This is the fifth in a series of blog posts featuring the fabulous sponsors of the 2018 Rhinebeck Trunk Show.
Bijou Basin Ranch is known for producing yak, Cashmere, Paco Vicuna and Qiviut blends from a small ranch just outside of Elbert, Colorado. Owners Carl and Eileen Koop also collaborate with some indie dyers, such as ModeKnit Yarns of Minnesota and MJ Yarns of Seattle, who create a little magic in their dye pots and complement their luxurious blends.
Here are some of the latest yarns from their indie dyer series:
This is a coordinated collection for colors dyed by MJ Yarns on BBR’s new Himalayan Summit fingering base, a 50/50 blend of yak and Superfine Merino.
Dyed by Colorful Eclectic on 50/50 yak and silk lace weight, Shangri-La. Each of the colorways in this series would look fantastic on its own, but are designed to pair together, as in the Blood of My Blood shawl from BBR’s Outlander collection, pictured above.
Dyed by Colorful Eclectic on Lhasa Wilderness yak/bamboo yarn. Each color in Reflections contains all five colors, with one being the predominant color.
Hand-dyed colors from MJ yarns inspired by the Sheildmaidens of Nordic mythology, and popularized in Richard Wagner’s opera “The Valkyrie.” The yarn base is Gobi, a blend of baby camel and silk.
Self-striping colors on Himalayan Summit dyed by Modeknit Yarns.
Hand dyed on Tibetan Dream by Modeknit Yarns.
This is the fourth in a series of blog posts featuring the fabulous sponsors of the 2018 Rhinebeck Trunk Show.
There’s a meme I’ve seen floating around social media about how great it would be to have a truck that would drive around your neighborhood ringing a bell and selling yarn. Well, the Yarnover Truck is that meme come to life.
Based in Southern California since 2013, the Yarnover Truck is the brainchild of Barbra Pushies and Maridee Nelson, two knitting friends who realized the dream of owning a yarn shop with a unique business idea. They outfitted a former Little Debbie snack truck with cubed shelving and offer a large selection of indie dyers, including several who post on Indie Untangled, and set up shop at breweries, parks, fiber festivals and special events. I had the pleasure of visiting a few years ago and it was everything I dreamed it would be.
Tell me how the idea for the Yarnover Truck came to be.
Barbra and Maridee were friends from a knitting group. One night at group, Maridee mentioned she was thinking about opening a yarn store. She had a name and a location all picked out, but the financial realities of a brick and mortar yarn store seemed overwhelming.
Later that week during her weekly knitting class at work, Barbra brought up her friend’s yarn store idea. It was always a dream of Barbra’s too, but like Maridee, it always seemed just out of reach. One of the members of the knitting group suggested a yarn truck and immediately Barbra was enamored with the idea. Hours of Google research on mobile retail business and one overwhelmingly long email to Maridee later, they found themselves on Melrose Avenue in Hollywood talking with one of LA’s first mobile boutiques. On July 5, 2012, the idea of the Yarnover Truck was born and the Truck launched March of 2013.
What did each of you do before you became yarn shop owners?
When we started the truck both of us were working in the entertainment industry. Barbra had worked in animation production management for Walt Disney Studios for seven years. She was lucky enough to assist with the knitting portions of Disney’s 50th animated feature, Tangled and on the Winnie the Pooh movie. Both Rapunzel and Kanga were “taught” to knit by Barbra.
Maridee worked in marketing for a variety of different companies in Minneapolis (where she grew up) and in Los Angeles, most recently working in theatrical advertising for Warner Bros. Studio for many years on many popular movie franchises. Jumping in to run the Yarnover Truck full time felt very natural taking all the knowledge learned in a variety of industries and putting it into running our successful venture.
How did you choose the dyers and brands that you carry?
When we started the Yarnover Truck, indie dyeing was still growing and starting to get more popular every day. We decided to make the focus of the products we sold on the truck hand-dyed yarns and work hard to showcase as many other small companies as possible.
Our goal is to find unique and talented dyers and show them off to our customers. We try and have things on the Yarnover Truck that you won’t see in many other shops in our area. We know that shopping with us takes a bit of effort from our customers so we work hard to make it worth their while and have thing they won’t find anywhere else.
What are some of the biggest challenges of owning a mobile business? What are some of the greatest rewards?
Our biggest challenge is to find locations where we can bring the truck to reach the most people. We cover a large area in Southern California going from San Diego up to Santa Barbara with visits to Palm Springs and the Inland Empire occasionally too. It’s hard to know all the best spots in such a large region so we rely on our customers who know their neighborhoods best to help us find good spots.
Our greatest rewards follows along this same storyline – we have some of the greatest customers around! We have lots of loyal yarnies who are willing to come and find us in all of the different locations where we bring the truck. They often tell us how they love to “stalk” us and to check out the new places we find for the truck.
