Kitterly gets ready for Rhinebeck

From left to right: Kitterly co-founders Elizabeth Rowen and and Mari Bower.

This is the ninth in a series of blog posts featuring the fabulous sponsors of the 2018 Rhinebeck Trunk Show.

Can you believe it’s exactly one month until Indie Untangled — and Rhinebeck?! Before this popular knitting weekend extravaganza, I asked Elizabeth Rowen and Mari Bower, the founders of Kitterly, which sells knitting and crochet kits, to talk about their plans for Rhinebeck and their predictions for this year’s most popular Indie Untangled and Rhinebeck sweaters.

Who are you both most looking forward to seeing at the Indie Untangled Rhinebeck Trunk Show?

We’re really excited to see the variety of products, new products that inspire us and catch up with our vendors and meet new ones!

What are each of your Top 5 favorite Kitterly kits from the last year?

Mari: From a site popularity standpoint, the Sushi Scarf by Stephanie Shiman and Wonderland Yarns is a perennial favorite with our customers.

We’ve been so fortunate to work with so many amazing designers like Andrea Mowry, Isabell Kraemer and Melanie Berg, to name a few. It’s been fun to meet and feature designers from all over the world.

Liz: I love them all! Our designers as so talented and it’s always so inspiring to work with them.

Sushi Scarf by Stephanie Shiman.

Are there any indie dyers and designers that you think should be on knitters’ radars?

Mara of Aya Fibers
Steffi of Uschitita
Renee of Spun Right Round
Aimee of La Bien Aimée

There are so many more we could list but we’re running out of space!

What are you both planning to wear to Indie Untangled and the New York Sheep & Wool Festival?

Mari: Depending on weather I’m going to wear my newly knit Humulus pullover by Isabel Kraemer knit in The Fibre Company Cumbria and Spincycle Dream State. I hope to be able to finish my Rose cardigan, knit in Olann Sock Sport, in time.

Liz: I’m going bring my Sheltered poncho by Andrea Mowry, my Sipila pullover knit in Olann Singles as well as my Impressionists shawl by Helen Stewart. Hoping to have my Comfort Fade cardi in Olann complete too!

The Throwback © Andrea Mowry

What do you think is going to be the most-seen sweater at Rhinebeck this year?

Mari: I’ll think we’ll see a bunch of The Throwback cardis by Andrea Mowry, Sipila by Caitlin Hunter, Rose cardigan by Andrea Mowry, Carbeth Cardigan by Kate Davies and Weekender by Andrea Mowry.

Liz: I imagine we’ll see many Fading Points by Joji, Comfort Fade Cardi by Andrea Mowry and The Doodler by Stephen West.

Tell me the things that are currently on your needles.

Mari: Rose cardigan by Andrea Mowry and Separate Ways by Joji.

Liz: Comfort Fade Cardi by Andrea Mowry, Neridah by Ambah O’Brien and a test knit for Lesley Robinson of Knit Graffiti.

A WIP of Mix and Mingle by Andrea Mowry.

What are each of your favorite FOs from the last year?

Mari: Weekender by Andrea, Mix and Mingle, a Kitterly Special project for Kitterly by Andrea Mowry, and Kobuk by Caitlin Hunter.

Liz: Too many to name!

What to stash this week: Rhinebeck moon

I’m excited to debut another preorder from a couple of Indie Untangled Rhinebeck Trunk Show vendors. Sam of Lavender Lune Yarn Co., who is sharing a booth with Stephanie of Asylum Fibers, teamed up with designer Mina Philipp for the Hunter’s Moon shawl, named for first full moon after Rhinebeck. The shawl was created with yarn dyed by both Sam and Stephanie and is knit with a strand of fuzzy-soft mohair throughout. 

Preorders for two separate Hunter’s Moon kits will launch tomorrow at 10 a.m. Central/11 a.m. Eastern on both the Lavender Lune and Asylum Fibers websites. Indie Untangled ticket holders can purchase kits to pick up at the show, or you can have them shipped to you just before the pattern comes out. 

