What to stash this week: A Twisted, indie New Year

By Lisa | October 23, 2020

If you’ve been following me for a while, you know that the goal of Indie Untangled is to bring together and support indie dyers and makers. I’m so excited and honored to bring that passion to an amazing collaboration between 31+ dyers, makers and designers!

This box, called A Twisted Year’s End, will be filled with at least 31 items, including 20g, 80-90-yard, fingering-weight mini skeins dyed in a jewel tone color palette and other yarn-y treats by a stellar lineup of indies, along with a few patterns to tie it all together. Count down to the end of this crazy year with the ultimate December calendar!

Mary Annarella of Lyrical Knits is building on the comfort of quarantine baking for her latest mystery knit-a-long. Stark Baking Mad: Great British Baking Shawl 2 is another homage to The Great British Baking Show. Mary says that, “Like the show, the MKAL will rise to the occasion with a bit of camp, a recipe with each clue, and an occasional pun.”

Debbie of Murky Depths Dyeworks and Alisa of KnitSpinQuilt have done it again! Their third collaboration is the limited edition Stained Glass Window Kit. The bag has a rainbow stained glass print, which reminds Alisa of the medieval cathedrals she visits on her dissertation research trips to Europe, while the yarn is dyed to reflect the fabric. Preorders are open now in both their Etsy shops.

Dawn of Fairy Tale Yarn Co, another Twisted Year’s End participant, has some holiday goodies as well. Her Hanukkah and Christmas sets are Star Trek themed and come with 10 50g hanks of yarn and four extras, each packaged for your chosen holiday and available in fingering weight and DK weight.

If you miss the fall leaves and doughnuts of Rhinebeck, get your fix with Jillian of WeeOnes’ special stitch markers.

For her last Sweater Quantity Discount shipment of 2020, Kate of McMullin Fiber Co is offering two colorways at close to wholesale pricing. Ink is a rich navy blue and Sunflower is a sunny golden yellow. Act fast, because these installments sell out quickly!

Join Jill of Jilly & Kiddles in casting on for a holiday stocking Knit-a-Long on November 1, with weekly prizes, encouragement and help.

Marny’s Autumn Wander Boot Cuffs are a cozy and fashionable way to dress up your boots while you stroll through the autumn leaves.

This new pattern by Christen Clement uses Janis and Christen of Queen City Yarn’s Berryhill yarn held double, getting you ready for fall quickly.

Nancy of Tika Bags has launched an every-other-month bag club. Each shipment features a surprise fabric that may or may not be in her current lineup OR ever be available in her shop again.

Dana of Un Besito Fibers’ Holly Freakin’ Jolly sock set comes with a 100g main skein and two 10g minis to make a variety of Christmas socks. Make them for a gift or keep them for yourself.

Keep your WIPs at hand and organized with these baskets, woven by hand by marginalized women from Boostani Crafts owner Lois’s tribe in Kenya.

Emerald of Stardust Fiber Studio’s newest collection, All Hallows’ Eve, has eight colorways and a spooky stitch marker set. There are also two sales running in her studio.

Introducing: Indie Untangled Everywhere!

By Lisa | July 31, 2020

An illustration showing various animals in brown, orange and teal knitting, crocheting, spinning and enjoying yarn while connecting through various devices.

Illustration by Eloise Narrigan

By now, many of us expected to be casting on projects to finish in time for the fall fiber festival season, when we could look forward to showing them off while doling out hugs and those appreciative pets that only our fellow yarn people understand.

2020 had other plans for us… A couple of months ago, after we realized that an in-person Indie Untangled trunk show was not in the cards, IU event producer Petrina and I kickstarted our idea for a virtual alternative that would provide the connections we’ve all been craving.

We’re excited to announce that Indie Untangled Everywhere will be taking place on October 15, 16 and 17 and you’re invited to join us from wherever you are!

Previously, we were limited in what we could do by space, time and cost. But now, no matter where you’re located or what your schedule is like, you can gather with us, our indie vendors and some special guests for three whole days of fiber fun.

I’m sure you’re asking: How will this work? Well, since you already follow Indie Untangled, it will feel a little familiar, but there are also many new, interactive things we’re excited to include.

