If you’ve been following me for a while, you know that the goal of Indie Untangled is to bring together and support indie dyers and makers. I’m so excited and honored to bring that passion to an amazing collaboration between 31+ dyers, makers and designers!
This box, called A Twisted Year’s End, will be filled with at least 31 items, including 20g, 80-90-yard, fingering-weight mini skeins dyed in a jewel tone color palette and other yarn-y treats by a stellar lineup of indies, along with a few patterns to tie it all together. Count down to the end of this crazy year with the ultimate December calendar!
Mary Annarella of Lyrical Knits is building on the comfort of quarantine baking for her latest mystery knit-a-long. Stark Baking Mad: Great British Baking Shawl 2 is another homage to The Great British Baking Show. Mary says that, “Like the show, the MKAL will rise to the occasion with a bit of camp, a recipe with each clue, and an occasional pun.”
Debbie of Murky Depths Dyeworks and Alisa of KnitSpinQuilt have done it again! Their third collaboration is the limited edition Stained Glass Window Kit. The bag has a rainbow stained glass print, which reminds Alisa of the medieval cathedrals she visits on her dissertation research trips to Europe, while the yarn is dyed to reflect the fabric. Preorders are open now in both their Etsy shops.
Dawn of Fairy Tale Yarn Co, another Twisted Year’s End participant, has some holiday goodies as well. Her Hanukkah and Christmas sets are Star Trek themed and come with 10 50g hanks of yarn and four extras, each packaged for your chosen holiday and available in fingering weight and DK weight.
If you miss the fall leaves and doughnuts of Rhinebeck, get your fix with Jillian of WeeOnes’ special stitch markers.
For her last Sweater Quantity Discount shipment of 2020, Kate of McMullin Fiber Co is offering two colorways at close to wholesale pricing. Ink is a rich navy blue and Sunflower is a sunny golden yellow. Act fast, because these installments sell out quickly!
Join Jill of Jilly & Kiddles in casting on for a holiday stocking Knit-a-Long on November 1, with weekly prizes, encouragement and help.
Marny’s Autumn Wander Boot Cuffs are a cozy and fashionable way to dress up your boots while you stroll through the autumn leaves.
This new pattern by Christen Clement uses Janis and Christen of Queen City Yarn’s Berryhill yarn held double, getting you ready for fall quickly.
Nancy of Tika Bags has launched an every-other-month bag club. Each shipment features a surprise fabric that may or may not be in her current lineup OR ever be available in her shop again.
Dana of Un Besito Fibers’ Holly Freakin’ Jolly sock set comes with a 100g main skein and two 10g minis to make a variety of Christmas socks. Make them for a gift or keep them for yourself.
Keep your WIPs at hand and organized with these baskets, woven by hand by marginalized women from Boostani Crafts owner Lois’s tribe in Kenya.
Emerald of Stardust Fiber Studio’s newest collection, All Hallows’ Eve, has eight colorways and a spooky stitch marker set. There are also two sales running in her studio.
This is the eighth in a series of blog posts featuring the fabulous sponsors of Indie Untangled Everywhere, taking place from October 15-17, 2020.
There are many indie dyers who start their business after learning how to spin yarn. Stephanie of Deep Dyed Yarns is one of those dyers. She’s also one of the few indies selling hand-dyed fiber as well as yarn in the Indie Untangled Everywhere marketplace. Here’s her story.
Tell me about how you got started dyeing yarn.
My yarn dying adventures began as a snowball effect. In January of 2007, I bought my first spinning wheel and became hooked. It wasn’t long before I had amassed a large amount of handspun yarn.
There was no way I would use all of the yarns spun, so an Etsy store was created. To my utter delight and astonishment, it all sold. More fiber was purchased to be spun and I thought, Why not try my hand at Kool-Aid dyeing? From there, I progressed to commercial acid dyes and began listing hand-dyed fibers. There came a point where I could not keep up with supply and demand of handspun yarn, so han-dyed, mill-spun yarns were added to the line-up.
A friend encouraged me to try a local festival in the fall of 2007. The first booth consisted of a card table and bread rack. It was such a warm, welcoming, and shockingly successful experience, I began looking for more to attend. Pennies were saved and trailers to haul displays were purchased. A small metal building was constructed that has evolved and been improved upon a little each year. One year it was insulation, another was a ceiling, another was proper ventilation, enclosing the dye area, etc.
It has been a 13-year journey of love, friendship and sometimes tears. There have been so many amazing people who have influenced me. I am so grateful to everyone who has encouraged, uplifted, supported and been there for me in not just my journey as a dyer, but all of us as a community.
Do you have a favorite color or colors, and have they changed since you became a dyer?
Black goes with everything in my humble opinion. In all honesty, I love all colors. Maybe a few more than others, as I can’t get away with wearing yellow or orange, but that doesn’t mean I snub my nose at all the pretty shades, tones and hues they contain.
Is there a color that you would love to dye, but that is challenging to create?
No, I pretty much dye what I like. Color combos are tested in the pots and if I really love it, they make it online or to the festival floor.