Jennifer of Spirit Trail has dyed up five (!) different Subscriber Inspiration colors for September, based on a photo of a winter scene sent by one of her newsletter subscribers. The colors are available to preorder on Aurora (singly-ply fingering-weight Superwash Merino), Philomena (three-ply fingering-weight Superwash Merino) and Birte (DK-weight Superwash Merino, Cashmere and silk) until September 23. 

Can’t get enough of a certain book/TV series? Then you might want to sign up for Inner Yarn Zen’s Outlander Advent Calendar. Shipping mid-November, it will include two dozen hand-dyed 93-yard mini skeins and other other Outlander-inspired gifts, including a project bag to put it all in. But you’ll need to be fast — there was only one left as of “press time.”

Wolle’s Yarn Creations’ newest yarn is a cotton/silk blend that she says need to be felt to be believed. They come in generous 480-yard skeins for shawls and warm-weather sweaters. 

Julia of Pandia’s Jewels has once again teamed up with designer C.C. Almon of Java Purl Designs for a timely kit that incorporate’s C.C.’s I Love You More Than Pumpkin Spice sock pattern. Kits include an updated version of Julia’s Pumpkin Spice colorway from last year and a mini skein of Dark Roast. Kits with the pattern and without are available to preorder through tomorrow at 8 p.m. EDT.

Pre-Rhinebeck Untangling: Amor Valdez of Crave Yarn

This is the eighth in a series of blog posts featuring the fabulous sponsors of the 2018 Rhinebeck Trunk Show.

The upstate New York LYS Yarn Culture has been a fixture at knitting marketplaces around the country — this will be Patti and Mitch’s fourth year as a vendor and sponsor for the Indie Untangled Rhinebeck Show.

Yarn Culture always brings a variety of dyers and indie yarn companies. This year, they will be representing Crave Yarn, Spun Right Round, The Uncommon Thread and WalkCollection. I decided to learn a little bit more about Amor Valdez, the New Mexico based dyer behind Crave who also has an LYS of her own — AMORES in Santa Fe.

Tell me about how you got started dyeing yarn.

My dyepot journey was catalyzed by a hunt for pistachio green. I wanted to knit a shawl for a friend in her favorite color, as a personalized gesture to say, “I see you and love you.” Her favorite color, you likely guessed, is pistachio green. The hunt in my LYSs was in vein, but it did lead me to the doorstep of perhaps the most life-changing lighting bolt of an idea… maybe I can dye the color myself.

I found an online course created by Kim McKenna. In this course Kim guides you through the process of creating a color wheel in tiny mini skeins to get acquainted with color theory and dyeing methods simultaneously. Well, once I got started I just couldn’t stop with the mini skeins and color play. Approximately 200 mini skeins later, I dyed my first full skeins in, predictably, pistachio green. Even though I was at the tail end of graduate school at the time, I dove full tilt into the realm of color and fiber. And when I completed my degree, I respectfully tucked it away, and started Crave Yarn… as I couldn’t imagine wanting to do anything else.

Explain how your Crave yarn is dyed, as I understand it’s done on a much larger scale than other home or studio-based dyers.

Crave operates on two scales simultaneously. As my wholesale representation expanded, I found myself dyeing 10+ pots a day of a single colorway and eventually felt that there must be a better way to fulfill this portion of yarn demand. At that time, my colorways were primarily semi-solids. So I explored the prospect of working with a small batch dyehouse. Of course, a dyehouse small batch is 10 to 20 times larger than my personal dyepot capacity. So I focused my energies on creating beautiful color stories in the form of cohesive color palettes. For each palette, I dyed an average of 50 samples per color to find precisely the hue that I was after to fit in with the full color spread. I made a tandem shift toward custom-milled yarn bases, giving me the freedom to create the fiber blends, weights and yarn structures that I dreamed of. These yarn lines are the result of my artisan passions, but can now be maintained and reproduced on a scale that allows me to reach more shops and fiber artists with my fiber and color love.