General Admission tickets will go on sale next Friday, August 7. Your $5 ticket will take you to a special section of the Indie Untangled website. From there, you’ll be able to browse virtual vendor booths that will feature video introductions and tours, photo galleries, and access to special products and discounts. You’ll also be able to meet dyers and makers during interactive shopping sessions and pop into a virtual lounge where you can connect with fiber friends old and new.

Once you purchase your ticket, you’ll be able to preorder mini boxes that will let you feel and squish our vendors’ Superwash and rustic yarns before you buy full skeins online, purchase Indie Untangled tote bags and swag, and register to attend events, including interactive chats with guest designers.

Additionally, because we know this year in particular has been economically challenging for many people, we are also partnering with one of our generous sponsors, New Hampshire yarn shop Scratch Supply Co., to provide financial assistance to six members of our community.

So, mark your calendar and browse our list of nearly 50 vendors. You’ll see some familiar faces, along with many new ones.

We look forward to seeing you at Indie in October!

2019 Year In Review: Indie Untangled KAL

By Lisa | January 9, 2020

The 2019 Indie Untangled Rhinebeck Trunk Show seems like it was ages ago, and also like it was just yesterday. For the second time, we organized a massive KAL with eight separate categories, which brought in more than 200 entries! I thought it was appropriate to share the randomly-selected winners as part of a Year In Review post. Hopefully some of these FOs will inspire your 2020 projects.

Pictured above is KnitCosette’s Love Note by tincanknits, which was one of the winners in the sweater category.

mma/Marina’s Aztec Mazes by Anne Hanson

Post-Rhinebeck Untangling: Debra Gerhard of Spruce Lane Designs

By Lisa | November 12, 2019

Debra Gerhard of Spruce Lane Designs in gray sweater with a pink and red geometric yoke

Debra Gerhard models her Once Again sweater.

This is the 17th in a series of blog posts featuring the fabulous sponsors of the 2019 Rhinebeck Trunk Show.

Debra Gerhard of Spruce Lane Designs has a background as a designer, but not in fashion. For years she worked as an environmental engineer, addressing environmental impacts. These days, her design work involves taking hand-dyed yarn and turning them into colorful geometric sweaters and shawls with stripes, lace, cables and other textured stitches.

How did you decide to become a knitwear designer?

I was never one to follow a pattern exactly as written. I would usually use the pattern as a “guide” and then add my own shaping, motifs, edgings or other personal touches. A number of years ago after I left engineering to be home with my son, I started sample knitting for a few yarn companies which subsequently lead to technical editing of patterns. Around this same time, I took a few knitwear design classes at the Rhode Island School of Design.

I released my first design, Checks Mix Cowl, which was based on a swatch I had done for one of my classes. However, I didn’t release anything else for about two years after this initial design and instead spent my time doing more technical editing for a number of designers and yarn companies. I finally made the leap to mostly designing around 2017 and now I find myself struggling at times to turn out all the ideas I have in my head. I love the process, and I especially enjoy seeing knitters’ interpretations of my patterns and their use of color combinations and various yarn bases.

A geometric shawl in a teal to aqua gradient.

Gradients A Deux

How has your background as an environmental engineer informed your work?

As an environmental engineer, I would be charged with designing and applying the best remedy for addressing environmental impacts. And just as each impacted site presented a unique set of issues, I find that the processes I used to identity these issues and form a solution are very similar to the processes I use in my designing. I have also found that my love of math is deeply ingrained in designing and grading. I love to see the numbers unfold, and I enjoy applying geometrical concepts to some of my shawl designs.

Tell me about what inspires your designs.

I take my inspiration from a variety of sources: an architectural detail, a colorful sunset, a spider web I may spy when out for a hike, bark on a tree, nature, found objects and many other sources. I have been known to tell my hubby to “pull over” so that I can take a picture of something that inspires me. I am drawn to color and patterns. I like to create colorful knits that fuel the imagination of each knitter and hopefully inspires them make my pattern their own.

When and how did you learn to knit?

My mom taught me how to knit when I was 10. My mom knits continental style, which suited me fine as I am left handed. I started with the garter stitch scarf and seamed hat as my first knitting items and continued with more hats and a few mittens. I didn’t knit much during junior high and high school, but in college I picked it up again and knitted the “boyfriend” sweater. I started to seriously knit in my late 20s after getting married, and I haven’t stopped since that time.