Can you share some of your plans for Indie Untangled Everywhere?
So… I might be a fly by the seat of my pants kind of girl. This is a new style of show for me and while ideas are brewing, I do not have a concrete plan in place. I am hoping to showcase some of the most popular colors and colors that complement them. Maybe a little time talking about what it’s like spending so much time on the road. Oh, and there’s always time for showcasing patterns using my colors as well as a studio tour! My one goal is to not drop the ‘F’ bomb, lol!
When and how did you learn to knit?
A funny thing happened on a returning British Airways flight from London Heathrow to JFK in New York. The year was 1997 and it happened to be my first overseas trip for a tour of Scotland.
Upon takeoff, the lady next to me pulled her knitting out of her bag and began to knit a simple corner-to-corner afghan for her soon-to-be-arriving grandchild out of some very lovely yellow wool she bought while visiting England. I asked question after question about what she was doing at the ends and she explained they were yarn-overs to make the blanket grow larger with every other row and purling to keep the edges from curling. And she kindly suggested that I find a local yarn shop when I got home for lessons.
Shortly thereafter, I fell asleep and did not wake up until after the flight landed. No joke, I have slept through tornados and earthquakes, so a plane landing was a walk in the park for me! Once home, yarn and metal needles were bought at a big box store and I taught myself the ‘e’ cast-on and how to knit, purl and yarn-over.
Feeling confident and thrilled with my progress, the next step was a visit to the local yarn shop where more yarn and a simple little pattern was purchased. And, that’s where trouble started. The kind lady on the flight mentioned something about not knitting like her, but I was so groggy that I didn’t remember that part in the thrill of teaching myself by mimicking what I remembered her doing. It was so frustrating because nothing I did would make the pattern show up. K, P, K2tog, SSK, YO….. NOTHING WORKED!
That is until I checked out Kids Knitting by Melanie Falick at the local library. I followed the steps page by page and not advancing until the next step. Casting on and knitting the first row were simple and then the next set of directions said to TURN THE WORK! I about died of laugher! You see, I taught myself how to knit back and forth instead of turning the work because that is what the very patient lady on the plane had done.
Since you sell fiber, do you spin?
I certainly do and feel it has made me not just a better knitter and judge of yarn, but also a better dyer. When you spin, the colors and combinations of colors you use can drastically change the outcome of your yarn.
What are some of your favorite FOs you or your customers have made with your yarn?
In no particular order:
Monnie’s Vintersol using Grit in colors Seafoam, Whisp, and Smoke.
This is the seventh in a series of blog posts featuring the fabulous sponsors of Indie Untangled Everywhere, taking place from October 15-17, 2020.
When we and other people envision knitting, crocheting and fiber crafts, we often conjure up images of frolicking amongst sheep, goats and other farm animals, though for most of us our fiber story is set against a backdrop of binge-watched TV shows and honking horns (though the latter is mainly me and my fellow city-dwellers!).
The name Northern Bee Studio is a true expression of dyer Melissa’s setup in Rib Lake, Wisconsin: she and her husband have bees, chickens and cats, and this year they welcomed some Sannen goats, the largest of the dairy breed. They milk them daily and make cheese, yogurt, ice cream and soap from their milk.
Tell me about how you got started dyeing yarn.
It really started with spinning. I had wanted to learn how to spin for so long. When we lived in Juneau, Alaska, a friend messaged me that she had just bought a couple wheels off of Craigslist. This would have been about 2008-ish. She wondered if I was interested in buying one of them for her because she thought she didn’t need both (hah!). Sure! Well, I watched videos and requested books from the library and made some stuff that eventually resembled yarn. The problem was, I didn’t know where exactly to get hand-dyed prepared top to spin besides Etsy. I had ordered a bunch from Etsy when I first started and shipping was killer. So, I decided to find somewhere to order undyed top in a kind of large amount (back when I thought a pound would last me a while) and played around with Kool-Aid and food coloring. I had so much fun with it and got such great feedback that I decided to try dyeing yarn.
I started out with Knitpicks Bare and went from there. I would make longies for our kids and little hats and things and people in my knitting group loved my colors. Well, the owner of the shop that I used to work at liked the yarn too and asked me to dye as much as I could for the upcoming tourist season. This is when I used to dye yarn one skein at a time on the stovetop. So much has changed! Fast forward 12 years and here I am with a dedicated studio space, dyeing thousands of pounds of yarn a year and still enjoying every minute of it.
What inspires your colorways?
I get inspired by nature so much of the time. I get inspired by the different flowers in our gardens, the plants and trees around us and if it is the middle of winter and I want to work on a new colorway, I love to look at pictures of nature on Pinterest where the colors are broken down.
Do you have a favorite color or colors, and have they changed since you became a dyer?
Almost any blue has always been and will always be my favorite color. Especially the turquoise-ish blue of the bee in my logo. It is such a great color that goes so well with so many other colors.
Is there a color that you would love to dye, but that is challenging to create?