Another reason for this shift was to create space in my studio schedule to return to my artisan passion for color play with more freedom. Alongside my solid colors, I threw myself into the creation of one-of-a-kind colorways on my custom bases and on any other yarn bases that inspire me to explore the beautiful and infinite possibilities of color. These colorways are available in my Santa Fe Shop, AMORES, and soon online. They will also be featured in the Yarn Culture booth at the Indie Untangled Trunk Show!

Tell me about the decision to open AMORES and how it stands apart from other yarn shops.

AMORES Yarn Shop + Studio is my wildest fiber dream come true. The first time I stepped into a yarn shop, I was immediately struck by cupid’s arrow. That was eight years ago, and I think I have been planning my own shop since that very moment. One year ago, I felt that the time had arrived to pluck the notion from my daydreams and begin the search for a location. In 300 square feet and with the endless support and talents of my family, AMORES was born. It is a beautiful sunlit showroom where I feature the fibers that I love and the colorways I create. Along with a wide selection of knit samples that inspire my customers (and myself) to try new techniques, to embrace the elegance of simplicity and to imagine the power of color to uplift mood and self (not an overstatement). Aside from a small lovingly-curated collection of notions and tools, the shop is focused on my fiber projects and collaborations.

By far, the greatest gift received by opening the shop is the community. I have met the most amazing and kind individuals, fellow Santa Feans and visitors alike. It really has been wonderful to join and serve our ever growing knitting community in a new way— and to create a space where fiber lovers are valued and celebrated for their craft and friendship.

Do you have a favorite color or colors, and have they changed since you became a dyer?

I definitely have favorite colors, but since becoming a dyer it is basically a rapidly changing and hugely expansive category for me. I fall in love with new colors every time I step into my studio or hang a new colorway in the shop. So I would have to say that more than changing my “favorite colors,” my dye life has changed the way I see and value color.

My favorite colors change with my mood, with the quality of the light, with the season, with a song transition on the radio. It’s an extremely dynamic and playful aspect of my life, for sure. Above all, I think I am acutely tapped into the way colors make me feel about the moment, the day, myself, the place I find myself in, the world and about what is possible.

When and how did you learn to knit?

I learned how to knit 14 years ago when I was pregnant with my youngest daughter. I made a garter scarf… although as I think of it now, I’m not sure I actually finished it. It didn’t really stick at that point. Then I got curious again in 2008 and like a message from the gods I stumbled upon the newly minted Ravelry. Fun fact about me, my right brain (the artist’s realm) basically has two speeds, meh OR let’s buy the farm. When I found Ravelry and started knitting again, I was an overnight zealot.

I also crochet, which was the first fiber art I learned sitting at the hem of my grandmother’s skirts. My grandmother whispers to me through crochet stitches, and in that there is love. But my design life and most fervent passion resides in knitting. The super short story of all this is: I LOVE YARN!

Is there a color that you would love to dye, but that is challenging to create?

I strive to capture the beautiful color transitions of our New Mexico sunrises and sunsets. Santa Fe is surrounded by mountain ranges in virtually every direction and the sun’s comings and goings at the edge of those mountainous peaks is magnificent. Those are the colorways that I often seek in my dyepots. I’ve arrived at many beautiful colorways in this pursuit, but I’m still reaching to capture the incredibly dynamic color symphonies of our northern New Mexico skyscapes.

What are some of your favorite FOs you or your customers have made with your yarn?

Rather than specific projects, I think my favorite FOs fit into a particular category, gift knitting. I am always impressed by the generosity of knitters to execute thousands upon thousands of stitches in completing a beautiful project, to then turn around and gift it to someone. Wow! Knitters knit for family and friends as a gesture of love, they knit for strangers in crisis, they knit for peace and advocacy. Amazing! And in this category I also include the occasional gift of knitting for oneself. When a knitter takes the time to bestow a kindness on themselves through the slow and mindful practice of knitting, to create beauty and know that they deserve to enjoy the fruit of their energies… that too is a well deserved gesture of love.