Since you’re in Los Angeles, have you had a lot of celebrity customers?
We haven’t yet had many celebrities come on the truck and we think because we move around so much and are rarely the same spots often. We do dream of getting Julia Roberts on the truck one day and are still working our industry contacts to hopefully make it happen someday.
But being in Los Angeles, with ties to the entertainment biz has enabled us to be “knitting consultants” for a major motion picture called “Backseat.” Last fall we received a call from the prop master on this film set in the 1970s. He was looking for help to teach the extras used in the scene to knit and crochet properly and to provide some props to be included in the scene. The film is set to release near the end of this year so we won’t know how much of our work will be seen but it was a great time and definitely something we hope to do again someday!
Can you talk about any new products the shop is going to carry or special events in the works?
The truck is gearing up for fall and we have lots of fun things planned. In addition to our regular schedule, we will be part of the San Diego Yarn Crawl in September featuring a trunk show from indie dyer Destination Yarns. We’ve worked with Jeanne to create a special colorway just for the crawl too.
Plus, we will be bringing the truck to the Stiches SoCal show in Pasadena in early November. We get to drive the truck right onto the showroom floor and we will be featuring the wonderful work of Dragonfly Fibers in our booth. Plus we will be launching a new exclusive color we’ve developed with Kate and her team. We love working with the talented dyers to create new and special colorways whenever we can!
When and how did both of you learn to knit?
Barbra is a self-taught knitter and over the years, she has worked hard to teach herself new techniques and challenge herself with large projects. Both her grandmother and grandfather were excellent knitters and Barbra always wished they had lived to see her become the skilled knitter she is today. Her favorite thing to knit is sweaters, always adding extra length for her long arms.
Maridee has been crocheting since she was 12. Her grandmother first taught her the craft as something to help pass time during an extended hospital stay. Fifteen years ago, she took up the craft again and this helped lead to the creation of the Yarnover Truck. She had Barbra teach her to knit, too, so she is a bi-stitual crafter these days
Tell me about each of your most memorable FOs.
Owning a yarn shop means that most of the projects we work on are shop samples. We love being to show off the beautiful yarns we carry on the truck and know how a great sample can really help us sell lots of yarn!
This is the third in a series of blog posts featuring the fabulous sponsors of the 2018 Rhinebeck Trunk Show.
You may know designer Melissa Kemmerer by her adorable sheep-y sweaters. You may not know that she and former yarn shop owner Becky Beagell are creating a new knitting magazine, called Nomadic Knits, that will focus on local regions and feature indie dyers, producers and designers. Their first issue, which will look at the knitting scene in Florida, is set to be released in the coming weeks.
How did the idea for Nomadic Knits come about?
Becky loves to travel, and recently sold her house and closed her yarn shop, The Glitter Ninja, to explore the country in a van with her poodle, Bubba. Melissa loves knitting and has been designing for several years. We wanted to find a project that could incorporate both of these passions while allowing us the freedom to expand the idea and grow with it as we discover new possibilities. There may have been a few cocktails involved as the original idea came to life.
Aside from designs, what will the publication include?
Each issue will feature local dyers or fiber producers, as well as articles about the local knitting scene and some interesting finds. The Florida issue includes information about fibers that are great for knitting in warm weather, a cocktail made with local ingredients, and tips for knitting on the beach.
Why did you decide to focus on Florida for the first issue?
Both of us happened to be spending last winter in south Florida, not far from each other, and we wanted to share all of our knitting fun with the rest of the fiber community. We also wanted to correct the misconception that no one knits in Florida. It’s actually full of amazing dyers and passionate knitters!
Can you reveal what regions other issues will focus on?
Our second issue is focusing on New York, specifically upstate (everything north and east of NYC), where we both grew up. After that, we have plans to explore the southwestern United States. From there… the world!
When and how did both of you learn to knit?
Melissa: My aunt taught me the basics when I was 16, and after a year of garter stitch scarves, she introduced me to patterns and how to read them.
Becky: After a few failed attempts at learning from family members, I taught myself to knit on a circular loom. Then one day I decided it was time to learn to use sticks and I grabbed a copy of Stitch ‘N Bitch by Debbie Stoller, and I was off and running. Or knitting.
Do either of you enjoy any other crafts in addition to knitting?
We both LOVE shopping for craft supplies, a hobby in itself! Melissa dabbles in cross-stitch, and wants to learn more advanced embroidery and basic sewing. Becky is your standard maker, trying anything she can get her hands on.
Tell me about each of your most memorable FOs.
Melissa: I crocheted an enormous acrylic blanket while I was in college. It took me about four years to complete it, as it was entirely in single-chain, and I only worked on it sporadically. The tension changed from year to year, and one end is loose and wonky, while the other end is so tight, it’s almost bullet-proof. My dad proudly displays the blanket on his couch, and I have never crocheted another thing.
