Daisy Stitch Co’s Summer Vibes Collection is inspired by summer sips and beachside relaxation. Margarita, Mimosa, Just Breathe, Bellini and Daiquiri are available on fingering, DK and worsted.
Queen City Yarn’s Happily Ever After Holidays box is themed around the Hallmark Channel cheesy feel-good holiday movies we know and love. The box includes an ambitious city girl who returns to her small hometown and falls in love with the local vet. Wait, actually, it includes 20 mini skeins, one full-sized skein, four mystery gifts and patterns.
Moving back to summer, Courtney of Silly Goose Yarns has launched a Drink of the Month yarn club. Each month’s colorway will be inspired by a fun cocktail, with an alcoholic and a non-alcoholic version of each drink.
Sign-ups are open for the Holly Dyeworks Sense and Sensibility Knit & Read Along! Knit a mystery shawl inspired by Jane Austen’s novel while also reading the book. Yarn kits and pattern kits are now available in Eve’s shop.
If you’re in the Delaware/Maryland/Virginia area, join the DMV Fiber Friends to celebrate World Wide Knit in Public Day with a fundraiser for Project Knitwell. The event is free and will include a marketplace and knitting and crochet instruction.
The Southern Skeins May Sock Box is inspired by the vibrant pink hues of flamingoes, featuring a tulip pink full skein as well as a coral and black mini skein.
As much as I’ve embraced the digital world, there is definitely still part of me that needs physical books in my life. I know it’s cliché, but flipping through the pages, taking in printed photographs and taking pride in a colorful stack of spines on your bookshelf or nightstand… It’s actually kind of similar to having a yarn stash. I probably won’t knit every single pattern in every book I own, but I appreciate knowing that they’re there, to take me on a journey when I might need it most.
I’ve come across many books over the past few years, and while I don’t think I can do them all justice with a “proper” book review, I thought it would be helpful to provide a guide to some of the ones that have found a special place on my IKEA Kallax. And if you happen to find the perfect holiday gift, even better! (This posts contains affiliate links, meaning a small percentage of your purchase may benefit Indie Untangled.)
I may be biased about this book because I’m offering it in the Indie Untangled shop, but the reason I decided to carry this book is why I’d recommend it. I’ve admired the designs of Abbye and Selena, the team that makes up Wool & Pine, since I first saw the Sorrel sweater pop up on my Instagram feed. Aside from being a bound collection of the pair’s patterns and gorgeous photographs, the book provides access to video tutorials with instructions and tips for each design. I know I’m going to be referring to the Sorrel videos after I start my sweater.
The book is also bound in a way that it stays open to the page you need very easily. I certainly love the look of matte or hardcover books with thick spines, however, I find that if I want to knit from them I need to photocopy the pages or download the PDF (this book also comes with access to the PDF patterns if you prefer to knit from one).
I wasn’t familiar with Loretta Napoleoni until earlier this year, when her assistant contacted me about this new book. Napoleoni is a journalist who has covered the financing of terrorism — her first book, Terror Inc: Tracing the Money Behind Global Terrorism, is a bestseller that has been translated into 12 languages. The topic of knitting is decidedly softer, but Loretta tackles it with a well-researched expertise, weaving together the history of our craft with her personal experiences.
The book does include 10 patterns at the end, including a version of the Pussy Hat called the Pussy Power Hat. While the patterns seem a bit like an afterthought, and I think Loretta’s writing is strong enough to stand on its own, it is nice that they have connections to passages in the book, and the simple illustrations are quite lovely.
I was already a fan of Hannah Thiessen’s first book, Slow Knitting, which was everything I could ever want in a knitting book: stories about the creators of artisanal yarns that I’ve been fortunate to work with, including Anne Hanson, Jill Draper, Julie Asselin and mYak, and beautiful patterns to tie these stories together. Seasonal Slow Knitting is just what it sounds like, breaking up our mindful craft into seasons.