Sunrise Over Bryce for Knitting Our National Parks.

What’s the first thing you do when you start designing a pattern?

After deciding on yarn, I will make a large swatch of the design/motif that I have in mind to see how the colors play together and to get gauge. Once I’ve gotten gauge, I will work up the numbers and write out a draft of the pattern, including any charts, if needed. I like to have the pattern completed as much as possible before I begin knitting so that I am in a sense, “testing” my own design and I have the ability to make edits as I knit.

What are your favorite colors and have they changed at all since you started designing?

My favorite colors are purples, reds and other rich, saturated colors, and that hasn’t changed much. I also like the playfulness of speckled yarn with the surprising pops of color. Additionally, I am just starting to explore the color and textural effects of working with two strands of yarn, specifically a mohair/silk base coupled with a Merino base.

Meet Grace, Espace Tricot’s newest addition

By Lisa | November 6, 2019

This is the 16th in a series of blog posts featuring the fabulous sponsors of the 2019 Rhinebeck Trunk Show.

Espace Tricot is a modern yarn shop located in Montreal, Canada, and owners Lisa Di Fruscia and Melissa Clulow recently began venturing beyond its carefully curated selection of yarns, notions, accessories, books and patterns, and established its own hand-dyed yarn line.

Their newest addition is Grace, a singly-ply Merino. Working with local hand-dyer Annie Paaren, Lisa and Melissa created a palette of 28 colors, designed to reflect the unique atmosphere both of Montreal and the store. The name Grace is inspired by both the luxury of the Merino/silk/Cashmere blend and Espace Tricot’s location in the neighborhood of Notre-Dâme-de-Grace.

The color palette ranges from essential neutrals through moody hues and perfectly balanced brights. All the colors are inspired by Melissa and Lisa’s aesthetic as shop owners and knitters, and include the shades they have been drawn to knit with over the years. Annie combined their input with her own dyeing expertise to craft a cohesive and complex palette.

Grace is ideal for sweaters, such as Espace Tricot’s Gracious sweater, as well as “one-skein-wonder” patterns. You can also hold it with a mohair/silk blend for projects like the Bonjour/Hi cowl and Frankie sweater.

Bonjour Hi

In naming the colors, Lisa and Melissa wanted to reflect Montreal’s geography, architecture and history, along with Quebec’s culture and identity:

The warmth of Opéra and Truffle recalls lazy strolls along Montreal’s quirky streets of brick terraces. Take a cosy walk on Mount Royal in fall with the bold autumnal colors of Érable and Sous-bois. Revel in the frolics of Cirque du Soleil with Cirque. Bask in the bright summer sun by the river with the dappled tones of Printemps and Nuage. Adventure out east to take in the beauty of the Gulf of St Lawrence with Tadoussac, Baleine, and Madeleine. Or dress up in your most low-key glamorous “I woke up like this” neutrals for a stylish lunch in the Old Port in Leonard and Chateau.

A sweater with wide orange, cream, pink and black stripes.

Gracious

And of course, don’t miss a trip to Espace Tricot’s brick-and-mortar store, where the staff will greet you with a friendly “Bonjour/Hi!” in a nod to Montreal’s bilingual spirit. You might even bump into Les Filles – “the girls” Lisa and Melissa themselves.

You can also meet them virtually on their YouTube channel.

What to stash this week: yarn to dye for

By Lisa | November 1, 2019

Elizabeth Colorful Eclectic has launched her Murderino Collection, inspired by the hit true crime/comedy podcast My Favorite Murder, and named for its adoring fan base. The collection includes nine colors with a black dappled effect. They include the signature red dubbed “Stay Sexy, Knit a Sweater,” and a chilling green called “Toxic Masculinity Ruins The Party Again.”

And perhaps the best thing about this collection? Through the end of the year, Colorful Eclectic is donating $2 from each skein of the Murderino Collection sold to End the Backlog, an initiative to eliminate the backlog of untested rape kits in the United States.

I have fond memories of celebrating Hanukkah as a child, deciding which present to unwrap each night. Should it be the one that I know is a cassette I’ve been lusting after because of how it’s shaped and sounds when you shake it? Or the large package that has to be a Cricket doll?

