Rachel Atkinson of Daughter of a Shepherd © Richard Jung
This is the second in a series of blog posts featuring the fabulous sponsors of Indie Untangled, taking place from October 15-24, 2021. Tickets are now available!
For those of us who are excited about breed-specific, naturally-colored yarns, Daughter of a Shepherd is a must to add to your stash. Run by Rachel Atkinson, who is the literal daughter of a shepherd, the small UK-based operation celebrates natural black fleece in yarn as well as accessories, such as stunning tweed pouches by Julia Billings of Woollenflower, based in Scotland, and supports British shepherds and yarn producers.
Rachel will be participating in our online show in October, with a virtual shopping session taking place on Sunday, October 17 at 1:30 p.m. Eastern.
The story of Daughter of a Shepherd begins with the clip of the Hebridean sheep shepherded by your father. What led to you starting your yarn business?
I had been working in the yarn industry for a few years, initially at Loop in London before leaving to pursue my other job as a technical editor and book editor for various knitting and crochet publishers so was fully immersed in the yarn world. On a visit to see Dad he showed me the cheque received from the British Wool Board which represented 10% of the final value they would receive for the previous year’s clip. The cheque was for 94p (£0.94) meaning the final total would be £9.40 for approximately 300 fleeces giving each fleece a value of just 3p (£0.03).
As a knitter I would have loved to work with the incredible black Hebridean fibre and figured others also might. Just a few months later I was on a trip to the Swedish island of Gotland where you can buy natural yarn at farm stores right next to where the sheep the fleece is from are grazing and I began to wonder why we weren’t doing more of this in the UK?
I had savings for a house downpayment and decided instead to use that money to have the new clip of Hebridean fibre from Dad’s flock spun into yarn and the very first yarn launched in March of 2016. It was originally intended as a one-off project but by then I was absolutely committed to seeing where else this journey could take me.
How do you decide on the blends that you mill?
Our first considerations are fleece that is undervalued or considered “worthless,” including the majority of naturally black or other non-white fleeces such as the tan colour of Castlemilk Moorit sheep. These naturally occurring coloured fleeces have a lower value as they are not commercially viable for dye houses whereas white wool can be dyed in a multitude of different shades. We are incredibly lucky to have 72 different British sheep breeds, each with their own characteristics and potential, it sometimes just takes a leap of faith to show others how good products from these breeds can be.
Additionally, we seek out fleece that is going to waste. Many sheep farmers bury or burn their annual clip as the amount they receive from the British Wool Board sometimes barely covers the cost of fuel to take the fleece to a depot and in extreme cases the shepherd can end up owing the Wool Board money, so our Ram Jam ranges of sport and worsted-weight yarns are all woollen spun from fibre that otherwise wouldn’t have seen a mill. We work closely with a longstanding mill in the heart of Yorkshire who spin both the black and white fleeces and blend the perfect grey gradient.
Other factors for blending, particularly with our worsted-spun range, is how well the main fibre responds to the spinning process. For our Heritage range, the Hebridean fibre is blended with Zwartbles, a similarly dark fleece, to enable a smoother spin and we then blend in a smidge of Exmoor Blueface to produce our Brume range of yarns.
What do you think sets your yarn apart from that of other brands?
Not only do we spin natural black fleece, but we celebrate it and find uses for it beyond knitting wool, for example in blankets and tweed cloth which is then also used for creating accessories to make British wool available to different audiences, not just those who knit and crochet.
Our founding manifesto in 2015 included producing all our own label products within the UK using traditional processors to support jobs and business and ensure skills are passed on to the next generation. British wool has such a rich heritage and for these highly-skilled jobs and industry to vanish would be a crying shame. It often makes the job a lot harder and production costs much higher, but it’s hugely important to support businesses providing work for locals which in turn helps keep communities together and all employees work in what I know to be a safe environment within a company following employment law.
I have always been transparent about where the fibre is sourced, to where it’s washed, spun and finished, which often means I can tell you the exact journey a single skein has been on to get into your hands from the field the sheep graze to where the skeins were tied off.
At the end of the day Daughter of a Shepherd isn’t just about me, it’s so much more.
Do you have a favorite sheep breed?
It must be the Hebridean! They’re a small sheep, full of character, very hardy and live outside all year round even their lambs arrive in the open air. The flock my father shepherds are used for conservation grazing so also perform an invaluable job in an entirely natural way.
Their fleece tells the story of the year as they change colour with the sun and grow old with age; the natural black wool they are born with takes on tones of russet, gold, and silver grey. Just magical!
What are the most interesting things you’ve learned running your business?
Oh gosh, there’s been so much — it has been a steep learning curve — but learning how wool is processed within the UK has been fascinating. Going behind the scenes each step of the way and seeing the fleece being washed, to the actual machinery it is spun on, to meeting the incredibly knowledgeable people who have spun it always utterly inspiring.
Tell me about how you learned to knit?
Like so many people I was taught to knit and crochet at a young age by my grandma with more advanced techniques and support provided by mum. I remember shopping for dishcloth yarn at the market with Grandma then returning to her house where I’d ferociously knit garter stitch dishcloths until the yarn ran out. Mohair (in the loosest sense of the word) sweaters soon followed along with a memorable batwing jumper.
Following on from this ’80s extravaganza, I put the needles and hooks to one side for many years before picking them up once more around 15 years ago during a long illness and got truly bitten by the bug!
Can you share some of your plans for Indie Untangled?
There’s a special, limited-edition shade of Ram Jam Sport naturally dyed by Julia Billings of Woollenflower who I regularly collaborate with on yarn and tweed pouches, and you will also find a few seasonal bundles along with several surprises.
Many moons ago I was a personal shopper for Harvey Nichols department store so I’m looking forward to booking appointments for Indie Untanglers wishing to discuss project plans or pick out gifts for that tricky to buy for someone.
What are some of your favorite FOs you or your customers have made with your yarn?
When launching Daughter of a Shepherd I hadn’t thought beyond my hope that people would buy the yarn – it didn’t occur to me they would then go and knit with it and even wear their makes. When finished objects began to appear knitted and crocheted in our Hebridean yarn I was so overcome as it was the pinnacle of a huge and very emotional project. I still have the same reaction today whenever I see someone wearing a project made in Daughter of a Shepherd yarn and fabric or receive an email telling me all about plans for the yarn order just placed. There’s no feeling like it.
Tell me the projects that are currently on your needles.
I’m most definitely not a monogamous knitter and currently have three sweaters on the go plus a shawl to finish and several pairs of socks and mittens awaiting their partners!
Work on a forthcoming pattern sample is taking priority, but once finished I’ll return to my Dew Sweater by Hiromi Nagasawa which has the most beautiful cabled-lace shoulder detail and is perfect for the indigo dyed Ram Jam Sport. The Spruce Peak Pullover by Amy Christoffers has been marinating in a project bag for a little too long and I’m keen to get it finished as the Ram Jam Worsted works up into a light but very warm fabric which I’ll need in my drafty studio come winter. Think I’ll have to speed up though as I’d also really love a Brume 4ply sweater – either Viburna by Fabienne Gassmann or an Eyelet Pullover by Orlane Sucche.
Wool sweater, shawl, hat, and mitten weather is my favourite time of year!