Becky: A few years ago I made what I thought was going to be a trendy, chunky sweater. It became lovingly known as the Wooly Grimace at The Glitter Ninja. Does anyone remember Grimace, the McDonald’s character? Anyway… it was LARGE and purple and ridiculous. It probably weighed about forty pounds. We kept it around for comedic relief and threatened to make grumpy knitters wear it during knit club.
Where are each of your favorite places to knit?
Melissa: In theory, I love to knit outside, soaking up the sunshine by the pool or on the beach, but in reality, I can usually be found knitting in a cozy chair, binge watching Netflix.
Becky: I love knitting in the car. Unfortunately, Bubba can’t drive, so I usually only get to do that while Melissa and I are on yarn tour and she’s at the wheel. Qualified drivers, feel free to submit your applications.
This is the second in a series of blog posts featuring the fabulous sponsors of the 2018 Rhinebeck Trunk Show.
While I haven’t visited Espace Tricot yet (emphasis on yet, as I am hoping to go sometime soon after a trip scheduled for last February was cancelled by the flu), I feel like I have because of owners Lisa Di Fruscia and Melissa Clulow’s approachable podcast.
When I do get to visit, I will be all over their selection, which includes yarn from local dyers Julie Asselin and Tanis Fiber Arts and goodies from Twill & Print, and excited to see their beautiful patterns in person.
Tell me the story of how Espace Tricot came to be. Had both of you always wanted to own a yarn shop?
Melissa first picked up a set of knitting needles back in 2008, and something just clicked. Meanwhile, across town, Lisa had turned to knitting while her newborn son napped afternoons away in the car (his preferred location). As two newly minted yarn lovers, hooked on the creative and stress-relieving properties of the craft, we soon met at a local knit night and became fast friends. Over the next year we daydreamed about creating the ideal knit shop – in an aspirational but totally idle sort of way. One day, when a local yarn shop owner who was moving out of town asked Melissa if she knew of anyone who might be interested in subletting her space, it took one phone call to Lisa and about five seconds for us to decide we would be the ones to take over the lease and open a store. Three months later, Espace Tricot was born!
What did each of you do before you became yarn shop owners and how do you think it informs what you bring to the business?
Lisa was a physical education teacher by profession and had worked most recently in the area of personal/spiritual development while Melissa’s varied background combined clinical psychology, non-profit management and website design and development. Neither of us had specific experience running a retail business, but we optimistically believed we had the personal and professional qualities, work ethic, and initiative necessary to make a go of it.
Fundamentally, creating and growing a successful store requires both practical and organizational skills, as well as interpersonal abilities. These aspects are especially important in the knitting world insofar as we are serving a community of people who love to share, learn, create, and connect through our craft. Having backgrounds in education and psychology enhance our capacity to understand our clients and to guide them in their projects, choices and learning in a supportive and instructional way.
Furthermore, Melissa’s experience in management and web development and Lisa’s work as a physical education teacher contribute to our ability to keep the various aspects of our business running smoothly. That said, we also recognize the limitations of our skill-sets and do not hesitate to engage outside professional assistance when necessary (e.g. accounting, product photography)!
How do you choose the dyers and brands that you carry?
As we’ve grown in our business, we’ve gained a better understanding of knitters and the market as a whole. We would say that the selection of dyers, and brands in general, is more art than science and there are many factors that enter into our decision-making process.
First, we consider our current inventory and determine whether there are particular weights or textures missing and prioritize filling those gaps. We constantly evaluate our shelves to decide if yarns need to be retired and replaced in order to breathe new life into our staples. We meet with yarn reps on a regular basis to see whether their product lines suit our needs and often ask for samples to knit up test swatches before finalizing our decisions.
This all sounds very methodical, but we are also not above making impulsive decisions when we fall for a yarn, even when any rationale for adding it to our shelves is entirely lacking. We are knitters, after all! When selecting hand-dyed yarns and smaller brands we rely heavily on our instincts, we tune in to what is capturing the attention of knitters, and keep a keen eye on sparks flying out in the ether.
Sometimes the clues are ephemeral and sometimes they are more concrete, taking the form of repeated customer requests! We might see something at a festival, twig on to something through social media, receive an e-mail from a new hand dyer, or develop a personal relationship with a producer. We also look to Ravelry for guidance. We check up on popular yarns and those gaining momentum and take note of what our favourite and/or popular designers are knitting their patterns with.
What made you decide to start a podcast?