Whereas Slow Knitting brought together patterns from a variety of designers, Hannah designed all 10 patterns in this book, which was released in October, so the collection feels much more cohesive and is a beautiful showcase for the rustic yarns.
No knitter’s bookshelf is complete without the work of “yarn whisperer” Clara Parkes. In this book, released last fall, Clara recounts her Great White Bale project, in which she crowdsourced the transformation of a 676-pound bale of fleece into skeins that found their way into the hands of knitters. As you may know if you read my newsletter, I’m a sucker for a road trip, especially one that includes yarn, and Clara is an expert guide, taking us along with her to Catskills Merino in New York to the Saco River Dyehouse in Maine and many places in between, all in the pursuit of yarn.
I knew that I needed this book on my shelf ever since I heard that it was being published by Pom Pom Press. Emily Foden of Viola was one of the first indie dyers that I fell for as a new yarn collector and the 12 patterns in this book show them off beautifully. I haven’t knit any of them yet, however I scored two skeins of her Shadow DK (a blend of Polwarth, Wensleydale and Zwartbles) in a shop update over the summer and realized it’s the perfect match for her Skyhill hat.
The book is filled with beautifully styled and composed shots of knitwear against the snowy backdrop of Emily’s home in Ontario, Canada, though for me it is definitely meant for admiring and not knitting from. Fortunately, the book comes with a code to download a PDF version via Ravelry.
For the latest installment of Knitting Our National Parks, Rachel of Six and Seven Fiber takes us to Grand Teton National Park, which I was lucky to visit in May of 2019 (which seems like ages ago). Her Jenny Lake colorway was inspired by the above photo taken by photographer Brian Johns.
This lightly speckled neutral is available to preorder on Indie Untangled through December 27 on three bases: Alfalfa, a luxurious 80/10/10 Superwash Merino/Cashmere/nylon heavy fingering-weight yarn, Amaranth, a toothy but soft non-Superwash Merino fingering (this one is my personal favorite) and Soybean, a non-Superwash Merino DK. Alfalfa would make amazing winter accessories, while the latter two are the perfect sweater yarns.
Speaking of non-Superwash yarns, designer Mary Annarella used Julie Asselin’s Nurtured yarn in the special Indie Untangled Leaf Pile colorway to design not just one but two new hats! The one above, with the zig zag purl pattern, is called Swipe Right (which means, in the world of Tinder dating, that you’re interested).
Mary’s other hat, called Take a Bough, has an elegant cable pattern reminiscent of pine trees and is a perfect match for the colorway, which is indeed like jumping into a leaf pile. The links above will take you to kits for the hat featuring this exclusive colorway, and they are discounted through Monday, December 14, no coupon code needed.
I also invite you to explore this incredible yarn further…
When I first learned about Julie Asselin’s Nurtured yarn — a rustic but soft blend of Rambouillet, Targhee and Merino that is hand dyed “in the wool” prior to being mill spun at Green Mountain Spinnery in Vermont — it was love at first sight… through my computer monitor. Fortunately, when I finally got a chance to see it in person at a yarn festival, I was even more smitten — enough to ask Julie and her partner Jean-François to create a special colorway for Indie Untangled.
Since we don’t have the ability to feel yarn in person at festivals, and I want everyone to discover the joy of knitting with Nurtured, I’m excited to collaborate with Julie and Jean-François on Nurtured Mini Boxes. These sets will allow you to try out this woolly Aran-weight yarn and see the incredible heathered colors in real life.
The boxes are available to preorder on Indie Untangled through January 8 and will ship in mid-March, allowing time for Julie and Jean-François to create mini skeins to order and for cross-border shipping.
I was so excited to see that Abbye and Selena of the design duo Wool & Pine, who I enjoyed learning more about during Indie Untangled Everywhere in October, had published their first pattern collection. I’m even more thrilled to be a stockist of this special new book! Featuring Wool & Pine’s first six garments, this softcover book is filled with beautiful images and size-inclusive patterns with written and charted directions. It also includes a digital download code and access to detailed video tutorials to help you knit your perfect sweater.