With that in mind, I was inspired to collaborate with some fellow Jewish fiber friends — Julia of Pandia’s Jewels, Spencer and Reggie of The Fiberists and Raya of Blissful Knits — on an Indie Untangled Eight Nights of Hanukkah Kit! Kits will include individually-wrapped items from all of these folks, plus a few special surprises.

We’re partying like it’s the 5780s with an ’80s-themed palette inspired by the colors in the skein-menorah above. Preorders are limited and open only until November 15.

Alisa is back after a semester in England for graduate school and debuted sweater-sized bags at Indie Untangled. They are now available in her Etsy shop! There are both drawstring bags and box bags in a size designed to hold a worsted weight sweater quantity of yarn. As always, Alisa will donate 15% of the sale price to RAICES Texas.

Sue collaborated with designer Adrienne Fong, who recently lost her battle with cancer, on a special colorway called Wisdom. She will be donating $10 for each skein sold to the American Cancer Society in Adrienne’s memory.

Prior to this year’s Indie Untangled, Shireen of The Blue Brick embarked on a fall ombré colorway, taking inspiration from her own photo of fall foliage to create leaf peeping in yarn form. Autumnal premiered at IU and it is now available on the Indie Untangled website on Killarney Sock (regular and 800-yard Woolly Mammoth) and Manitoulin Merino Sparkle. ⁣

This colorway will also be at the Indie Goes West: Hollywood Edition popup in LA on November 9.

Stephanie of Rock Solid Designs, who creates project bags, is collaborating with other makers for holiday gift sets. Her 12 Days of Christmas and 8 Nights of Hanukkah gift sets include items from Fairy Tale Yarn Co, TurtleMade, One Sock Wonder bags and Me Time Botanicals. Preorders are up now, and packages will ship in late November/early December.

Augusta of adknits just had a shop update filled with gift tags and festive stitch markers for your holiday knitting, new notecards and the latest sticker in the Knitional Park Series.

Kate has opened sign-ups for her Le Societe d’Orsay, a yarn club where each month’s colorway will be inspired by art from the Musee D’Orsay in Paris. She is also once again celebrating Socktoberfest with some amazing giveaways and a 24% off sale.

Laura is once again collaborating with artist Cynthia Frenette on some knit-centric items! Orders open today at 9 a.m. Pacific time and close on Monday at midnight.

Julia of Pandia’s Jewels is opening preorders for her Purple Magic yarn set today.

Post-Rhinebeck Untangling: ‘I Knit San Francisco’

By Lisa | October 30, 2019

This is the 15th in a series of blog posts featuring the fabulous sponsors of the 2019 Rhinebeck Trunk Show.

Designer Kathleen Dames and Alice O’Reilly of Backyard Fiberworks have taken us to New York and Paris through their Knit Like A Local series of bookazines from One More Row Press. Recently, they launched I Knit San Francisco, a fiber journey through the Bay Area, which is available to preorder. Here’s more about their latest trip.

How did you decide to include San Francisco for your latest book?

We started talking about San Francisco after attending Stitches West a couple of years ago. There is a vibrant knitting culture in Northern California, lots of great yarn shops, local designers and dyers, and, as we all know, the weather in San Francisco is such that having something woolly on hand is always a good idea. Plus, we both have connections to the area: Alice’s grandparents lived south of San Francisco (and her brother lives in the city now), while Kathleen worked for two different publishers, one in Sebastopol and the other in Pacific Grove, so she has spent working time in the area, in addition to more touristy visits.

Which designers do you have lined up for I Knit San Francisco?

We are thrilled to have Vilasinee Bunnag (founder of The Loome) in collaboration with Kathleen, Faina Goberstein, Juliana Lustenader, Audry Nicklin, Sonya Philip (100 Acts of Sewing), Yvonne Poon (Gamer Babe Knits), Sloane Rosenthal (co-founder of brand new Hudson + West yarn company with Meghan Babin), Heatherly Walker (the Yarn Yenta), Julie Weisenberger (founder of Cocoknits), and Kelly White, plus yarns from Bay Street Yarns, The Dye Project, Hudson + West Co., Little Skein in the Big Wool with help from Seismic Yarns, Love Fest Fibers, Sincere Sheep, Speckled Finch Studios, Twirl Yarn, and A Verb for Keeping Warm. Getting to know the designers and dyers is the best part of this job.