What are some of the best things you’ve learned running your fiber business?

The entrepreneurial community of the fiber arts industry has revealed two outstanding truths to me: 1) Women are AMAZING; operating at levels of ingenuity and integrity that are endlessly inspiring; 2) Kindness and empathy are as relevant in business as they are to all human experiences; passion and ambition fit just fine alongside the goals of leading a just, compassionate and charitable life.

What to stash this week: Readying for Rhinebeck

Casapinka’s Crown Wools MKAL was such a hit that she’s launching another, non-mystery KAL! It starts September 10 and runs for six weeks — perfect for showing it off at Rhinebeck. She has compiled a list of dyers selling kits, so order yours before the KAL kicks off.

Amy of Canon Hand Dyes opened preorders for Deathday Party, and a complementary semisolid called The Deathly Hallows, to both Rhinebeck ticket holders AND those who are not attending the show. The colorways will be available to order on three different bases until September 25. Note the instructions carefully!

Brooke of Fully Spun just had a shop update that includes five new semisolid colorways designed to pair with her Fully Spun Original and Sock yarns — mill-spun with the look of handspun. Check them out online or in person at the Shenandoah Valley Fiber Festival on September 29 and 30.

Melissa of Dye Is Cast Yarns is debuting some new fall and Halloween colorways today. She’ll also be introducing 50-gram half skeins and minis of her Squish Wish Sock yarn base.

Laura of Slipped Stitch Studios is teaming up with Forbidden Fiber Co. for an Outlander update today at 9 a.m. Pacific time. It includes project bags, accessories and, of course, yarn!

Pam’s latest shawl design, Soulshine, is inspired by stars shooting across the night sky. It’s worked in two colors of fingering weight yarn and includes bias shaping and short rows.

Lena’s Mermaid Scales Slouch Hat is a great showcase for that random skein of variegated, tonal or hand-dyed sportweight yarn.

Mona of bunnymuff is kicking off a shawl MKAL on October 8.

If you’re an indie dyer planning an Advent calendar, consider adding Sheep Squeezers from One Sock Wonder Bags.

Pre-Rhinebeck Untangling: PostStitch

This is the seventh in a series of blog posts featuring the fabulous sponsors of the 2018 Rhinebeck Trunk Show.

We knitters have an embarrassment of riches when it comes to sources for indie yarn. If you’re up for surprises, a subscription box is a great opportunity to try out a new dyer or small yarn company.

PostStitch is one of the ideal ways to discover new dyers, and Megan Graddy puts together some fantastic finds, including Indie Untangled dyers such as JunkYarn, Marianated Yarns and Circus Tonic Handmade.

How and when did PostStitch get started?

My mom had worked in knit shops for as long as I can remember and she always loved helping customers pick out new projects, even me who lived 500 miles away. Surprise projects from her were such a thrill to receive. Not only did I not have to drive an hour to my local yarn shop, but I didn’t have to agonize over what to buy once I got there. Plus, my mom was always sending me the latest and greatest yarn.

In 2014, we launched PostStitch to bring this yarny joy to other knitters. We want to expose knitters to yarns they may not have access to and encourage them to knit something they may not ordinarily knit, so that they can experience their craft in a new way.

How do you decide on which dyers to include in your subscription boxes?

We love discovering a new yarn or rediscovering an old favorite and sharing it with our members. There’s no set formula as to how we pick a yarn for one of our kits. We like to vary the weight, blend, and style of the fiber from month to month while choosing yarns that aren’t widely accessible or too commonplace. We follow trends on Instagram and Ravelry, and go to TNNA and other retail shows to find the yarn we feature. We also love when a dyer reaches out to us directly. We have found some of our favorite yarns that way.

Are the patterns designed exclusively for PostStitch, already published or a mix of both?