I am still challenged by Grellow. I mean, I really like the one I do now but I don’t feel like it is exactly right. And I have experimented and overdyed so much yarn over the years trying to get just the right tone, I have kind of just told myself that I just need to be happy with the Grellow I have, not the Grellow I want.
Can you share some of your plans for Indie Untangled Everywhere?
Sure! We have been working on setting up a mini-booth in the Studio and I plan to have a wall with a skein of every one of our colors on it. That way I can show everyone how the colors play across the skeins. I have our show special colorway that I can’t wait to show off more —- it is inspired by the Indie Untangled Everywhere logo and I just love it. I also plan to have my Yak Sock mini skein sets ready for the event and maybe it is aiming too high, but I hope to show off the Advent sets that I have been working on. Keep your fingers crossed for me!
When and how did you learn to knit?
When I was a kid, my mom taught me how to crochet. Every winter, she would sit and crochet blankets for everyone. I cherish the blankets I have, even though over the years, the Red Heart yarn has gotten kind of scratchy. Fast forward to 2006. My husband and I had been restationed to the island of Saipan [Melissa’s husband serves in the U.S. Coast Guard] and I was pregnant with our first child. I had read about this nifty new website, Ravelry, on someone’s blog and was seeing more and more fantastic knitting projects. My mom had just been diagnosed with breast cancer and her sleeping schedule was really wild. So, we would talk during my day (which was her night, Saipan is 15 hours ahead of Central Standard Time) and she would help walk me through the basic steps over the phone. She was an avid thrifter and garage sale junkie so anytime she saw yarn or knitting needles, she would buy them and send them to me. I still have so many of those old aluminum straight needles she sent me, I don’t think I could ever get rid of them. With her help, random tutorials I found online and a new friend that had grown up on Saipan and was a knitter (hey Deece!), the rest is history.
What are some of your favorite FOs you or your customers have made with your yarn?
You know, I really love seeing all the FOs and WIPs from my customers. One of my favorites is seeing the Advent set projects, those for me are such a challenge… coming up with 24 to 25 new colors that work together every year really pushes my creativity in a good way. And I love all the different designs that the designers do, we have so many great patterns to choose from. I also love seeing my yarns being used with other indie dyers’ yarns in large projects. It’s fun when you know the dyers personally, and you can see how your yarns play so well together and know how the purchases really help them, too.
Melissa’s Sannen goats.
What’s currently on your needles?
Oh gosh, that’s a slippery slope. I am a serial starter. I am really trying hard to make more pairs of socks this month. It is Socktober after all. But I have so many WIPs that are just sitting, so the struggle is real over here. Currently on the needles:
This is the third in a series of blog posts featuring the fabulous sponsors of Indie Untangled Everywhere, taking place from October 15-17, 2020.
It’s always so fascinating to hear what people did before they took on the official title of Indie Dyer. While Mary of 29 Bridges Studio has a professional background — working in various positions a large, federal medical library — that doesn’t seem to overlap with her business slinging yarn, her college education was heavy on the fiber arts.
I got to meet Mary during the Business Untangled event that I organized back in January. This is my first time working with her through Indie Untangled and I’m looking forward to sharing her yarns in the marketplace.
Tell me about how you got started dyeing yarn.
I was very fortunate to discover the fiber arts program at my college. I was not pursuing a studio art degree but needed a creative outlet. The first time I saw a floor loom I was in love. I focused my program on weaving and learned to dye the yarn and fiber for my projects.
In my college program, after I completed the first two required courses I continued in an “independent study.” I did this for two years and also included textile history and a science-based class that included testing and analysis. My weaving work was shown in juried student art shows.
After college, I focused on my career, but in 2016 dyeing started calling to me. I jumped back in, was accepted to my first market in 2017, and I’m looking forward to what the future brings.
What’s the significance of the name 29 Bridges?
The name “29 Bridges Studio” is inspired by my hometown, Pittsburgh – the city of bridges. The bridges connect the diverse communities of the city and you can’t go anywhere in Pittsburgh without crossing a bridge. To me, my company name also symbolizes the bridges and connections we are building in our fiber community. Yarn and fiber have a way of bringing people together and I’m lucky to work with amazing people in this industry.
Do you have a favorite color or colors, and have they changed since you became a dyer?
My favorite color is a nice dark mustard. I will buy things just because they are mustard colored not because I need them. I am a neutral lover at heart which may seem incongruous with being a dyer but that’s my jumping off point for anything I dye. I start neutral and then add color.
Is there a color that you would love to dye, but that is challenging to create?
Anything really bright. Dyeing with bright colors stresses me out but I hope to conquer them someday.
Can you share some of your plans for Indie Untangled Everywhere?
We’re very excited to debut some new samples for project inspiration (with kits!) as well as a new Indie Untangled Everywhere-inspired color.
When and how did you learn to knit?
I was an artistic and crafty kid and making was always my happy place. When I was five, I pretended to be sick so that I could stay home from school and hang out with my mom. That day she taught me to knit with some 1970s gold-mustard yarn. This might be why my favorite color is mustard!
