I get so much inspiration from the knitters who find wonderful things to make with hand-dyed yarn — especially when they get creative and combine yarns from different indie dyers in colorwork projects, or find the perfect pattern for that semisolid or speckled colorway. Here’s a compilation of my favorite projects using yarn from Indie Untangled artisans.
Above is perhaps my favorite project of the year, Vicki’s All Points South with Dark Harbour Yarn Starboard, Duck Duck Wool Silky Singleton and The Farmer’s Daughter Fibers Foxy Lady. I love how the four colorways from three different dyers look meant for each other (and I definitely looked to Vicki’s pullover shawl, as the designer Casapinka calls it, as inspiration when knitting my version with Duck Duck Wool.
One of the best things about running Indie Untangled is getting to work with talented dyers to come up with exclusive colorways, whether it’s for the Rhinebeck Trunk Show, the Knitting Our National Parks project or the Where We Knit yarn club. And while I love collecting hand-dyed yarn as much as the next knitter, I truly enjoy seeing those colorways put to use in beautiful sweaters, shawls, cowls and more.
Pictured above is Cecilia’s Sunset Highway with La Bien Aimée Merino Singles in Automne à Rhinebeck, Asylum Fibers Solitary in Rhinebeck’s All The Craze, Dark Harbour Yarn Port in Davy Jones Locker and La Bien Aimée Merino Singles in Yellow Brick Road
Aimee’s Rainshadow in La Bien Aimée Merino Singles Kingston and Hudson
I have to admit, I’m warming up to mohair. Because it makes me itchy, I never sought it out. But after Jennifer of Spirit Trail Fiberworks showed me the photos of her yarn for this month’s installment of Knitting Our National Parks — the speckled Winter Wizardry and complementary mohair called Wizard Sky — I knew I had to have it in my stash.
Now, after researching all the new patterns popping up that incorporate mohair, and seeing Jennifer’s beautiful swatch using the two yarns stranded together, I realized I just have to knit with it!
Here are some pattern suggestions for using the two yarns together, in everything from hats to sweaters.
Since Candice of The Farmer’s Daughter Fibers sent me the photo of Kiowa, her Yellowstone-inspired colorway for Knitting Our National Parks, I’ve been agonizing over what to make with my skeins when I get them. I think I love planning what to knit almost as much as knitting — it’s like planning a vacation, picking just the right hotels and tours to take.
I’ve compiled a short list of options based on my Ravelry research:
I loved that Stephanie of Asylum Fibers dyed her Acadia Lights Knitting Our National Parks colorway on two bases, as it provides multiple project options for those of us who aren’t always in the mood to take on a fingering-weight project (though I’m still going to get both bases!).
Stephanie sent my several good ideas for both her Solitary fingering and Golden Goose DK.
I always find it a fun challenge to find the perfect projects for variegated yarns like the Pigeonroof Studios Mountains and Valleys colorway for Knitting Our National Parks. I didn’t have to look too far to find some great options, particularly from designer and frequent IU poster Casapinka.
Here are several options, whether you want to use a single skein or pair it with a semisolid. You can also check out the ever-growing bundle I’ve created on Ravelry.
I’ve been contemplating a What to make with handspun blog post for a while now, but since I haven’t quite fallen down the spinning rabbit hole yet, I decided to ask Anne of Middle Brook Fiberworks, my fiber and spinning guru, for some suggestions. She ended up sending me a terrific write-up to share with you. Please include your additional suggestions in the comments!
“What can I make with this handspun yarn?” is a question I answer at every show. I can see why: skeins are usually one-of-a-kind, with not a lot of yardage and the texture is often irregular. It’s certainly possible to find sweater quantities of beautifully consistent handspun yarn, but it would be a significant investment. Shawls and other accessories that require less than 400 yards are great for handspun because any irregularities won’t matter — unlike in a sweater or socks, where you don’t really want unfortunately placed lumps of thick slubs. Plus, woolen-spun handspun yarn (spun with a low twist from loose clouds of hand-prepped fiber, rather than a compacted commercial combed top), knits up into a thick fabric that is not only exceptionally warm, but is remarkably lightweight and lofty. My handspun hat knit from woolen-spun CVM under my rain jacket hoodie is integral for my winter farm chores!
Another option is to combine millspun yarn with smaller amounts of handspun yarn as a highlight–for a pop of texture. The Dragonwell Cowl, pictured above, which I designed with Jolene Mosely, has a section of consistent 2-ply yarn, and a small section of highly textured art yarn in a coordinating color. I’ve used handspun yarn for both sections, but millspun yarn would work just as well.
One of my favorite handspun projects is my Handspun Hansel, a handspun version of Gudrun Johnston’s Hansel. The pattern calls for 550 yards of a main color, and less than 100 yards each of four contrasting colors. I made mine with all handspun, but I think it would be terrific with a millspun main color, with handspun contrasting colors.
My next project is going to be Laura Aylor’s Between Oceans. I’ve spun four skeins of aran-weight organic Polwarth in Cirrus for the body, but because I won’t be spinning a fifth skein only to be cut into fringe, I’ll be dyeing a skein of millspun Targhee wool to match.
Since getting a glimpse of Alice of Backyard Fiberworks’ North Cascades Night colorway for Knitting Our National Parks, I’ve been obsessively combing Ravelry for the perfect projects. The fact that it’s a sportweight yarn means it works for a variety of patterns, from one-skein hats and mitts to pullovers and cardigans that don’t feel too endless.
I’ve found some ideas from a variety of designers, including those who post to Indie Untangled. Below is just a small list of possibilities. You can also check out the ever-growing bundle I’ve created on Ravelry.
When the weather (actually) starts getting warmer, you don’t really want to be knitting out of the A/C with a big pile of fabric in your lap. While I’ve certainly worked on a sweater at the beach, it’s not ideal. Neither is traveling and worrying about losing one of those six mini skeins.
I see summer as the perfect time to pick out that single skein of fingering in your stash that you really love and knit up a little something to drape over your shoulders or around your neck when you start wanting to put wool on your skin again.
I’ve long said that shawls, and infinity scarves, are potato chip knitting, because they are easily addictive and tend to cause less consternation than socks — there’s no such thing as Second Shawl Syndrome.
Here are some new designs and a few old favorites for that prized skein.
Janina Kallio has a whole bunch of single-skein shawls, but my favorite has to be Drops of Honey, above, which she designed especially for the 2016 Indie Untangled Where We Knit yarn club. It’s simple enough to be mindless, with just enough interest with the eyelets.
Speckled yarns have been around for quite a while, but it seems as if they’re having a bit of a moment — I’ve certainly noticed an uptick in Funfetti-esque skeins around the internets. Like variegated colorways, it can be a little tricky to find just the perfect pattern to show it off. A simple canvas is generally best (I’m likely going to knit a Hitchhiker with the skein of Duck Duck Wool 80/20 Merino Silk Fingering, because it’s one of those patterns I think every knitter needs to have) but I’ve also spotted some beautiful patterns that incorporate it along with lace and stripes.