We don’t have a set formula when it comes to choosing a pattern. We like to keep our projects seasonal, small so they can be started and finished within the month, and complementary of the yarn we’re using. We also like to challenge our members to learn a new skill, while still keeping the project doable and fun for all skill levels.

We may fall in love with a pattern that is a few years old, discover one through a pattern distributor, use a pattern the dyer has written, or collaborate on a new design with a designer we have met at Vogue Knitting Live. We make it a point to use a mix of designers and feature patterns that are not super popular or free. It’s all about delivering something “new” to our subscribers.

Can you talk about any new dyers or designers you’re planning to work with?

Sure… as long as you don’t go dropping spoilers to our subscribers in our Ravelry group! While they might not necessarily be new dyers or designers (but possibly new to our subscribers), we’re anxious to connect our knitters with two fiber brands in particular – Emma’s Yarn, who we met at one of our Florida yarn shops, and Idaho-based Palouse Yarn Company, who we met at a Vogue Knitting Live event. We were also thrilled to meet a couple of designers on the floor at TNNA who will be designing new patterns for us – Ellen Thomas of The Chilly Dog and Jennifer Dassau of The Knitting Vortex.

Which subscription that you offer is the most popular?

We have three subscription types – KnitStitch (with Big, Middie and Lite customization options), SockStitch, and Notions Box. Our KnitStitch Big subscription is our original and most popular. It features a one- to two-skein accessory project with printed pattern, yarn, needles from ChiaoGoo, and notions. It’s everything you need to knit a project start to finish. But our newest subscription kit – the Notions Box – is quickly becoming a favorite. It’s perfect for those who have too many WIPs or an overwhelming stash. Our Notions Box delivers unique notions that we hope will inspire you to knit more efficiently (or have more fun) as you work through your WIPs.

When and how did you learn to knit?

My mom taught me how to knit in 2000 when I was a senior in high school. I had been a competitive swimmer for most of my life, but when an injury sidelined me, I had a lot of time to fill. My mom taught me the basics and I absorbed all I could from the women around the table at the shop she worked. It would have been nice to have YouTube tutorials available, but there is something special about in-person lessons and learning the different quirks and hacks of seasoned knitters.

Do you enjoy any other crafts in addition to knitting?

Currently, the only other “craft” in my life is cleaning up the crayons, paint, and paper scraps of my three girls (they’re 6, 4, and 1) who we call our interns, but have big plans to learn how to crochet and weave. One day!

Tell me about your most memorable FO.

This is like asking a parent to pick their favorite kid! We have knit so many memorable projects, but our most beloved will probably be Ysolda Teague’s Scroll Lace Shawl that we paired with Luna Grey Fiber Arts’ Zeta yarn. It was the project that we featured in our very first kit back in 2014 and to say we knit picked over every little detail would be an understatement. But, in the end, it was so well received and we wear that cozy, soft shawl with lots of pride.

What to stash this week: simple and whimsey

Stephanie of Asylum Fibers put together some yarn sets for Michele Costa of Stitch and Hustle’s Unicorn County (crochet) and Unicorn Kounty (knitting) shawl pattern. Grab one and take part in the Unicorn Along, which will culminate in a fun group photo at Rhinebeck.

Jennifer of Spirit Trail Fiberworks has travel knitting (or Knitflixing, or soccer game knitting) in mind with her latest design. Stream of Consciousness is comfort knitting at its finest, a scarf designed in garter stitch, with sections of textured stitches mixed in. It’s knit on the diagonal, so Jennifer says the only “hard” part is remembering to increase on one side and decrease on the other, every other row, with textured sections requiring slightly more attention.

Jennifer also has a new batch of subscriber inspiration colorways for August, based on a photo her newsletter subscriber, Melanie, sent her of a gorgeous Autumn-hued mandala. There are three tonal colors plus a speckle that pulls from the others. They are available to preorder only through the end of the day today!