What are some of your favorite FOs you or your customers have made with your yarn?
I’m always blown away when I see something that a customer has made with my yarn. Fiber and yarn lovers are so creative and the combinations that they put together are as unique as they are.
I remember the first time that a customer came up to me at an event in sweater she had knit my yarn. I was speechless. It was an Alyeska sweater and it was gorgeous. I like to think that I make the colors and my customers paint the masterpiece.
What’s currently on your needles?
I’m working on the sleeves of a Felix sweater using my own DK MCN in Aubergine. So as not to embarrass myself, I won’t tell you how long I’ve been working on it! But I think my timing is going to be perfect because the leaves are turning and sweater weather is right around the corner.
From left to right, Giulia and Stefania of Lanivendole.
This is the second in a series of blog posts featuring the fabulous sponsors of Indie Untangled Everywhere, taking place from October 15-17, 2020.
I first learned of Lanivendole at Barcelona Knits last November. While the Italian company was already on my list to check out, I was seriously enabled by May Khaw, a talented Singapore-based designer who I met and befriended during that wonderful trip. She had done some damage in their booth at Woollinn in Dublin earlier in the year and was planning some upcoming designs in their yarn (May’s latest design for Spanish knitting magazine Bellota is in Lanivendole’s A Chic Blend, comprised of Brogna wool, alpaca and mohair).
After taking in their soothing colors, I was then captivated by the story of the company. Owners Stefania Benzi and Giulia Pighi Guerra create and hand dye yarn custom milled in Italy, comprised of wool and alpaca fibers from local breeders. I was surprised to learn that small-batch, breed-specific yarns weren’t all that common in a country with a long history of textile production.
I had been planning to host their yarn in my booth at the in-person Indie Untangled show in October, but instead I’m excited to introduce you to them virtually.
Tell us the story of how Lanivendole came to be.
The idea took shape after a few years of conducting a textile arts association in Genova; by that time we managed to get a good knowledge of different fibre types and especially their behavior in both dyeing, blending and spinning by hand. We met during a hand-spinning workshop and soon after we started to figure out how to build our own yarn production. It was a slow process, that began with a long search to find the right mills to work with small batches, that are not so common in Italy; then, we started to test yarns’ compositions and structures, to start dyeing and test all the shades we had in mind.
How have you found the sheep breeders you work with?
In Italy there are not so many farms that raise herds for fibre purposes, and when we started the whole thing 10 years ago, there were nearly no small local yarn producers as well, so when we started searching for local fibres to use in our workshops, we easily got to all know each other! It was basically done through word of mouth from one trusted breeder to another, and that was how we met also the first mill we worked with.
How do both of you work together to decide on your color palette?
The very first palettes of our hand-dyed bases were studied and decided at the table, making tests and choosing together which colors better represented our ideas. Now we do like to create more freely shades and collections, so it happens that some inspiration comes to life from one of us and is presented to the other, or we plan a theme/mood board to follow, get to the pots and share the results… and modify the samples until we agree on the best result.
What are each of your responsibilities when it comes to the business? What are the unique things that each of you bring to your company?
Stefania: I deal with all the paperwork and administrative jobs, purchases and commercial promotion with shops and designers, and write our newsletter.
Giulia: I take care of all the photography for both our website and social media, our Instagram profile and keep in contact with breeders and the mills.
We share all other activities and decisions, from order fulfillment to dyeing, from planning to email replying — the best thing about this collaboration is that we balance each other.
Tell me about how each of you learned how to hand spin and knit.
Stefania: I learned knitting from my grandma as a child, paused and took up the needles again many times during high school and university, and then it became a vital habit in my life since my first pregnancy. By that time I self studied hand-spinning, reading books and watching online courses… that was one of the most satisfying goals I reached!
Giulia: I started knitting a few years ago, mostly self-taught and keen to take needles only in chilly seasons, also because my farm duties give me a little more spare time. I learned hand-spinning attending a workshop that Stefania held, with the aim to spin my own cashmere goats hair… I soon realized that the opportunities could be far wider if I got the heavenly fibre spun.
Anyhow, we both would love to hand spin a special edition yarn someday!
Can you share some of your plans for Indie Untangled Everywhere?
The main news we’re thrilled about is that we’ll have two bases with brand new palettes debuting at the event!
One is our Stormy Blend DK weight — made of 70% wool and 30% black alpaca — that we’re now hand dyeing in an earthy palette on the darkest grey base Ombra.
The second one is our beloved 100% wool base, A Pure and Simple Wool, from selected flocks of Abruzzo uplands that we’ve been expecting from the breeders for two years, and now we’ll finally have a rich new array of shades to show off.
Last but not least, our custom color on A Chic Blend – made of 60% wool, 20% alpaca and 20% mohair – which we hand dyed exclusively for Indie Untangled Everywhere! We can’t describe the color without spoiling, but we adore it!
Rustic Sample Box subscribers will find the custom color, along with shade cards of both the new bases mentioned above.
Do you enjoy other crafts in addition to knitting?