Lisa had begun to delve into the fountain pen world and wanted to learn more about these curious instruments so turned to YouTube to find out more. She stumbled upon a podcast by a young entrepreneur with an online pen shop and mentioned it to Melissa. Melissa quickly set about exploring this intriguing world of podcasts within the knitting community and was immediately hooked on the plethora of wonderful channels already available. We didn’t dare dream of starting a podcast ourselves (what?! no way would we ever!), but on the urging of Lisa’s husband we decided to film an episode just to see if we could do it. Needless to say, we took great comfort in knowing our initial effort wouldn’t see the light of day if we felt it was just too terrible. And now here we are, 20 episodes later and counting.
Can you talk about any new products the shop is going to carry or special events in the works?
We are always on the hunt for new and exciting products and often bring them in irrespective of the season. This fall, however, we are turning our focus towards stranded colourwork projects and are working to bring our customers on a journey with us as we learn more about the incredible properties of minimally processed 100% wool. We are so excited by all of the beautiful rustic and breed-specific sheep yarns we’ve ordered and look forward to encouraging knitters to move beyond their immediate reactions to these yarns as scratchy or rough towards an appreciation of their warm, comforting, versatile and aesthetically stunning properties!
We’ve developed new relationships with the distributors of Rauma, BC Garn, and Garthenor, and are restocking our current offerings from Brooklyn Tweed, Tukuwool and Quince & Co. We’re also adding new lines from Kelbourne Woolens, Julie Asselin, Rowan and Lopi. Of course, all of these will find a home among our wide selection of hand-dyed yarns from producers such as Madelinetosh, Hedgehog Fibres, Artfil, Julie Asselin and Koigu as well as lines from Shibui Knits, Woolfolk, Lang, mYak, Berroco, Cascade and many others!
When and how did both of you learn to knit?
Interestingly, both Lisa and Melissa learned to knit around the same time in March 2008. At that time Lisa was at home with her 18-month old son and was looking for an outlet to express her creativity and to reconnect with herself. She found a little shop that was offering Learn to Knit classes and the rest is history.
Melissa had just moved to Montreal and asked her mother to teach her how to knit as part of a strategy to find community in her new city. Shortly after, we met at a local knit night and it was love at first sight! We’ve been great friends, business partners, and obsessive knitters ever since. Having each other has been wonderful for our knitting progress — we encourage and motivate one other, take great pride in each other’s successes, and support one another through the inevitable failures –- usually with wine!
Do either of you enjoy any other crafts in addition to knitting?
Lisa loves to dabble in art for self-expression, including painting, drawing, journaling, or collage, while Melissa enjoys a bit of weaving and sewing. Of course, all of these take a back seat to knitting…
Tell me about each of your most memorable FOs.
Every project that has pushed our skills to the next level has led to a great sense of accomplishment (e.g. first pair of socks, first sweater, first colourwork project, etc). For Lisa, however, the most memorable ones are the projects she has knit which required kilometres of knitting and sheer perseverance, such as her Wrapped in Lino and European Road Trip shawls. She is also especially proud of her latest design, Étoile Maritime, which required her to figure out how to increase while maintaining a star mesh rib design!
Melissa’s favourite projects are usually those to which she’s added a strand of silk and mohair for that halo quality she can’t get enough of! Her most memorable ones, however, have been designs such as her Chevron Baby Blanket and Getting Warmer cowl which have resonated with so many knitters on Ravelry and which made her think that perhaps she had something to offer in the area of simple, straightforward knitwear design.
This is the first in a series of blog posts featuring the fabulous sponsors of the 2018 Rhinebeck Trunk Show.
Since I started attending the New York Sheep & Wool Festival in 2011, I’ve known of Spirit Trail Fiberworks, one of the very first indie dyers to come on the scene. I gravitated toward Jennifer’s striking blues and her silky soft bases. Five years later, I purchased my first sweater quantity of Sprit Trail Birte, a luscious blend of Merino, Cashmere and silk that I used for Mary Annarella’s You Wear It Well, which is one of my all time favorite sweaters.
Shortly after I showed off my sweater at Maryland Sheep & Wool, where Jennifer also vends, she started posting on Indie Untangled, and I got to see what a variety of colors she creates on her luxurious bases. Jennifer’s Subscriber Inspiration Colors, in which she dyes colors based on a photo taken by one of her newsletter subscribers, are particularly unique, and I’m so looking forward to what she comes up with for installment for the Knitting Our National Parks series later this year.
If you’re going to Rhinebeck, Spirit Trail should definitely be on your shopping list.
Tell me about how you got started dyeing yarn.
I left my career in commercial real estate in Washington, DC, in 1998, after my son was born in late 1997. My daughter followed in 2000, and it was around mid-2001 when I started thinking about what I would do next for work. I had left real estate because I wanted to stay at home with my kids, so I was looking for something I could do from home.
I had started knitting again when I was pregnant with my son, so was really focused on trying to figure out how to turn knitting and textiles into a business. In early 2002, I took a dye workshop from Barbara Gentry at Stony Mountain Fibers in Charlottesville, Virginia, and then a few more dyeing classes at the Potomac Fiber Arts Guild. It was during the workshop with Barbara that a lightbulb went off in my head and I thought, “I could totally do this from home!” It seemed like it would be much more feasible than trying to knit for pay, so that’s what I did!