What are each of your favorite designs from the book?

We love them all (of course)! Seriously, every book we publish is a whole new wardrobe we want to knit.

So far Julie’s rug, Half-moon, made with Love Fest Fibers crazy cool and crazy big yarn, and Sloane’s Ferry Building pullover in WELD from brand new yarn company, Hudson + West Co. (Sloane’s bicoastal partnership with Meghan Babin, former editor of Interweave Knits) have been most popular on our Instagram feed.

Aside from designs, what will the book include?

We interview each designer, so you will learn a little about their design journey and, of course, their favorite local things, particularly places to go that you might not know about and restaurants to try. Then, we take you on our three-day Yarn Crawl from Santa Rosa up in Sonoma County all the way down through Napa County to the East Bay and San Francisco itself down through Santa Cruz to Pacific Grove on Monterey Bay. We definitely recommend taking more than three days, if you want to do the whole tour – we had to be ruthlessly efficient in our research trip due to time constraints, but our doing so means you can take your time and enjoy everything a little more thoroughly.

What surprising things did you learn about San Francisco while doing your research?

That walking around is no joke! Coming from the east and being used to walking everywhere (New York City and Washington, D.C., for us are walking and subway-riding cities), the hills of San Francisco are deceptive. What seems like a doable walk is an intense workout. We also were surprised/not surprised to notice the quality of the light. As intensely visual people, we were both struck by that West Coast golden light, and we think Alli did a great job of capturing it in our photos.

There has been an explosion of local “bookazines,” such as the By Hand serial and Nomadic Knits. How would you say One More Row Press is different?

We start with the question “Where shall we (as knitting people) go next?” Then we work hard to find local designers, some new and others more established, who design across many categories and for varying skill levels, and then we collaborate with them to find yarn partners that make each project sing.

Beyond the interviews and yarn crawls, we also seek out local photographers and models who bring the designs to life on location. We focus on curating a collection that is rooted in place with additional information that allows you to go to that place and make your own personal connections (or be an armchair travel knitter).

What other cities or places are next for your series?

That is the question we are asked AND that we ask everyone we meet! Our “To Visit” list includes: Chicago (where Kathleen grew up), Kyoto (or Tokyo), London, Detroit (people keep mentioning it, and there are a lot of yarn stores in the area, so we are totally intrigued), and Los Angeles. We have also talked about Italy, Cuba, Australia, Spain, Portugal, and Ireland, though we have been focused on individual cities thus far.

It’s a matter of finding the right people (designers, dyers, LYSes) and making the timing work for everyone (including us with our own jobs and families to manage). We are also in talks to do a crochet book with a handful of designers using their favorite buildings as inspiration for elegant, wearable crochet garments and accessories.

What to stash this week: Jump into the Leaf Pile

By Lisa | October 25, 2019

A purple sweater with two skeins of yarn.

Last year at VKL NYC, after taking a dyeing class with Julie Asselin and Jean-Francois, I was chatting with them about the upcoming Indie Untangled show and had one of those lightbulb moments that led to a question: would they be up for creating a custom Nurtured colorway for IU? They enthusiastically agreed and I requested a peachy pink with a hint of purple. The result is Leaf Pile, which reads purple from afar, but up close is incredibly nuanced. I’m so excited to debut the yarn in the Indie Untangled shop this week, along with some other goodies.

Pink orange and speckled yarn.

Heather of Sew Happy Jane is having a shop update today at 5 p.m. Mountain time that features “perfect pairing” yarn bundles and warm and toasty worsted weight yarn.

A collage with a night sky and purple yarn.

Today is the last day to preorder the Dragonfly Fibers Petrified Forest colorway, inspired by Petrified Forest National Park in Arizona. As always, 10% of sales will be donated to the National Park Foundation.

Handmaine Knits has a Star Wars-themed Advent-style calendar called Holidays On Hoth.

Post-Rhinebeck Untangling: Heather Love of Hellomello

By Lisa | October 23, 2019

This is the 14th in a series of blog posts featuring the fabulous sponsors of the 2019 Rhinebeck Trunk Show.

Hellomello Handspun is a Brooklyn hipster indie yarn company: dyer Heather Love was using farm-fresh yarn before it was cool.