Stefania: Being the only niece of a skilled seamstress, I always carry the dream to sew my own clothes… but never actually started, but I must admit that my crafty side is well satisfied with knitting, dyeing and spinning, anyway.
Giulia: I recently discovered photography to curate our IG profile, and found out a new world I love!
Tell me the projects that are currently on your needles.
Stefania: I’m onto the sleeves of an awesome Jupiter Crop by Boyland Knitworks, and towards the end of Hikari Tee by Yamagara.
Giulia: I’m in the middle of a dreamy Pink Velvet by Andrea Mowry, and just started my very first pair of socks, Garia from Laine 52 Weeks of Socks.
This is the first in a series of blog posts featuring the fabulous sponsors of Indie Untangled Everywhere, taking place from October 15-17, 2020.
Four years ago this month, Jessica Giordani and Karen Zook launched Scratch Supply Co., a craft store and inclusive home for makers in Lebanon, New Hampshire. Since then, they along with their partner Travis, have transformed the shop into a showcase for indie, women, POC/BIPOC, queer and otherwise underrepresented dyers and makers.
Scratch’s monthly Cast-On Club — I’ll be curating the October box! — celebrates the diversity of the fiber community with an exclusive colorway, and the shop features many indie brands that are familiar to Indie Untangled readers — Cat Sandwich Fibers, Fuzz Family, Julie Asselin — and some that may not be.
Since Petrina, Indie Untangled’s event producer, introduced me to the Scratch folks at Vogue Knitting Live NYC in January, I’ve enjoyed getting to know them and share in their enthusiasm for our amazing indie community (they’ll also be sponsoring the Bingo night that Petrina is hosting the Friday of Indie Untangled Everywhere, which means some great indie prizes!).
Tell me about the decision to open Scratch Supply Co. Did you ever think you’d own a yarn shop?
Not really! We didn’t even decide to open a yarn shop at first — we started as a multipurpose craft store with a handwork makerspace in the basement.
When we first opened the doors, we barely had any yarn at all. We had like two shelves with 40 skeins of yarn total and some hopeful shade card boxes — and we were SO proud of those two shelves. The best thing you could say about us was that we were scrappy. If you wanted to knit a sweater you could make something with stripes or wait for us to order a sweater’s quantity of one color. We were trying! Fortunately for us, our enthusiasm resonated with the knitting community, and they stuck with us through this awkward period while we found our footing, fine-tuned our offerings, and started stocking a full range of colorways in quantities large enough to make something bigger than a hat.
Over the last four years we’ve been fortunate to have the opportunity to create a welcoming and inspiring space, and grow — with our amazing community of makers — into the LYS we were meant to be.
What you each of you do before you became yarn shop owners and how do you think it informs what you bring to the business?
The three of us met after Travis and Jessica moved to Connecticut after Travis left the Marine Corps. Jessica opened a small bakery and Travis and Karen met while they were enrolled in a PhD program in Comparative Literature.
We all have experience with research and working independently, and we’ve all been teachers in some capacity at some point. Jessica has previous experiencing running a retail shop, Karen has a background as a freelance writer, and Travis has government training in getting shit done.
We bring a lot of flexibility and a can-do, make-it-work spirit to Scratch. Since we all live together this is truly a family business. We’ve put our hearts into creating a space and a community that reflects who we are, and we like to make the members of our community part of that in any way we can. Our path from idea to execution is lightning-fast — our real area of expertise is in Doing The Thing. (Sometimes the thing is fixing your knitting, sometimes the thing is installing light fixtures, sometimes the thing is finding a way to keep our community connected during a pandemic.)
Why did you choose the dyers and brands that you carry?
First and foremost, we fill our shop with the yarns that we want to knit with! We have a carefully-curated selection that is constantly evolving. We are committed to supporting small makers and small mills, and providing our community access to with quality materials that they won’t find in just any LYS. We are enthusiastic about working with talented people in our industry whether they are established or just starting out. The fiber industry is diverse, and we believe that the dyers and makers that we work with should reflect that.
For us, there’s no value in filling our shop with yarn that you can get everywhere else. Our favorite thing is when people walk into the shop and announce “You have all the yarns that I follow on Instagram!”
Who are some of your favorite designers?
We love designers who are doing interesting things! It’s cold in New Hampshire so we’re sweater knitters at heart. We love Jessie Mae, Fatimah Hinds, Shay Johnson, Lavanya Patricella, Isabelle Kraemer, Maxim Cyr and Jacqueline Cieslak.
Crochet designers we’re following are Toni Lipsey, Vincent Williams, Twinkie Chan and Stephanie Erin.
Can you talk about any new products the shop is going to carry or special events in the works?
In September we just celebrated our fourth birthday, which is our biggest event of the year and kicks off a wildly-busy fall season!
We’ve been expanding our yarn selection since March to get ready for the long winter. We’ve recently brought in three bases by Julie Asselin, DK and bulky weight yarn from The Farmer’s Daughter Fibers, fresh Spincycle, lace mohair, worsted and fingering-weight yarn from SweetGeorgia Yarns, the Nightshades from Harrisville Designs and two new fingering-weight bases from Junkyarn.