Rebecca of Fuse Fiber Studio recently had a shop update with sweater quantities of her Fuse Luxury Fingering base. For this update, she focused on neutrals and colors that can be combined to make the perfect Rhinebeck sweater.

Suzanne of Groovy Hues is going goth for Halloween. Her You Can’t Take the Goth Outta the Girl colorway is available on a variety of bases and is the perfect colorway for the upcoming fall holiday — and the rest of the year.

Julia of Pandia’s Jewels is also ready for Halloween and just added lovely new fall and Halloween inspired colors to the shop. The slight chill in the air also means she’s brought back her tweed yarn bases. There are lots of new colors, tonals, OOAKs and a few favorites.

Michelle has a new collection of shawl pins crafted from bronze, with designs including Dragonflies and Frosted Oceans, with rich, warm colors to show off on your fall knits.

Pre-Rhinebeck Untangling: Carol Feller

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This is the sixth in a series of blog posts featuring the fabulous sponsors of the 2018 Rhinebeck Trunk Show.

I have long been a fan of Carol Feller‘s designs. Her Akoya and Carpino patterns have been favorited for a while, waiting for the perfect yarn.

When I heard the news that Carol would be making a trip from Ireland to Rhinebeck — and that she wanted to see Indie Untangled in particular! — I was thrilled. Here’s a chance to learn a little more about her, and how her background as a structural engineer informs her stunning designs.

How did you decide to become a knitwear designer?

I really sort of fell into knitwear design! When I left school I couldn’t decide what I wanted to do, swinging between art and science/maths. I started by doing a year in art college but I really missed working with numbers, so after the year I switched to engineering, specializing in structural engineering. I spent several years working in engineering and when my second son was born I set up an online natural parenting shop. After my fourth son was born I sold the business and intended to become a full-time mum. That plan didn’t work out too well for me, by the time he was 5 months old I was craving some mental stimulation. I discovered an online yarn shop that had just opened up in Ireland and I started to relearn how to knit. It came back to me very quickly and I was obsessed!

Within a year I had published my first pattern and from there my first book was only a few years later. For the first time in my life I had found the perfect blend of art and maths. It’s very hard to be a knitwear designer without enjoying both ends of the spectrum; you need to be able to imagine and create the knitwear and then have the ability to do the number crunching to manipulate all the different sizes and make sure they work.

How has your training as a textile artist and then as a structural engineer informed your designs?

Starting off as a structural engineer — or any type of engineer — makes you a very logical thinker. The design, whether it is a garment or a building, has to make sense. When knitting, every stitch sits one on top of another. If you need it to be bigger you have to increase and if you need it smaller, you need to decrease. This means that design has to follow a logic path, and makes sense. This ability to dissect a design’s construction gives me the tools to turn design on its head and create new construction techniques and directions.

Carol’s Ribosome sweater.

Tell me about what inspires your designs.

You many notice that I design a lot of cardigans. This is probably because I wear cardigans almost all the time! I think frequently designers like to design what they find useful on a personal level. After that it becomes about combining shapes, colours and stitch patterns in ways that make me happy. I often find that I have a picture of what I want to design, from there I combine sketching and swatching to see if I can make it work or how I need to change the initial idea so that it flows and makes knitting sense. I love autumn (fall) in shops; they are filled with new colours, knits and shapes. I spend a few mornings wandering in town getting a feel for the colours and trends of the season, zoning in on ones that mesh with my own aesthetic perspective.

You have created your own yarn line. How did that come about and what does that entail?

My yarn line happened accidentally, but it was a very happy accident! The yarn company, Fyberspates, distributes my patterns and self-published books and they had just started a yarn line with Rachel Coopey, Sock Yeah! I was saying how much fun that sounded and they suggested that I also start a yarn line with them. Between us we decided on the fiber blend; the two main criteria I had were that I wanted a sport weight yarn and I didn’t want a Superwash. After that I planned out the colours for the yarn (they are dyed by the mill) and got a yarn label designed. It was such a fun experience creating a yarn line and it somehow feels like it adds an extra dimension to my design work being able to work all the way from the yarn right through to the finished design.