The cold whether inspired Lanivendole’s Winter Mood palette, which will be available in Giulia and Stefania’s online shop today starting at 6 p.m. CET. There will also be limited edition handmade stitch markers from their friend Carla of @laboratorioindie.
Rebecca of WildWestDye, a natural dyer based in Canada, has lots of new kits uniquely dyed using indigo, including CabooseWay, a three-color, three-texture indigo kit launched with a new collection of worsted weight yarn.
The Crafty Flutterby Creations seasonal Victorian Christmas Collection features shawl pins or vegan leather shawl cuffs with sophisticated lace designs. Michelle also has limited edition sparkly holiday end minders, which help keep your ends neat and tidy while you work. All orders placed by Monday will ship in time for Christmas within the U.S.
Megan of Megs & Co has curated a collection of hand-dyed hat kits to get you ready for the cold weather. Kits include a skein of Folk Song Aran paired with one skein of Head in the Clouds mohair and silk laceweight, plus a hand-stuffed faux fur pom-pom.
Speaking of hats, all Softyarn Designs hat patterns are 25% off through Wednesday, December 16, with the code Hatknitting on Ravelry and Etsy. Lena’s Pebble Street Hat, pictured above, is a quick knit using Aran-weight yarn and a slip-stitch pattern.
Pictured from left to right, top row and bottom row: Sorrel, Scotch Broom, Summer Sorrel, Wild Wind, Criterion and Broadleaf.
When Abbye and Selena of the design duo Wool & Pine asked if I was interested in carrying their new book in the new and improved Indie Untangled Shop, I didn’t hesitate. I had been a fan of their work and aesthetic before getting to know them better through their Untangling the Designer’s Studio session during Indie Untangled Everywhere in October, and am excited to get to work with them further next year (you’ll learn more in a few weeks!).
It also just so happens that I have stocked the shop with yarn that would be perfect for their designs. Here are some suggestions:
Both would look great together, but I love how the Bluebeard halo adds another dimension to the red/orange/pink fingering. It would also look lovely as the contrast in the brioche in Broadleaf.
This elegant colorwork yoke sweater was inspired by Downton Abbey, so what better yarn to use than skeins from UK dyer Countess Ablaze? Selena gave these color combos of Rebel Fingering (Superwash Merino, silk and yak) and Countess Ablaze Lady Persephone Sock (Superwash Bluefaced Leicester wool and nylon) her seal of approval.
I Only Knit With Vintage Yarn and Stockpiled Yarn Stash
Stockpiled Yarn Stash and Make Do and Mend
I’m So Indie I Buy Yarns That Don’t Exist Yet and I Crochet in the Coffee Shop
I’m So Indie I Buy Yarns That Don’t Exist Yet and Rage Against the Knitting Machine
Any of these would also be ideal for one of the wilder skeins of Countess Ablaze Lady Persephone Sock, such as Keep Calm and Knit On, Fun Fur Is Cool Again and I Like Yarn That Nobody Else Likes (pictured).
Heather of Sew Happy Jane has embraced the rustic wool trend with her new line of non-Superwash yarn. She’s dyed her new 100% Peruvian Highland Wool in 10 colorways — eight semisolids and two speckled/variegated — that coordinate beautifully, making it perfect for colorwork. At $18 per 246-yard skein, it’s also an inexpensive entree into the world of crunchy yarn. Heather is taking dyed-to-order preorders until May 25.
Tomorrow, Stefania and Giulia of Lanivendole are launching orders for their next yarn club/collaboration. The Mind Wanderers Yarn Club is themed around where we go when we get lost in our thoughts while knitting. Each club bundle will include three skeins of their luxurious and local blend of Italian wool, Cashmere and alpaca and two accessories from Italian makers.
Debbie of Murky Depths Dyeworks is evoking the childhood nostalgia of the 64 Crayola box (the one with the sharpener on the back) with her new mini skein sets. Each set includes five 80-yard skeins of Deep Sock, perfect for colorwork hats, fingerless mitts or as sweater accents. Debbie is also offering 15% off, using code CXL15.