One of the best things about Cast-on Club (our monthly subscription box) is that we always have something amazing on its way to us — every month a different dyer sends us something new and exclusive! Indie Untangled is curating our October box, and in November our featured dyer is Doug Lopez of Knittinbro.
The Scratch family, including Violet and Scarlet.
When and how did you learn to knit?
Karen learned as a child from her mom, and knit/unknit/reknit a rectangle from the same skein of red Red Heart until she left for college. She couldn’t tell the difference between the right side and the wrong side of her fabric, so she had a strip of masking tape wrapped around the bottom of one of the horrendous plastic straight needles to help her keep it straight. After college she started a post-bacc program with an endless workload. She was living in Philadelphia and there was an amazing LYS right around the corner, so she started obsessively knitting just to hold a finished object in her hands once in a while. (Fortunately by then YouTube had been invented, which gave her the opportunity to increase her skills!)
Jessica learned to knit when she moved to Minnesota for grad school. There was a woman in her program who would knit through seminars, and since she didn’t know anyone and it was very cold, this seemed like a great hobby to take up. She didn’t know that LYSs existed, so she picked up a Susan Bates pamphlet and some bouclé yarn and taught herself how to knit while watching Pulp Fiction on repeat. She had been knitting for three years before she could read a pattern and learned a lot of problem-fixing techniques through trial and error.
Travis doesn’t knit (we’re wearing him down!), but has a lot of opinions about color, fiber content and design.
Tell me about each of your most memorable FOs.
The first sweater Karen ever knit for herself was bottom-up with seamed sleeves. She was very excited about knitting it and bought crazy-expensive alpaca yarn that wasn’t really suited to the pattern… it turned into such a fiasco that it’s currently stuffing a dog bed.
In 2011, Jessica promised her mom a sweater. She knit all but one sleeve, and that sweater lived in project bags until it was finally consigned to the bin in 2020. It just wasn’t meant to be… but don’t worry, mom will finally get her sweater this year.
Tell me the projects that are currently on your needles.
Jessica is knitting the Ghost Ranch hat using Dyed in the Wool in Payback and Street Light in Nightshades. It’s the squishy, Halloween-y hat of her dreams!
Karen is working on a gift knit that she’s going to try to keep a surprise so won’t spill the beans on that just yet. She just cast on a Pressed Flowers shawl by designer Amy Christoffers in Juicy DK from The Farmer’s Daughter Fibers.
By now, many of us expected to be casting on projects to finish in time for the fall fiber festival season, when we could look forward to showing them off while doling out hugs and those appreciative pets that only our fellow yarn people understand.
2020 had other plans for us… A couple of months ago, after we realized that an in-person Indie Untangled trunk show was not in the cards, IU event producer Petrina and I kickstarted our idea for a virtual alternative that would provide the connections we’ve all been craving.
We’re excited to announce that Indie Untangled Everywhere will be taking place on October 15, 16 and 17 and you’re invited to join us from wherever you are!
Previously, we were limited in what we could do by space, time and cost. But now, no matter where you’re located or what your schedule is like, you can gather with us, our indie vendors and some special guests for three whole days of fiber fun.
I’m sure you’re asking: How will this work? Well, since you already follow Indie Untangled, it will feel a little familiar, but there are also many new, interactive things we’re excited to include.
General Admission tickets will go on sale next Friday, August 7. Your $5 ticket will take you to a special section of the Indie Untangled website. From there, you’ll be able to browse virtual vendor booths that will feature video introductions and tours, photo galleries, and access to special products and discounts. You’ll also be able to meet dyers and makers during interactive shopping sessions and pop into a virtual lounge where you can connect with fiber friends old and new.
Once you purchase your ticket, you’ll be able to preorder mini boxes that will let you feel and squish our vendors’ Superwash and rustic yarns before you buy full skeins online, purchase Indie Untangled tote bags and swag, and register to attend events, including interactive chats with guest designers.
Additionally, because we know this year in particular has been economically challenging for many people, we are also partnering with one of our generous sponsors, New Hampshire yarn shop Scratch Supply Co., to provide financial assistance to six members of our community.
So, mark your calendar and browse our list of nearly 50 vendors. You’ll see some familiar faces, along with many new ones.
We look forward to seeing you at Indie in October!
Kathy and Hannah at Despondent Dyes, who were slated to vend at VKL Seattle this weekend, decided to put their extra inventory to good use after the show was postponed due to COVID-19. They will be donating 15% of sales made from March 13 to 15 to Partners in Health, which helps those in need get access to live-saving care.
Karen of Seven Sisters Arts, who was planning to vend at VKL Seattle, is offering her yarn at 15% off with the code VKE from 12 noon EDT today through Sunday at midnight. The Steampunk Hat is being released today as well and 50% of all pattern sales for the weekend will be donated to H.O.M.E., an organization that assists homeless and low-income people with shelter and job skills.
