What to stash this week: Yarny holidays

Hanukkah collage with orange, purple, pink and gray yarn.

The dyers collaborating with me on this Indie Untangled Eight Nights of Hanukkah Kit all have their own beautiful aesthetics: Spencer and Reggie of The Fiberists create vibrant semisolids, Julia of Pandia’s Jewels has a talent for subtle speckles and Raya of Blissful Knits is known for her colorful mini skeins. While their full skeins/mini sets for the kit will be a surprise, here is an example of their talents.

Preorders are open only through the end of the day today. I hope you celebrate with us!

Pink, green and blue yarn.

Sue of Invictus Yarns is also getting ready for the holidays (it’s not too early!) and has been adding to her collection of holiday colorways, restocked some that had sold out and have added gift cards to the shop.

A beige oversized cardigan

Issue 4 of the NF Magazine comes out today and is filled with fall warmth. It includes four knitting patterns and three cold-weather recipes.

A pink scarf that looks like leaves.

Andi Smith’s newest book for Cooperative Press, called Scarves Two Ways, will make you a scarf knitter again. The book, released at Rhinebeck, includes a dozen new scarf designs using a variety of techniques. The patterns are both charted and fully written out, hence there are two ways you can create them. The motifs from scarf to scarf also riff off each other. You can save $6.95 through the end of 2019 by using the code STARGAZER on Ravelry.

Post-Rhinebeck Untangling: Debra Gerhard of Spruce Lane Designs

Debra Gerhard of Spruce Lane Designs in gray sweater with a pink and red geometric yoke

Debra Gerhard models her Once Again sweater.

This is the 17th in a series of blog posts featuring the fabulous sponsors of the 2019 Rhinebeck Trunk Show.

Debra Gerhard of Spruce Lane Designs has a background as a designer, but not in fashion. For years she worked as an environmental engineer, addressing environmental impacts. These days, her design work involves taking hand-dyed yarn and turning them into colorful geometric sweaters and shawls with stripes, lace, cables and other textured stitches.

How did you decide to become a knitwear designer?

I was never one to follow a pattern exactly as written. I would usually use the pattern as a “guide” and then add my own shaping, motifs, edgings or other personal touches. A number of years ago after I left engineering to be home with my son, I started sample knitting for a few yarn companies which subsequently lead to technical editing of patterns. Around this same time, I took a few knitwear design classes at the Rhode Island School of Design.

I released my first design, Checks Mix Cowl, which was based on a swatch I had done for one of my classes. However, I didn’t release anything else for about two years after this initial design and instead spent my time doing more technical editing for a number of designers and yarn companies. I finally made the leap to mostly designing around 2017 and now I find myself struggling at times to turn out all the ideas I have in my head. I love the process, and I especially enjoy seeing knitters’ interpretations of my patterns and their use of color combinations and various yarn bases.

How has your background as an environmental engineer informed your work?

As an environmental engineer, I would be charged with designing and applying the best remedy for addressing environmental impacts. And just as each impacted site presented a unique set of issues, I find that the processes I used to identity these issues and form a solution are very similar to the processes I use in my designing. I have also found that my love of math is deeply ingrained in designing and grading. I love to see the numbers unfold, and I enjoy applying geometrical concepts to some of my shawl designs.

Tell me about what inspires your designs.

I take my inspiration from a variety of sources: an architectural detail, a colorful sunset, a spider web I may spy when out for a hike, bark on a tree, nature, found objects and many other sources. I have been known to tell my hubby to “pull over” so that I can take a picture of something that inspires me. I am drawn to color and patterns. I like to create colorful knits that fuel the imagination of each knitter and hopefully inspires them make my pattern their own.

When and how did you learn to knit?

My mom taught me how to knit when I was 10. My mom knits continental style, which suited me fine as I am left handed. I started with the garter stitch scarf and seamed hat as my first knitting items and continued with more hats and a few mittens. I didn’t knit much during junior high and high school, but in college I picked it up again and knitted the “boyfriend” sweater. I started to seriously knit in my late 20s after getting married, and I haven’t stopped since that time.

A pink speckled lace shawl.

Sunrise Over Bryce for Knitting Our National Parks.

What’s the first thing you do when you start designing a pattern?

After deciding on yarn, I will make a large swatch of the design/motif that I have in mind to see how the colors play together and to get gauge. Once I’ve gotten gauge, I will work up the numbers and write out a draft of the pattern, including any charts, if needed. I like to have the pattern completed as much as possible before I begin knitting so that I am in a sense, “testing” my own design and I have the ability to make edits as I knit.

What are your favorite colors and have they changed at all since you started designing?

My favorite colors are purples, reds and other rich, saturated colors, and that hasn’t changed much. I also like the playfulness of speckled yarn with the surprising pops of color. Additionally, I am just starting to explore the color and textural effects of working with two strands of yarn, specifically a mohair/silk base coupled with a Merino base.