Heather starting out selling handspun, hence the name, and then fell down the rabbit hole of sourcing local wool, like the super springy and soft Cormo she offers on a range of hand-dyed colorways (designer Paula Pereira used it for Yullana, a sweater that’s part of a collection she launched this past weekend at Indie Untangled and the New York Sheep and Wool Festival).

Tell me about how you got started dyeing yarn.

I’ve always been a bit of a textile nerd, so by the time I made it to art school I was a pretty experienced seamstress and had a regular side hustle “restyling” vintage clothing and stitching for a few local designers. Because of this, I made an effort to spend most of my studio time exploring other artistic avenues, including glass and photography. With the exception of a few bookbinding classes, my only textile class was a year-long African Dye Resist intensive that I took for fun.

Really and truly, hand-spinning was what got me started down the rabbit hole though. I took a class 10 or 12 years ago and got hooked. Fleeces were purchased. There was a lot of experimentation with carding and dyeing. Pretty soon, I had “too much” handspun and started selling it. It’s funny how things circle back around sometimes.

How did you come to source local yarn blends and how challenging is it to do this?

At a certain point, I realized that I couldn’t keep up spinning everything by hand — most people seemed more interested in my dye work, anyway. The problem for me was that I really wasn’t inspired by the idea of using a standard Superwash wool. Like most hand-spinners, I crave the tactile spring and softness of lanolin-rich wools. So in 2010, I decided to try sending a few fleeces to the mill for processing and had a small batch of my own yarn made. What I got back changed everything.

There are a lot of challenges in manufacturing. Sourcing fleece is just the start. Everything about milling takes time, a long time, and a lot can go wrong along the way. Prices climb higher with every season, but, in the end, I know it’s a worthwhile endeavor and I love being able to create amazing yarns that no one else has. My runs are very limited but that’s what keeps it interesting. Every batch is a little different and, with hand dyeing, every skein is uniquely beautiful.

What inspires your colorways and your colorway names?

Brooklyn by way of Boston. The city is ever changing, sometimes exhausting, always inspiring: music, fashion, traffic and graffiti. There is always something new to photograph and explore. I am lucky to have lived in such vibrant cities and have met so many wonderful people along the way.

Do you have a favorite color or colors, and have they changed since you became a dyer?

I don’t have a favorite, I need the whole box of crayons. For me, it is all about the interaction and influence of colors on one another. I love how a color changes based on what it is paired with. The more vibration, the better I like it.

Is there a color that you would love to dye, but that is challenging to create?

At the moment, I’m obsessed with super-saturated neons. I’ve been doing a lot of experimenting with layering color and over dyeing these lately and there are a couple of surprises in the works for VKL in January.

Paula Pereira’s Yullana sweater in Hellomello Cormo.

When and how did you learn to knit?

My grandmother taught me to knit and crochet when I was young. As a kid I spent a lot of time stitching intricate little acrylic outfits for my army of Barbies. I favored crochet for its quicker finish until I started knitting garments for myself in high school. These days, I can knit much more quickly than I crochet.

Do you enjoy any other crafts in addition to knitting?

Sewing is my other craft job. I wrote book called 30 Minute Sewing a few years back. I’ve also worked as an on-set tailor, stylist, costume designer and sewing instructor. I especially love the quiet pleasure of hand sewing techniques like embroidery, Sashiko and quilting.

What are some of your favorite FOs you or your customers have made with your yarn?

I was floored when my friend told me that Stephen West used my yarn in his Amazing Technicolor Dream Sweater and featured it in one of his sweater books — I had no idea.

Recently, there was also a really beautiful Soldotna by Pia Cooperman.

Melissa Fitzpatrick made a killer Tecumseh.

But, one of my all-time favorite neons is the Maria Sweater by Yamil Anglada. It’s like bottled sunshine.

Pre-Rhinebeck Untangling: Candice English of The Farmer’s Daughter Fibers

By Lisa | October 16, 2019

This is the 13th in a series of blog posts featuring the fabulous sponsors of the 2019 Rhinebeck Trunk Show.

The Farmer’s Daughter Fibers first caught my eye when I was at The Knot House for the 2017 Maryland Sheep & Wool indie pop-up. I was intrigued by dyer Candice’s subtle palette that was comprised of many of my favorite colors: berry pinks, steely grays and watery blues.