If your Startitis is flaring up, house your new WIPs in one of Rock Solid Designs’ new project bags! There are sweet honeybees and cheerful yellow poppies to get us in the mood for our socially-distanced spring, as well as reminders of the travels in our future.
Heather of Pumpkins and Wool has launched her new Sock Kits, featuring one 463-yard skein and one 92-yard mini in a super soft Superwash Merino/nylon blend.
Victoria of Eden Cottage Yarns’ next update, taking place on Monday at 1 p.m. UK time, will include a summer-ready restock of laceweight yarns, including Titus Lace (Merino/silk) and Askham Lace (baby alpaca/silk).
Karen Whooley’s new book, Modern Italian Lace Crochet, will be released on June 2 and you can preorder it now. The book includes 10 new crochet designs inspired by her Italian heritage.
A silver lining to yet another canceled festival is that independent publisher Cooperative Press has used the opportunity of a virtual Maryland Sheep & Wool Festival to re-release two of their most popular titles: the appropriate-for-these-times Doomsday Knits: Projects for the Apocalypse and After, edited by Alex Tinsley, and Subversive Socks, edited by Tabetha Hedrick. Both books are only available to preorder until this Sunday, May 3, so grab yours before they become harder to find than unsalted butter.
Tomorrow, Heather of Sew Happy Jane will be participating in the Virtu-wool fiber festival hosted on Facebook, and her virtu-wool shop will be updated with new colorways and old favorites. Get a preview at 10 a.m. EDT on Facebook and learn how you can enter to win a prize.
The inaugural Virtu-wool Fiber Festival is a two-day event taking place tomorrow and Sunday featuring 20 vendors from across the U.S. Each day, between 10 a.m. to 8 p.m. EDT, vendors will present their products via a livestream.
Austin, Texas-based Gothfarm Yarn specializes in blends of naturally-colored fibers from rare and uncommon breeds of sheep and other furry animals, working with small farms and mills.
Heather of Pumpkins and Wool created six new super ’80s-inspired colorways for some retro fun during this bogus situation we’ve found ourselves in. Colors such as Ms. Pacman and Girls Just Wanna Have Fun have also been discounted.
Michelle of Crafty Flutterby Creations has launched a KAL called Parallelominis that encourages you to dive into your collection of mini skeins and scrap yarn to create artistic color combinations.
The KAL runs through May 17 and every participant that shares their FO gets a free pattern and a chance to win a $50 gift certificate for Crafty Flutterby Creations. Indie Untangled readers get 60% off the Parallelominis pattern through the end of March with code INDIELOVE.
Kate of McMullin Fiber Co. is having a spring cleaning sale and a giveaway rolled into one. Every $20 spent in the shop between now and April 12 enters you to win prizes, including a Joji & Co. needle wallet, a $100 shop credit, a $50 shop credit, and a crochet hook from Furls and some of Kate’s yarn to go with it. Edit: This giveaway will now be taking place via Instagram. Stay tuned for updates.
Terri of Whole Knit ‘N Caboodle has added over 150 new colors to her website, and will be sending a check to your LYS for every online purchase.
Laura of Slipped Stitch Studios has once again teamed up with Julia of Pandia’s Jewels for the Yarnies to the bone collection. The ready-to-ship update goes live today at 9 a.m. Pacific, and there is a special yarn colorway available to preorder on Julia’s website.
What’s more appropriate than cats and yarn? A book about cats and yarn! Victoria of Eden Cottage Yarns has collaborated with Marna Gilligan of ‘an caitin beag’ for Cat Knits, a book of 16 knit designs featuring kitties and Eden Cottage yarns.
Susan of Sunflower Designs is also hosting a KAL for her Love in the Time of Coronavirus shawl, with proceeds from the pattern split evenly between the CDC foundation and Meals on Wheels Covid-19 Response Fund.
Crochet is having a moment, and Karen Whooley’s Whimsy shawl is a colorful, project with easy crochet stitches and lace. Get the pattern at 10% off through the end of March with the code 10offmarch.