Allena of StarKits was scheduled to vend at the Pittsburgh Creative Arts Festival and YarnCon in Chicago, so check out her project bags for all fiber artists.
YarnCon was Chicago-based Michele’s first big event as Misfit Yarns, so show her some support by checking out her bright, speckled colorways in a variety of bases.
Elisabeth of Wolle’s Yarn Creations had been set to vend at the Carolina FiberFest in Raleigh this weekend. She’s now offering a 10% discount throughout the weekend to make up for lost sales. Use coupon code RALEIGH at checkout.
Sara of La Cave à Laine’s crossbody bags recently got an upgrade and now feature fully detachable and adjustable crossbody straps. Some of the bags feature a special coated cotton, from Le Jacquard Français, an historic textile brand created in the Vosges Mountains near Sara’s home in France.
Selena of Sweater Sisters has kits for Lynette Meek’s new Fair Isle hat pattern, Tulipa. It features Selena’s newest hand-dyed base Au Naturale and a Ravelry download code for a free copy of the pattern.
Good Water & Co., a Pennsylvania-based, mother-daughter project-bag-making team, uses 100% quilter’s grade cotton or canvas sourced from small, local quilt shops for their products, including a signature Build A Bag, which includes multiple coordinating accessories.
Victoria’s next update includes a special colorway called Trans Rights are Human Rights and pastel rainbow mini skein sets. 20% of the purchase price donated to Stonewall, a UK organization supporting the LGBTQ+ community.
Victoria of Eden Cottage Yarns’ next update includes a special colorway called Trans Rights are Human Rights and pastel rainbow mini skein sets. 20% of the purchase price donated to Stonewall, a UK organization supporting the LGBTQ+ community.
New York City is what I like to think of as a big little town, where it’s not that surprising to run into people you know in the most random places. This weekend, you can think of Times Square as a big little fiber festival, as fiber folks will be taking over the area for the 10th anniversary of Vogue Knitting Live NYC.
To help you prepare for the marketplace, which is so epic that it spills outside of the hotel’s two ballrooms, here’s a guide to several Indie Untangled vendors and a sneak peek at what they’ll be bringing.
Asylum Fibers brings you versatile and luxurious yarns, hand dyed in New York City. The brand is best known for bold, unapologetic colorways and tongue-in-cheek inspiration. For 2020, AF is bringing 20 brand new colors and a batch of handmade project bags created by the dyer’s mother. Progress keepers by Samantha Decarlo and a new sweater pattern by Casapinka will also be featured. This year, the entire booth is inspired by Wonderland.
Birch Hollow Fibers is a small batch hand dyed yarn company located in the Hudson Valley region of New York. Our yarn is inspired by nature, books and the whimsical moments in life.
Pictured are the colorways Moss Matched, San’layn, Dahlia and Dryad.
Birdie Parker Designs offers knit and crochet inspired jewelry and accessories to complement handcrafted garments. Our items are small and they aren’t yarn, so they don’t count as stash!
Destination Yarn is an independent, hand dyed yarn company located in Cleveland, Ohio. Founded by a former architect, we believe in the power of place to inspire creativity in all forms. Through a passion for travel, color, and the fiber arts we create unique & vibrant colorways just for you.
For our third year at Vogue Knitting Live we will be bringing our brand new Italy Collection – 5 tonals, and 4 variegated colorways designed to work together and inspired by Italy. We will also have with us our very popular New York colorways including last year’s huge hit Brooklyn, along with Grand Central Terminal.
My mission with Fully Spun is to encourage and enable people to express themselves through color. We are featuring our new DK weight base, Sock Fingering and a sweater surprise!
Fuse Fiber Studio is all about creating colors to spark your creativity! We are a boutique yarn dyeing company focusing on carefully curated, ethically sourced bases and one-of-a-kind colors. I keep my batches small so that I can explore unique and unexpected color combinations and treat each skein of yarn like its own work of art. You can count on every skein being dyed with care and attention to detail from start to finish My goal as a dyer is to create wearable colors that look as beautiful in the skein as they do in your finished projects.
My VKL 2020 collection is one big love letter to New York City! I’ve created tons of new colorways celebrating the city and all of its glorious contradictions, from elegant tonals on luxury bases to the more complex and moody speckles. Don’t miss our signature event colorway — Central Park and our new Comfort DK, locally sourced and spun New York state!
KraeO’s Fuzz Family is a line of yarn hand dyed with love, in Chicago. They create beautiful colorways with complex neutrals and a color pallet that is both vivid and wearable.
Hellomello Handspun’s limited-edition, small batch mill spun yarns are created seasonally using the highest quality hand-selected fine wool fleeces. Cleaning, carding and spinning is done at a family owned and operated mill located in New York State. Each skein is lovingly dyed by hand at our studio in Brooklyn, NY.
In addition to Hellomello Handspun’s signature neon colorways and seasonal mill-spun yarns, our first booth at VKL will feature beautiful Shibori and eco-dyed silk scarves, mending kits and luxury handspun.