I spent the rest of 2002 investigating dyes and yarn suppliers, festivals and shows, website design… all the fun stuff. Then I started playing and experimenting with dyes and different yarn bases and fibers. I officially opened Spirit Trail Fiberworks in January 2003 with a small online shop, applied to all the shows I could and started doing shows that fall with the Knitter’s Review Retreat and the Fall Fiber Festival of Virginia. MDSW and NYSW followed the next year, along with a few other East Coast shows I did for a few years.
I was definitely on the very early side of the indie dyer explosion. I can remember customers at NY and MD looking at my yarns and saying they didn’t know what to do with them; indie dyeing just wasn’t much a thing yet. The industry has certainly evolved since then, and it’s been fun to watch and participate in this evolution.
How did you decide on the name Spirit Trail Fiberworks?
I sort of fell into my real estate career (my dad was a local DC architect and I worked in his office after college), and really, the entire 15 years I worked in real estate I pretty much longed to be doing something more creative. I have a degree in English literature with concentrations in fine art and philosophy, so the business world was not where I thought I’d ever be.
When I was trying to come up with a name, I came across a concept in Navaho weaving called the Weaver’s Pathway, or Spirit Trail. I wrote up a description of what it means and where it comes from on my website.
What inspires your colorways and your colorway names?
Gosh, everything. An image, an idea, a song, an impression. I get a lot of inspiration from the beautiful area where I live, in the shadow of Shenandoah National Park. But I get inspiration from all sorts of places. Usually, the colorway name comes from whatever inspired the color, but when I’m dyeing based on a feeling or impression it’s more difficult to put a name to the color. Sometimes there’s a lot of back and forth between myself, my friend Brooke who works for me, and my mom who also works for me — each of us throwing out words or phrases, and building from there until we get to the final name.
Do you have a favorite color or colors, and have they changed since you became a dyer?
My favorite colors definitely change. I used to be drawn to earth tones like deep greens, browns and more muddy colors. Then it was grays and neutrals. These days, my favorites tend to be aqua blues and oranges. I’m sure they’ll change again. My ideas about color have definitely changed since I became I dyer. I used to have certain colors I hated – bubblegum pink and pastel colors, for instance. For years, I just didn’t dye pink at all. That’s definitely evolved – there are no colors I don’t like or won’t dye. I wouldn’t even say there are colors I wouldn’t wear anymore; I’m game for just about anything.
When and how did you learn to knit?
My mom taught me to knit when I was 14. Being the over achiever that I was/am, my first project was a long, cabled tunic in some nasty acrylic yarn (because that was mostly what was available back then). I pretty much cried through the entire process and my mom was not sympathetic at all, since I’d insisted on starting with something so big and complicated. I got through it, wore that tunic until it was frayed and pilled and nasty, and continued knitting through high school and college. I stopped knitting during my real estate years, started up again when I got pregnant with my son, and haven’t stopped since. He’ll be 21 later this year.
Is there a color that you would love to dye, but that is challenging to create?
One color I’ve been trying to create but have never done to my satisfaction is a “shimmery” silver on a wool yarn. It’s easy to get silk or Stellina to be a shimmery silver, since they’re already shimmery or sparkly. But to get a silver-gray with the characteristics of metallic silver on a matte base is tough. I’m still working on that.
What are some of your favorite FOs you or your customers have made with your yarn?
This is a hard question! I absolutely love seeing what my customers make with my yarn. It’s hard to pick a favorite. Of my own projects, I love my Traveler Tunic by Joji Locatelli that I turned into a dress and my Gola sweater that I test knit for Laura Nelkin with the addition of some fun vertical stripes (editor’s note: Jennifer is wearing it in the photo at the beginning of this post).
Other favorites include North Shore, (I wear this one all.the.time; pictured above), the “Caragh Sweater” I made for my daughter, Caragh, Obsidian (so super-sexy), Beck (crazy-gorgeous!), Starting Point (love how this kit turned out) and Lotus Mittens (I’m a sucker for anything colorwork).
What are some of the best things you’ve learned running your fiber business?
I’ve learned so much. The one huge benefit of my past career, which I now appreciate very much, is that I am really good at budgets, spreadsheets, financial forecasting – all the business aspects of running a business. But, beyond appreciating my experience much more now than I ever did before, I’ve learned quite a few valuable lessons over the last 16 years.
First, customer service is key. It’s essential for a small business. My focus is creating the best quality work so I have happy customers; I really work to have the best customer service I can in every aspect of my business.
Second, it’s a business, not a hobby. My prices have to reflect realistic margins (while still staying as competitive as possible) that will allow me to continue to run my business.