The dyers collaborating with me on this Indie Untangled Eight Nights of Hanukkah Kit all have their own beautiful aesthetics: Spencer and Reggie of The Fiberists create vibrant semisolids, Julia of Pandia’s Jewels has a talent for subtle speckles and Raya of Blissful Knits is known for her colorful mini skeins. While their full skeins/mini sets for the kit will be a surprise, here is an example of their talents.
Preorders are open only through the end of the day today. I hope you celebrate with us!
Sue of Invictus Yarns is also getting ready for the holidays (it’s not too early!) and has been adding to her collection of holiday colorways, restocked some that had sold out and have added gift cards to the shop.
Issue 4 of the NF Magazine comes out today and is filled with fall warmth. It includes four knitting patterns and three cold-weather recipes.
Andi Smith’s newest book for Cooperative Press, called Scarves Two Ways, will make you a scarf knitter again. The book, released at Rhinebeck, includes a dozen new scarf designs using a variety of techniques. The patterns are both charted and fully written out, hence there are two ways you can create them. The motifs from scarf to scarf also riff off each other. You can save $6.95 through the end of 2019 by using the code STARGAZER on Ravelry.
Designer Kathleen Dames and Alice O’Reilly of Backyard Fiberworks have taken us to New York and Paris through their Knit Like A Local series of bookazines from One More Row Press. Recently, they launched I Knit San Francisco, a fiber journey through the Bay Area, which is available to preorder. Here’s more about their latest trip.
How did you decide to include San Francisco for your latest book?
We started talking about San Francisco after attending Stitches West a couple of years ago. There is a vibrant knitting culture in Northern California, lots of great yarn shops, local designers and dyers, and, as we all know, the weather in San Francisco is such that having something woolly on hand is always a good idea. Plus, we both have connections to the area: Alice’s grandparents lived south of San Francisco (and her brother lives in the city now), while Kathleen worked for two different publishers, one in Sebastopol and the other in Pacific Grove, so she has spent working time in the area, in addition to more touristy visits.
Which designers do you have lined up for I Knit San Francisco?
We are thrilled to have Vilasinee Bunnag (founder of The Loome) in collaboration with Kathleen, Faina Goberstein, Juliana Lustenader, Audry Nicklin, Sonya Philip (100 Acts of Sewing), Yvonne Poon (Gamer Babe Knits), Sloane Rosenthal (co-founder of brand new Hudson + West yarn company with Meghan Babin), Heatherly Walker (the Yarn Yenta), Julie Weisenberger (founder of Cocoknits), and Kelly White, plus yarns from Bay Street Yarns, The Dye Project, Hudson + West Co., Little Skein in the Big Wool with help from Seismic Yarns, Love Fest Fibers, Sincere Sheep, Speckled Finch Studios, Twirl Yarn, and A Verb for Keeping Warm. Getting to know the designers and dyers is the best part of this job.
What are each of your favorite designs from the book?
We love them all (of course)! Seriously, every book we publish is a whole new wardrobe we want to knit.
So far Julie’s rug, Half-moon, made with Love Fest Fibers crazy cool and crazy big yarn, and Sloane’s Ferry Building pullover in WELD from brand new yarn company, Hudson + West Co. (Sloane’s bicoastal partnership with Meghan Babin, former editor of Interweave Knits) have been most popular on our Instagram feed.
Aside from designs, what will the book include?
We interview each designer, so you will learn a little about their design journey and, of course, their favorite local things, particularly places to go that you might not know about and restaurants to try. Then, we take you on our three-day Yarn Crawl from Santa Rosa up in Sonoma County all the way down through Napa County to the East Bay and San Francisco itself down through Santa Cruz to Pacific Grove on Monterey Bay. We definitely recommend taking more than three days, if you want to do the whole tour – we had to be ruthlessly efficient in our research trip due to time constraints, but our doing so means you can take your time and enjoy everything a little more thoroughly.