Shoppers can help us raise money for those affected by the bushfires in Austrailia. For every skein of undyed “naked sheep” yarn or preorder of our Kangas and Koalas colorway purchased during the event, we will donate $10 to @blazeaid (an organization that helps Australian farmers recover from natural disaster) or @wildlifevictoria (a non-profit wildlife emergency response organization based in Victoria, AU).
Katrinkles makes buttons, wearable accessories, and tools for fiber artists out of durable and sustainable wood. Each piece is lovingly designed, carefully crafted and hand-finished in Providence, RI. Our products are made in house on our studio’s four laser-cutting machines. Katrinkles makes tools for knitting, crocheting, spinning, weaving, embroidery and needlepoint as well as stitchable ornaments and buttons to decorate your work. Pictured are our new Adjustable Mitten Blockers and some items from our Vogue Exclusive collection.
Here at Knit Collage, we create unique yarns to inspire your creativity and to get your needles humming!
After about seven months in the making, finally we releasing the Shakespeare in the Park pattern, here at Knit Collage. This design is a dramatic yet easy to knit colorwork sweater, designed by one of our most favorite designers, Park Williams. Check out the kits in our booth at Vogue Knitting Live! The pattern comes free with yarn purchase through VKL weekend only.
Aimee and Brian are the dyers of Little Fox Yarn, based just outside of Richmond, Virginia. Their beautiful, wearable colorways are inspired by the Blue Ridge Mountains where Aimee grew up.
We will have our usual favorites: Little Mo (lace), Vixen (fingering), Linea (sport), Bōsa and Vulpine (DK). We will also be introducing our new Bulky Base, Tod, and we will have new buttons and shawl pins (in wood, clay and antler) by Idlewild Pottery & Notions.
A natural fiber unique in the world. Born in one of the world’s most extreme locations. Made with Italian artisanal quality. This is mYak: Born in Tibet, Crafted in Italy.
This year, we will bring our new Tibetan Cloud DK line as well as our Baby Yak with many new wonderful designs, kits and bundles.
We are thrilled to host Jonna and Sini of Laine magazine, Jennifer Steingass, Olga Buraya Kefelian, Kirsten Kapur, Thea Colman and Susanne Sommers at our booth throughout the weekend.
Portnerness, with her amazing line of jewelry, will joining us as a guest brand and for the first time we will bring an incredible selection of Temaricious embroidery and crafting floss, naturally dyed in Japan. We will also offer Laine magazine’s Knitting Journal and pins, and Indie Untangled Fiber Friends pins.
Sweater Sisters out of Alta, Wyoming offers kits, yarns hand-dyed in the Tetons and professional Landscape Dyes from Australia. They’re dedicated to offering luxury fibers to elevate your crafting experience.
Drawing from my experience in fashion, I approach dyeing with a lot of intention, and focus on the final product your creations. While a skein of yarn is where my process ends, I think about what you will make with it. My hope is to create a line of yarn and classic, yet contemporary, knitwear patterns that will fit into your everyday wardrobe.
I will be presenting my line of yarn and patterns, including the Arete sweater I designed for Pom Pom Quarterly’s Winter 2019 issue.
Zen Yarn Garden’s dye studio is based is Ontario, Canada. Our yarn is special. We take pride in providing the most luxurious fibres and dyeing them in a range of beautiful semi-solid, splatter and one-of-a-kind colourways.
Our booth will be filled with NY-themed colourways available exclusively at Vogue NY. We will also have hand-dyed, ready-to-wear scarves in our custom colours.
Food guide
When you find time to tear yourself away from the marketplace, or if you need sustenance between classes, here are a few of my favorite food recommendations in the Times Square area.
If you want…
A quick bite, head to City Kitchen, a gourmet food court with a selection that includes Luke’s Lobster and Dough donuts.
To relax with a pint, try Beer Culture, a cozy bar with a rotating selection of craft beers on tap and fridges filled with microbrews. They also serve wine and whiskey if beer’s not your thing, along with a menu of creative pub food.
Dinner with a small group of friends, I highly recommend The Marshal, a farm-to-table restaurant with a brick oven.
A bistro brunch, hit up BXL Cafe, a low-key place with great egg dishes and delicious Belgian waffles.
If you’re in a casting on state of mind, and also want to enter to win some free yarn, join in on Mona Zillah’s Crystalline Snowdrop MKAL for February.
Crystalline Snowdrop is a semicircular shawl featuring a lace and mesh motif. It can be knit in two sizes with one or two skeins — the mystery samples use Lunaris, a sparkly Merino/Cashmere/Stellina yarn from Anzula Luxury Fibers. If you join the KAL and post your FO on Instagram or Ravelry, you can enter to win Anzula yarn!
Meg of Nutmeg Fibers is launching the DyeSigner Alliance, a tri-annual collaboration between her, a dyer and a designer. Session 1, which ships in April, features Nashville dyer Silbia Ro of Camellia Fiber Co. and Denver-based designer Dawn Henderson, who goes by dawn.landix on Ravelry and Instagram.