Carol’s Coiled Magenta.

Is there a construction method you haven’t tried yet?

I don’t think so! There are a few construction techniques that I’ve use very rarely but I think I’ve given most a try. I’ve knit sweaters from the bottom up, top down and from side-to-side. I’ve tried raglan, set-in sleeves, circular yokes, drop shoulders and contiguous. I have designed sweaters in pieces and seamed them together but it’s not my favourite method. I’m definitely a fan of seamless in all its guises!

When and how did you learn to knit?

I actually have almost no memory of learning to knit. In primary school in Ireland when I was small everyone learned to both knit and sew. It has however changed now and is dependent on individual teachers and their personal preferences. My mother was able to knit but found it too slow, preferring to crochet or sew. Her mother however was a fantastic knitter, producing new sweaters for all her 5 children every September when they went back to school. As I learned to knit so young it feels like a very natural thing for me to be doing, very similar to writing or reading. It was when I picked up knitting however as an adult that I learned how to refine my knitting and read a pattern.

What’s the first thing you do when you start designing a pattern?

I swatch, swatch, swatch. It doesn’t matter what is in my head or what I draw on paper if the yarn doesn’t agree, it won’t work! So, I swatch, sketch and them measure. Once this is done I can start working on the numbers and write up the bones of the pattern. This way when I begin knitting the finished piece I can tweak and rewrite the pattern as I work to make sure it’s as accurate as possible.

What are your favorite colors and have they changed at all since you started designing?

My colours are usually on the rustic end of the scale; all shades of green, rusts, ochres and pumpkin plus the very useful grey. In the yarn line I had an advantage because of the fiber content of the yarn. With 20% yak it means that the base, undyed colour of the yarn is a light beige. This means that all the colours that are overdyed on it will have a muted, rustic feel. I started with all my favourite colours and then grouped them into neutrals and brights/contrasts so that there were lots of options to combine colours. I do find as a designer that I have to fight against my own colour biases especially with larger projects. When I do books I try to have a good range of colour representation if possible.

What to stash this week: Leaving Olympic National Park

Today is the last day to preorder Hazel Knits’ stunning Sol Duc Valley colorway for the Knitting Our National Parks Project. The yarn takes its name and inspiration from the Sol Duc rainforest at Olympic National Park. Here’s a new pic of it all knitted up!

Stephanie of Rock Solid Designs has added a new twist to the project bag and come up with a brilliant solution to the “yarn/zipper dilemma.” Her box bag, called the Kellie bag, uses sturdy plastic snaps instead of zippers, to help keep your yarn from running away, but avoiding snags. Best of all — the snaps also serve as built-in yarn guides, allowing you to separate multiple strands of yarn for colorwork projects or when you’re alternating skeins in a sweater.

Is there a slight chill in the air? That means it’s almost PSL (pumpkin spice latte) time! Sheila of Big Foot Fibers has just updated her shop with limited-edition, piping hot PSL mini skein sets.

It’s Porterness Studio’s birthday and Jen is celebrating with a sale! Get a generous 25% off through August 31 with the code IndieBday25. If you make a purchase over $40 you will get a free “There Will Be Cake” pin!

Like most of us, Sarah of QCC Yarn is also in an autumn state of mind. In addition to new fall colors, she also now has three new yarn bases available: Floofy Cat (80% Superwash Merino/20% nylon) and Forlorn Cat (80% Superwash British BFL/20% nylon), both of which are 2-ply fingering weight yarns, and Cat-Mandu, a 3-ply fingering weight yarn that’s a blend of 70% Superwash Merino, 20% yak and 10% nylon, with colors dyed on a natural grey base.