What surprising things did you learn about San Francisco while doing your research?
That walking around is no joke! Coming from the east and being used to walking everywhere (New York City and Washington, D.C., for us are walking and subway-riding cities), the hills of San Francisco are deceptive. What seems like a doable walk is an intense workout. We also were surprised/not surprised to notice the quality of the light. As intensely visual people, we were both struck by that West Coast golden light, and we think Alli did a great job of capturing it in our photos.
There has been an explosion of local “bookazines,” such as the By Hand serial and Nomadic Knits. How would you say One More Row Press is different?
We start with the question “Where shall we (as knitting people) go next?” Then we work hard to find local designers, some new and others more established, who design across many categories and for varying skill levels, and then we collaborate with them to find yarn partners that make each project sing.
Beyond the interviews and yarn crawls, we also seek out local photographers and models who bring the designs to life on location. We focus on curating a collection that is rooted in place with additional information that allows you to go to that place and make your own personal connections (or be an armchair travel knitter).
What other cities or places are next for your series?
That is the question we are asked AND that we ask everyone we meet! Our “To Visit” list includes: Chicago (where Kathleen grew up), Kyoto (or Tokyo), London, Detroit (people keep mentioning it, and there are a lot of yarn stores in the area, so we are totally intrigued), and Los Angeles. We have also talked about Italy, Cuba, Australia, Spain, Portugal, and Ireland, though we have been focused on individual cities thus far.
It’s a matter of finding the right people (designers, dyers, LYSes) and making the timing work for everyone (including us with our own jobs and families to manage). We are also in talks to do a crochet book with a handful of designers using their favorite buildings as inspiration for elegant, wearable crochet garments and accessories.
Pom Pom Quarterly‘s autumn issue focuses on the conversations about racism and white supremacy in the fiber industry that have been taking place since January. Called “Sea Change,” it includes sand- and surf-inspired garments by designers and makers, including some who were brought to editors Lydia Gluck and Meghan Fernandes’ attention due to the movement for more diversity and inclusion in the knitting community.
Over its seven-year history, Pom Pom has featured models of diverse races and ages, and has plans to continue working with a larger range of designers. I asked Lydia how she and Meghan tackled this topic in the issue, which was released August 30, and how they plan to continue to address inclusivity going forward.
How did you decide on the sea as a metaphor for the ongoing discussion about diversity and white supremacy in the fiber industry?
We had been thinking about a sea-themed issue for a while, as it’s almost an obsession for me; I grew up on the Welsh coast and will always go for a salty dip if I can. The sea is also part of Meghan’s father’s background. He is from the tiny seaside state of Goa in India, and that heritage really resonated for Meghan at this time. I guess the sea has always been a source of solace and inspiration, but we hadn’t quite found the right time to do the issue. When we were thinking about putting together this autumn we realised it was the perfect time for the sea theme. We think that the outward-looking feeling that the shore gives, along with the place for reflection it provides is a great way to embody the expansive feeling of trying to create a genuinely inclusive and welcoming space. The sea is always changing, and we hope to carry on growing and changing too.
How was your approach to this issue of the magazine different than previous ones?
We had been spending a lot of time following and engaging with the racism, diversity, and inclusion conversations that have been more present online in the knitting world and felt that we had to start putting what we were learning into practice. We want to make Pom Pom a good option for people who feel that they aren’t represented in the knitting world at the moment. For this issue we put more time into making sure our line-up of contributors and collaborators was more diverse in various ways, and we hope that through diversity will come inclusion and we know Pom Pom will only be richer for it.
Our approach has also been different in terms of layout; we added pages to the magazine so that we could increase the font size – something we have wanted to do for a long time and finally have been able to because we have changed the way we ship the magazines (yay logistics!). We also added sizes to make our sizing more inclusive. We owe so much to the BIPOC and other marginalised voices who have been bringing to our attention what needs to change to make publications accessible and inclusive and we couldn’t be more grateful that they have done such difficult and dangerous work to make our world a better place. They are the heroes in this story.