In the last few years, Candice, whose home state of Montana infuses her brand, has become involved in Indie Untangled and this year I’m excited for her to debut a new concept at the Rhinebeck Trunk Show — she will be taking over part of the lounge at the Saugerties Performing Arts Factory with her Sisters United initiative, a massive fundraiser that benefits organizations that are dedicated to supporting Native American women.

At the show she will be collaborating with another IU veteran, Rochelle of Home Row Fiber Co., to offer her October initiative with a custom Sisters United bag, a skein of a custom FDF colorway and a pattern. All proceeds from this collaboration are donated to the initiative.

How would you say your heritage has informed the story of The Farmer’s Daughter Fibers?

When I first started our company, I was going through all of the first initial steps anyone does; brainstorming about branding, what story we wanted to tell, who was our target audience, etc. It first started with knowing that a lot of people I would run into in Portland and Seattle would be totally enamored with the fact I was from Montana. I thought a lot about that and realized a lot people are seeking from this slower-paced, easygoing, hard-working lifestyle. Then came a naming of The Farmer’s Daughter Fibers from a song my cousin sings me by Merle Haggard. Something clicked once we named it and our heritage became the focus and center around the culture and art of FDF.

What inspired you to launch the Sisters United Initiative?

In June of 2017 a young girl named Ashley Heavyrunner Loring went missing on the Blackfeet Indian Reservation. The way her case was handled was messed up, and I knew that if she was a white girl things would have went a lot differently. I didn’t know Ashley personally but something about her going missing touched a nerve that had been brewing for sometime. I see all of these issues every single day that effect American Indians and at a certain point it becomes too much. The anxiety was really eating at me and it felt like I would explode if I didn’t try to help. By January 2019, FDF had that ability.

Tell us about the organizations that benefit from the initiative.

This changes all the time and you can find a list on the Sister’s United page of our website. Recently we set up a $5,000 college scholarship for a Native American student and our next project we will be putting together healing bundles for trauma survivors. I am doing some of the ground work with our local human trafficking and MMIP (Murdered and Missing Indigenous People) task force, so this helps steer us to see where we are needed.

How do you decide on the artisans to work with for the project?

This year everyone has reached out to me, which has been amazing! At this point I could honestly make Sister’s United my full time job. So without the help of my fellow makers I could not pull this off. I ask them to have creative control on what they are contributing and we follow their lead, it makes it manageable for me.

Tell me about how you got started dyeing yarn.

I first started doing a lot of natural dying — my mom practices traditional plant medicine — and I wanted to bring my love of fiber together with her love of plants. Three years later and I was in a job where I was working 60-plus hours a week and really unhappy in general. I knew I wanted to do something within the knitting industry, but plant dying was too spiritual for me to want to sell out. So I tried using acid dyes and fell in love with the process.

Crow Camp

Which of your colorways are you most proud of?

Crow Camp is probably up there, one of my favorite artists Kevin Red Star sent me a Christmas card one year (btw this was one of those mailing list type cards, but that didn’t stop me from being a dorky fan girl!) and I replicated his colors on Crow Camp. I sent it to him and he thought is was pretty cool!

Do you have a favorite color or colors, and have they changed since you became a dyer?

Anything blush colored, pinks, purples, raspberry. Always and forever!

How did you learn to knit?

I was using one of those Kniffty Knitter looms and my husband encouraged me to ask my friend Brooke to teach me how to “really” knit. I always say those were his famous last words! Poor guy just wanted me to make him some hats and now we have family business based off the industry!

Ode to Autumn

Do you enjoy any other crafts in addition to knitting?

I am getting back into traditional beading! I love to do any new fun craft with my daughter too.

What advice would you have for people just getting started in the industry?

Don’t focus on what everyone else is doing. Listen to your inner creative spirit and let that be your driving force to how you want to run your business. I remember it being really difficult for me at first to decide where and how I wanted to grow Farmer’s Daughter, as there are so many different routes you can go. First, make sure it makes you happy when you are doing it, and second it will eventually make you some money because it matters more than you think in the beginning. Burnout is real, but having financial stability is a good cure.

Shawl

Hat

Cowl

Poncho

Cables

Socks

Mitts/mittens/gloves