wheel in tiny mini skeins to get acquainted with color theory and dyeing methods simultaneously. Well, once I got started I just couldn’t stop with the mini skeins and color play. Approximately 200 mini skeins later, I dyed my first full skeins in, predictably, pistachio green. Even though I was at the tail end of graduate school at the time, I dove full tilt into the realm of color and fiber. And when I completed my degree, I respectfully tucked it away, and started Crave Yarn… as I couldn’t imagine wanting to do anything else.

Explain how your Crave yarn is dyed, as I understand it’s done on a much larger scale than other home or studio-based dyers.

Crave operates on two scales simultaneously. As my wholesale representation expanded, I found myself dyeing 10+ pots a day of a single colorway and eventually felt that there must be a better way to fulfill this portion of yarn demand. At that time, my colorways were primarily semi-solids. So I explored the prospect of working with a small batch dyehouse. Of course, a dyehouse small batch is 10 to 20 times larger than my personal dyepot capacity. So I focused my energies on creating beautiful color stories in the form of cohesive color palettes. For each palette, I dyed an average of 50 samples per color to find precisely the hue that I was after to fit in with the full color spread. I made a tandem shift toward custom-milled yarn bases, giving me the freedom to create the fiber blends, weights and yarn structures that I dreamed of. These yarn lines are the result of my artisan passions, but can now be maintained and reproduced on a scale that allows me to reach more shops and fiber artists with my fiber and color love.

Another reason for this shift was to create space in my studio schedule to return to my artisan passion for color play with more freedom. Alongside my solid colors, I threw myself into the creation of one-of-a-kind colorways on my custom bases and on any other yarn bases that inspire me to explore the beautiful and infinite possibilities of color. These colorways are available in my Santa Fe Shop, AMORES, and soon online. They will also be featured in the Yarn Culture booth at the Indie Untangled Trunk Show!

Tell me about the decision to open AMORES and how it stands apart from other yarn shops.

AMORES Yarn Shop + Studio is my wildest fiber dream come true. The first time I stepped into a yarn shop, I was immediately struck by cupid’s arrow. That was eight years ago, and I think I have been planning my own shop since that very moment. One year ago, I felt that the time had arrived to pluck the notion from my daydreams and begin the search for a location. In 300 square feet and with the endless support and talents of my family, AMORES was born. It is a beautiful sunlit showroom where I feature the fibers that I love and the colorways I create. Along with a wide selection of knit samples that inspire my customers (and myself) to try new techniques, to embrace the elegance of simplicity and to imagine the power of color to uplift mood and self (not an overstatement). Aside from a small lovingly-curated collection of notions and tools, the shop is focused on my fiber projects and collaborations.

By far, the greatest gift received by opening the shop is the community. I have met the most amazing and kind individuals, fellow Santa Feans and visitors alike. It really has been wonderful to join and serve our ever growing knitting community in a new way— and to create a space where fiber lovers are valued and celebrated for their craft and friendship.

Do you have a favorite color or colors, and have they changed since you became a dyer?

I definitely have favorite colors, but since becoming a dyer it is basically a rapidly changing and hugely expansive category for me. I fall in love with new colors every time I step into my studio or hang a new colorway in the shop. So I would have to say that more than changing my “favorite colors,” my dye life has changed the way I see and value color.

My favorite colors change with my mood, with the quality of the light, with the season, with a song transition on the radio. It’s an extremely dynamic and playful aspect of my life, for sure. Above all, I think I am acutely tapped into the way colors make me feel about the moment, the day, myself, the place I find myself in, the world and about what is possible.

When and how did you learn to knit?

I learned how to knit 14 years ago when I was pregnant with my youngest daughter. I made a garter scarf… although as I think of it now, I’m not sure I actually finished it. It didn’t really stick at that point. Then I got curious again in 2008 and like a message from the gods I stumbled upon the newly minted Ravelry. Fun fact about me, my right brain (the artist’s realm) basically has two speeds, meh OR let’s buy the farm. When I found Ravelry and started knitting again, I was an overnight zealot.

I also crochet, which was the first fiber art I learned sitting at the hem of my grandmother’s skirts. My grandmother whispers to me through crochet stitches, and in that there is love. But my design life and most fervent passion resides in knitting. The super short story of all this is: I LOVE YARN!

Is there a color that you would love to dye, but that is challenging to create?

I strive to capture the beautiful color transitions of our New Mexico sunrises and sunsets. Santa Fe is surrounded by mountain ranges in virtually every direction and the sun’s comings and goings at the edge of those mountainous peaks is magnificent. Those are the colorways that I often seek in my dyepots. I’ve arrived at many beautiful colorways in this pursuit, but I’m still reaching to capture the incredibly dynamic color symphonies of our northern New Mexico skyscapes.

What are some of your favorite FOs you or your customers have made with your yarn?

Rather than specific projects, I think my favorite FOs fit into a particular category, gift knitting. I am always impressed by the generosity of knitters to execute thousands upon thousands of stitches in completing a beautiful project, to then turn around and gift it to someone. Wow! Knitters knit for family and friends as a gesture of love, they knit for strangers in crisis, they knit for peace and advocacy. Amazing! And in this category I also include the occasional gift of knitting for oneself. When a knitter takes the time to bestow a kindness on themselves through the slow and mindful practice of knitting, to create beauty and know that they deserve to enjoy the fruit of their energies… that too is a well deserved gesture of love.

What are some of the best things you’ve learned running your fiber business?

The entrepreneurial community of the fiber arts industry has revealed two outstanding truths to me: 1) Women are AMAZING; operating at levels of ingenuity and integrity that are endlessly inspiring; 2) Kindness and empathy are as relevant in business as they are to all human experiences; passion and ambition fit just fine alongside the goals of leading a just, compassionate and charitable life.