Third, work can’t take over every aspect of life. This last one is the most difficult for me – the work/life balance – because I’m so Type A and can get pretty obsessive. It’s so easy to let work consume every waking minute (and more), but in order to have a full life and not get burned out, there need to be boundaries. About six or seven years ago, I really put the brakes on my business because I felt it was growing beyond what I could manage, with two small children still at home, and keep it to my philosophy, which was that it remain a small business, and that I am the one dyeing all the yarn (the latter has been my driving focus since day one, and it certainly limits growth potential). Hindsight being 20/20, part of me regrets that decision now, but it was the right one for me to make at the time. Running a business is a marathon, not a sprint, so I have to make decisions to the best of my ability, and then continue to move forward.
Last, if you have your own small business, it’s essential to love what you do, at least if you’re going to do it well. But no matter how much you love your job, some days it’s going to be WORK and not so much fun. My gauge that I’m doing well is when I can successfully dye and have it turn out great, even when I’m not in the mood to do it, and that 29 days out of 30 I love what I do. A good friend of mine is a potter and he told me once, “You can only create something once. After that, it’s just production.” This is so very true, so to keep my creativity alive and well, I started dyeing non-repeatable colors (my “Lucky Pots”) in addition to repeating colorways. His answer was to build himself a salt-fire kiln, since the salt firing process is more unpredictable. So that’s how he creates one-of-a-kind work, versus his major production work. It’s essential to keep things fresh, and feed your soul with your work.
I’m always amazed by the response to the little event I dreamed up just a few months after launching Indie Untangled in 2014. I had an idea to do something with my new website at Rhinebeck. My first thought was to have a few dyers selling yarn in the back of Gigi Trattoria (ha!), maybe giving short lectures about their creative process. Then that changed to a dozen vendors in half of the ballroom at the Best Western in Kingston. I called it a trunk show because I didn’t want to make it seem bigger than I thought it would be, but when I counted more than 200 attendees that night, I knew I was onto something.
This year, the fourth annual Rhinebeck Trunk Show drew more than 1,000 people to check out the yarn, project bags, stitch markers and accessories, supporting over two dozen small, women-owned businesses.
Though I had a wonderful group of volunteers monitoring lines and helping out vendors, I know the crowd was very difficult to navigate this year and that many people weren’t able to shop comfortably. Since Friday, I have been researching alternative venues and talking to vendors, attendees and event planners on how to best manage the crowds. Rest assured that there will be changes next year that will benefit everyone.
I did have to laugh when the woman at one of the venues I contacted told me I wouldn’t have to worry about parking because I would probably get shoppers trickling in and out. You don’t know knitters, I told her.
But while we are very… enthusiastic, I’ve found that knitters are also the most generous, kindhearted people I have ever met. Consider the response when Maria of Tuskenknits learned after she got home to Washington State that her payment processing app hadn’t collected the card numbers of more than half her customers that night. A ton of knitters responded to her small Skein Sponsor campaign, and she received an outpouring of donations to help her in case she can’t reach most of the customers who weren’t charged.
By the way, if you did purchase yarn from Tuskenknits on Friday, please check your credit/debit card statements and see if you were charged. If not, please contact Maria.
Since my phone was a bit occupied during the show, I unfortunately wasn’t able to take any photos of the event, but, as always, it was captured beautifully on Instagram. Here are some of my favorite images:
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So, this happened yesterday 😀What an amazing evening. I can’t stop smiling. Thank you to everyone who made it such a success. My wonderful and enthusiastic helpers @loreleieurto @jenni.lee.knits and @e_garnier 😘, and Lisa of @indieuntangled 👏. And all of you who stopped by and introduced yourselves, and squished the yarn. It was such a privilege to meet each of you! ❤️❤️❤️. I’ll be at Rhinebeck this afternoon, so please say hello if you see me there too. I’m also giving away a skein of yarn in a little scavenger hunt, so look at my last post for more details on that 😉
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Yesterday at @indieuntangled , I found my people, met the COOLEST kid (he knit his entire outfit himself!), and made it out of the chaos with some pretty sweet skeins of yarn! . . . . #indieuntangled #indieuntangled2017 #knitting #knitter #rhinebeck2017 #Rhinebeck #knitstagram #instaknit #magpieyarn #huelocoyarn
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Thank you SO much to everyone who stopped by my @indieuntangled booth! Such an amazing event!! I left tonight feeling truly grateful to be apart of such a wonderful community of inspiring/supportive makers! ❤️❤️❤️ #Allthefeels #VoolenvineYarns #indieuntangled2017 see you on “The Hill” tomorrow!!😘 #rhinebeck2017 #Rhinebeck
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Thanks to the lovely Lisa from @indieuntangled for allowing us to support this amazing event! Of course we want ALL THE THINGS, and we can’t wait until next year! . . #kitterlykits #rhinebeck2017 #indieuntangled #yarnlove #handdyed #knitting #knittersofintstagram #tricot #yarnporn #crochet #kitterly #crafting #yesimadeit
This is the ninth in a series of blog posts featuring the fabulous sponsors of the 2017 Rhinebeck Trunk Show.