What does diversity and inclusion look like for Pom Pom?
Diversity and inclusion looks like the magazine being accessible, welcoming to, and representative of anyone who wants to be part of our community. We want to work with and amplify the voices of people whose perspectives and experiences aren’t usually included in and reflected by the media.
Who has most inspired the Pom Pom team as you’ve taken on anti-racism work?
The team behind Unfinished Object have been particularly inspirational. Without those voices, we don’t think the movement would have burst forth in January in the way that it did. We are all making progress, and continuing to make progress now thanks to their work.
What advice would you give to crafters and fiber business owners looking to take on anti-racism work?
Remember that whether racism exists in the knitting world is not a debate. That’s step one. Then educate yourself; we would say visiting Unfinished Object is a good place to start, and the anti-racist educators @rachel.cargle and @laylafsaad have plenty of resources. Make sure to be respectful when you are visiting spaces held for and by marginalised people, and check whether an answer to your question already exists before asking it.
The most important thing is to be ready to learn and get things wrong. There’s a lot of fear around saying the wrong thing, but we think it’s important to make sure that fear doesn’t come from a place of defensiveness or thinking that people will deliberately misinterpret you. If you get something wrong and receive critique from the community, it’s vital to listen and make sure you take feedback on board. No one is expected to be perfect, but we think it’s worth holding yourself to a high standard, while being kind to yourself. We can and must do better as a community, and in order to do that we have to be ready to rigorously examine our deeply embedded biases and our unequal societies.
And, if it’s possible for you, do pay people for the education you have received from them. Ko-fi is a great way to do that. Again we want to emphasise that we are following the lead of others in this regard, and we advise doing the same.
I’ve noticed this is the first published design for a few of the designers in the magazine. How do you work with designers who haven’t self-published a knitting or crochet design before? How are you finding new designers and dyers?
We have always worked with designers who haven’t been published or self-published before. Most issues of the magazine have had an open call for submissions because we are always interested in finding people who are not yet part of the knitting scene. We try and provide as much support as we can when we are working with new designers. We know there’s a lot about the process that might be new, so we are on hand to answer questions and can provide help with technical aspects, for example getting assistance with grading if needed. We are always honoured when someone entrusts their vision to us, whether they are a new designer or not, so our main concern is making sure we do their creativity justice.
We also spend a lot of time looking for new designers and dyers online through social media, and if appropriate reach out to people who we think would be interested in working with us. Sometimes people email us too! If we go to shows we make sure to go and check out stands that we don’t yet know.
Have either of you knit any of the designs from the issue (aside from Meghan’s Timbre hat, of course!) or do you plan to knit them?
I am working on Astragal by Ainur Berkimbayeva in some beautiful avocado-dyed yarn from Hey Mama Wolf, and I’m planning to make Eventide by Inyoung Kim next. Meghan is waiting to get her hands on some of Ocean Rose’s yarn to make Fata Morgana by Sylvia Watts-Cherry. If we had time we would make every pattern… but at least we get to live vicariously through our reader’s projects online!
Speaking of Timbre, how did you decide to include a pattern from Meghan in this issue?
When Pom Pom first started we both designed a lot of the patterns (we did all of them for Issue 1!) but as the business has grown we’ve had less and less time to design. Turns out running a magazine is pretty time-consuming! And of course we love making the patterns that we publish. But every now and then, if we have time, we like to design, and if we feel we have an idea that fits the brief then we’ll pitch it to the other and to the team. Meghan’s hat was perfect for this issue because the mohair cables skim over the surface and look like little rivulets, and the rhythmic quality of cables made us think of the sound of waves. I designed a sweater (Woodwardia) for Issue 28 this year which I loved, but we both feel that one design a year is probably plenty for us!
Are there plans for a plus size issue?
We don’t have plans for a specific plus size issue at the moment. We have increased our sizing, so we are intending for every issue to feature a larger range of sizes so that our patterns are accessible to more bodies. We plan to continue featuring a range of models of different sizes too.