Karen of Round Table Yarns has teamed up with Tim Stephens of Periodic Knits to create a We Knit in Texas Cowl kit to raise money for the Unite for Bleeding Disorders Walk, which benefits the local Dallas/Fort Worth chapter of the Texas Central Hemophilia Association. It’s available in your choice of red, white or blue yarn and $17 of your purchase will be donated to the Texas Central Hemophilia Association.

Stomp on over to the Slipped Stitch Studios website. A fun dinosaur update goes live today at 9 a.m. Pacific time. 

Eden Cottage’s next update goes live on Wednesday, August 29 and includes her Titus 4ply base, a luxurious blend of Superwash Merino and mulberry silk, perfect for shawls and sweaters alike.

Do you believe in fairies? Either way, you’ll be enchanted by Baad Mom Yarns’ new Woodland Fairy Collection of colorways, which includes Enchanted Forest, pictured above.

Wolle’s Yarn Creations’ newest yarn line is called TONALS, a unique creation that is part gradient, part ombre, part heather on a super soft 100% cotton fingering weight base. 

Mad Science Yarn has experimented with a special fall 2018 colorway.

The latest in the Bijou Basin Ranch Indie Dyer Series

This is the fifth in a series of blog posts featuring the fabulous sponsors of the 2018 Rhinebeck Trunk Show.

Bijou Basin Ranch is known for producing yak, Cashmere, Paco Vicuna and Qiviut blends from a small ranch just outside of Elbert, Colorado. Owners Carl and Eileen Koop also collaborate with some indie dyers, such as ModeKnit Yarns of Minnesota and MJ Yarns of Seattle, who create a little magic in their dye pots and complement their luxurious blends.

Here are some of the latest yarns from their indie dyer series:

Autumn Spice

This is a coordinated collection for colors dyed by MJ Yarns on BBR’s new Himalayan Summit fingering base, a 50/50 blend of yak and Superfine Merino.

Explore Collection

Dyed by Colorful Eclectic on 50/50 yak and silk lace weight, Shangri-La. Each of the colorways in this series would look fantastic on its own, but are designed to pair together, as in the Blood of My Blood shawl from BBR’s Outlander collection, pictured above.

Reflections Collection

Dyed by Colorful Eclectic on Lhasa Wilderness yak/bamboo yarn. Each color in Reflections contains all five colors, with one being the predominant color.

Gobi

Hand-dyed colors from MJ yarns inspired by the Sheildmaidens of Nordic mythology, and popularized in Richard Wagner’s opera “The Valkyrie.” The yarn base is Gobi, a blend of baby camel and silk.

Stripes

Self-striping colors on Himalayan Summit dyed by Modeknit Yarns.

Gradients

Hand dyed on Tibetan Dream by Modeknit Yarns.

What to stash this week: Knitting for fall

Kate of McMullin Fiber Co. has stocked her shop with plenty of hues that bring to mind fall leaves and apple cider donuts. Take 15% off your order with the code INDIE15.

Debbie of Murky Depths Dyeworks is also in a fall state of mind, and has recently released a bunch of autumn-inspired colors, including Picante, Gigli and Porcino, which pretty much look like the colors of Rhinebeck.

Heather’s Yarn Barn is now offering her yarns wholesale, so if you’re interested in seeing them in person, ask the owner of your LYS to look into stocking them.

Third Vault Yarns’ yarns of the month are inspired by the Nine Worlds of Norse mythology and available to preorder only until the 20th.

Mona of bunnymuff has just released two new patterns, the Blue Citrus pullover and Blue Citrus tammy. Knit both and be super coordinated!

Eden Cottage Yarns had a shop update yesterday filled with sock yarn, for the perfect warm weather knitting. Yarns include Brimham 4ply (85% Superwash Merino, 15% nylon) and Tempo 4ply (75% Superwash wool, 25% nylon).

Wendee of Hazel Knits’ stunning Sol Duc Valley colorway for the Knitting Our National Parks project, inspired by the mossy green in the Sol Duc rainforest at Olympic National Park, is available to preorder only through next Friday!

Check out the project bags with windows from MidMitten Designs.