Time sure flies when you’re having fun! We are proud and delighted to be the Featured Sponsor for the Indie-Untangled Trunk show for the third year! Sharing yarns we love with knitters is one of the very best parts of what we do everyday. The Indie Untangled Trunk Show is a perfect time for us to showcase some of these yarns. This year we are hosting two lovely and different yarns – Rosy Green Wool and Crave Yarn.
ROSY GREEN WOOL is the result of a passionate desire to produce a hand knitting yarn that is certified organic through every aspect of production and product delivery. From the farms in Patagonia where the original fleece is sourced, through the spinning and dyeing process and to both distribution centers world wide, Rosy Green Wool meets the strict standards of the Global Organic Textile Standards (GOTS).
What does this mean to you? Rosy Green Wool is a yarn you can feel great about AND a yarn that feels great to knit, crochet and wear.
We’ll have four yarn bases for you to try at the Indie Untangled Trunk Show:
We’ll be featuring beautiful new patterns by German designers Melanie Berg, Jana Huck and Isabell Kraemer.
Find inspiration and yarn to create garments we know you’ll love including:
This is the eighth in a series of blog posts featuring the fabulous sponsors of the 2017 Rhinebeck Trunk Show.
Signature needles have long been a coveted item among knitters, though the company’s offerings have remained pretty standard — until now. The Wisconsin-based Signature Needle Arts — run by knitter Cathryn Bothe, also president of Bothe Associates, which makes custom metal parts such as surgical tool components and mining safety equipment with the same precision as the needles — recently debuted its Signature Sock Series. The new needles come with a tougher cable and no rotation of the needle stalk and cable.
I recently spoke with Cathryn about the new product:
How did the Signature Sock Series come about?
Signature has manufactured our “Convertible” circular needles in sizes from US 3 up for some time. Those needles have the ability to attach various lengths of cables in a given size.
We knew we wanted to be able to provide the many, many customers asking for the smaller US sizes 1 and 2 as well as the 2.5mm size so loved by our Canadian and European customers.
However, having been in the metal manufacturing business for 67 years (see bothe.com) the shop folks knew the challenges of using the Convertible model within the small diameter of the size 1 and 2 needles.
Because we felt like we were setting ourselves up for failure if we asked customers to screw on the tiny internal threads required we decided to make these small sizes “fixed,” that is, they don’t unscrew or rotate.
To differentiate we chose a different name, Signature Sock Series, and changed the color of the cable.
Will they only be available for socks?
These small size needles will be wonderful for any project that calls for US sizes 1 and 2 and 2.5mm. Actually, I have done a scarf using them, but any lace project or anything else would be great with our points.
Why are you only starting with size US 1?
We know that making the US Size 2 would be easier since there is more diameter in the needle shaft with which to work. However, we decided that if we could manufacture the size 1s successfully the size 2s would be easier.
What has been feedback on the needles?
Customers love being able to have our fabulous hand polished points in this small size.
Are they manufactured differently than other Signature needles?
Yes they are. Instead of a rotating, removable cable the cable is affixed permanently into the tiny needle stalk. The color of the cable is different (white) than our regular cable on the Convertible Circulars (black) for easy recognition.
Can you say if there is anything else new on the horizon for Signature?
Whenever I bring up something new I can see the look on the faces of all concerned with the manufacturing. They know that I will be the worst “customer” ever. I will proudly accept that I am demanding and unbending in what I want even when they tell me that something is impossible. I do have a few new product ideas but I can’t really reveal at this time.
Having said that there is a new area that we are giving attention: that is of adaptive products for knitters with physical challenges. As well I have another, to quote Wendy of Wendy Knits, “stealth project” in this same vein.
This is the seventh in a series of blog posts featuring the fabulous sponsors of the 2017 Rhinebeck Trunk Show.
Ann Shayne and Kay Gardiner’s Mason Dixon Knitting was one of the first knitting blogs I heard about when I first fell down this rabbit hole several years ago. I’ve been excited to see what started out as a public correspondence between two knitting friends from different parts of the East Coast — before they even met IRL! — turn into a booming business, with daily articles from some of our industry’s stars, a shop full of patterns and exclusive yarns and goodies and an upcoming retreat in Tennessee (which sadly sold out before I could commit to going).
I’ve recently been corresponding with the pair via email and asked them to expand on how their mini knitting empire has evolved:
Tell me how Mason-Dixon Knitting got started. How did you come up with the idea of an ongoing correspondence and how has your website evolved?
We started a blog in 2003, just for kicks. We had been emailing each other constantly up until that point, so it seemed natural to just continue in that style.
Over the years, we developed a vision for a larger website for knitters, one that would be a wide-ranging online magazine and beautiful shop. Our new site launched last October, after a year of development. It has been a huge year for us, and we are so glad to see our idea become reality.
The URL is still MasonDixonKnitting.com, but the richness of content and offerings is completely different from the old blog. We feature the brightest designers, great writers, supersmart teachers, and our Mason-Dixon Knitting Field Guide series of pattern books.
We publish new stories every single day, so our readers start their day with a peek at something beautiful, profound, funny, or surprising. We’ve become a daily habit for thousands of knitters, and we treasure that connection.
The most exciting component of the new site is our online shop that features the most exquisite yarns we can find. We add new yarns constantly.
That’s why we are such supporters of Indie Untangled–we want to celebrate independent yarnmakers any way that we can–by telling their stories, collaborating with them to create special editions, and teaching knitters why these yarns are so important.
What would you say are the most important traits that each of you bring to your business?
Curiosity and enthusiasm are continuously bubbling up, and we think that’s the core of Mason-Dixon Knitting.
We never get tired of knitting. No matter how much knitting we do for MDK, or for our series of books (Mason-Dixon Knitting Field Guides), we remain extremely susceptible to casting on the next great thing we see, just for fun. We are endlessly curious about what people in the knitting community are doing, whether they’re designing or making yarn or tending sheep. Important fact in all this: we both type very fast.
Was it strange to start such a partnership without meeting each other (before Ravelry made that kind of thing slightly more “normal” for knitters)?
Starting a blog was such a lark, and so casual, that it didn’t seem like a big deal. At one point Kay got it in her head that this “Ann from Nashville” might actually be the author Ann Patchett (who lives in Nashville).
When we got a book deal in 2004, we made haste to meet in person!
How did each of you get into designing?
We love and respect the work of knitwear designers so much and have only rarely designed sweaters ourselves. There is so much expertise and nuance in a sweater design!
But early on, we wanted to knit open-ended projects like blankets, or fun little palate cleansers like dishcloths or other home items. When we went looking for patterns for those items, we didn’t see exactly what we had in mind, so we invented our own patterns. Kay still occasionally gets a blanket idea stuck in her brain and can’t rest until she knits it and writes it up. It’s a fun puzzle! And even more fun when knitters take an idea we’ve had and run with it. We love going to visit our patterns on Ravelry and seeing what knitters have done with them.
How did you come up with the idea for your Knitting Getaway next June?
In 2015, we went together to Shakerag Workshops, an annual two-week craft workshop in Sewanee, Tennessee, which is a wonderful place not far from Nashville. The entire time, we kept thinking, “We have to make this happen for knitters!” It’s very special to spend time in the company of other knitters, relaxing, learning, knitting, walking, swimming, and then to have delicious meals appear all by themselves: that’s heaven!
The only bummer is that we have such limited space. Fingers crossed that everyone will behave and we can host another Knitting Getaway.
When and how did you each learn to knit?
Kay learned as a Camp Fire Girl, made one thing (acrylic slippers!) and didn’t think about knitting again until she was in her thirties, when she picked up the needles and remembered how to knit. Ann was starting out on her career in book publishing, and took a night class in knitting. We both got the bug real bad from the start. In the early 2000s, we each found our way to the Rowan website’s chat board, where we met so many amazing knitters and characters, and each other.
Tell me about one of your most memorable FOs.
Kay: It’s not an FO yet, but I’m nearing the finish line on a giant Kaffe Fassett intarsia cardigan that I’m making from a vintage 1980s kit. It is by far the most difficult knitting I’ve attempted. Just weaving in the ends is going to merit a Lifetime Achievement Award. One of Ann’s most memorable projects is a pullover she made out of at least eight different cream-colored yarns that she had collected, in her own pattern of randomly twisting cables. It shouldn’t work at all, but it’s beautiful!
What are you most excited to check out at the Indie Untangled trunk show?
OK, here’s a confession: when we go to Indie Untangled, we are shopping for ourselves, but also for the MDK Shop. We can think of nothing more exciting to offer our readers than the beautiful yarns that hand-dyers are making these days. It’s a golden age of yarn, and we feel very lucky that we get to travel to Rhinebeck and see so many rare yarns in person.
This is the sixth in a series of blog posts featuring the fabulous sponsors of the 2017 Rhinebeck Trunk Show.
Earlier this year, Cathy Baucom and Heather Tinney, the owners of The Knot House, a fabulous LYS in Frederick, Maryland, launched a knitting podcast. They broadcast from their shop, which features yarn from several dyers, including many who post on Indie Untangled. I asked them to do a little preview of the trunk show:
So many indie dyers. One email.
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