Meet Grace, Espace Tricot’s newest addition

Lisa and Melissa of Espace Tricot

This is the 16th in a series of blog posts featuring the fabulous sponsors of the 2019 Rhinebeck Trunk Show.

Espace Tricot is a modern yarn shop located in Montreal, Canada, and owners Lisa Di Fruscia and Melissa Clulow recently began venturing beyond its carefully curated selection of yarns, notions, accessories, books and patterns, and established its own hand-dyed yarn line.

Their newest addition is Grace, a singly-ply Merino. Working with local hand-dyer Annie Paaren, Lisa and Melissa created a palette of 28 colors, designed to reflect the unique atmosphere both of Montreal and the store. The name Grace is inspired by both the luxury of the Merino/silk/Cashmere blend and Espace Tricot’s location in the neighborhood of Notre-Dâme-de-Grace.

Colorful skeins of yarn.

The color palette ranges from essential neutrals through moody hues and perfectly balanced brights. All the colors are inspired by Melissa and Lisa’s aesthetic as shop owners and knitters, and include the shades they have been drawn to knit with over the years. Annie combined their input with her own dyeing expertise to craft a cohesive and complex palette.

Grace is ideal for sweaters, such as Espace Tricot’s Gracious sweater, as well as “one-skein-wonder” patterns. You can also hold it with a mohair/silk blend for projects like the Bonjour/Hi cowl and Frankie sweater.

In naming the colors, Lisa and Melissa wanted to reflect Montreal’s geography, architecture and history, along with Quebec’s culture and identity:

The warmth of Opéra and Truffle recalls lazy strolls along Montreal’s quirky streets of brick terraces. Take a cosy walk on Mount Royal in fall with the bold autumnal colors of Érable and Sous-bois. Revel in the frolics of Cirque du Soleil with Cirque. Bask in the bright summer sun by the river with the dappled tones of Printemps and Nuage. Adventure out east to take in the beauty of the Gulf of St Lawrence with Tadoussac, Baleine, and Madeleine. Or dress up in your most low-key glamorous “I woke up like this” neutrals for a stylish lunch in the Old Port in Leonard and Chateau.

And of course, don’t miss a trip to Espace Tricot’s brick-and-mortar store, where the staff will greet you with a friendly “Bonjour/Hi!” in a nod to Montreal’s bilingual spirit. You might even bump into Les Filles – “the girls” Lisa and Melissa themselves.

You can also meet them virtually on their YouTube channel.

Post-Rhinebeck Untangling: ‘I Knit San Francisco’

The cover of I Knit San Francisco

This is the 15th in a series of blog posts featuring the fabulous sponsors of the 2019 Rhinebeck Trunk Show.

Designer Kathleen Dames and Alice O’Reilly of Backyard Fiberworks have taken us to New York and Paris through their Knit Like A Local series of bookazines from One More Row Press. Recently, they launched I Knit San Francisco, a fiber journey through the Bay Area, which is available to preorder. Here’s more about their latest trip.

How did you decide to include San Francisco for your latest book?

We started talking about San Francisco after attending Stitches West a couple of years ago. There is a vibrant knitting culture in Northern California, lots of great yarn shops, local designers and dyers, and, as we all know, the weather in San Francisco is such that having something woolly on hand is always a good idea. Plus, we both have connections to the area: Alice’s grandparents lived south of San Francisco (and her brother lives in the city now), while Kathleen worked for two different publishers, one in Sebastopol and the other in Pacific Grove, so she has spent working time in the area, in addition to more touristy visits.

Which designers do you have lined up for I Knit San Francisco?

We are thrilled to have Vilasinee Bunnag (founder of The Loome) in collaboration with Kathleen, Faina Goberstein, Juliana Lustenader, Audry Nicklin, Sonya Philip (100 Acts of Sewing), Yvonne Poon (Gamer Babe Knits), Sloane Rosenthal (co-founder of brand new Hudson + West yarn company with Meghan Babin), Heatherly Walker (the Yarn Yenta), Julie Weisenberger (founder of Cocoknits), and Kelly White, plus yarns from Bay Street Yarns, The Dye Project, Hudson + West Co., Little Skein in the Big Wool with help from Seismic Yarns, Love Fest Fibers, Sincere Sheep, Speckled Finch Studios, Twirl Yarn, and A Verb for Keeping Warm. Getting to know the designers and dyers is the best part of this job.

A yellow knit rug.

What are each of your favorite designs from the book?

We love them all (of course)! Seriously, every book we publish is a whole new wardrobe we want to knit.

So far Julie’s rug, Half-moon, made with Love Fest Fibers crazy cool and crazy big yarn, and Sloane’s Ferry Building pullover in WELD from brand new yarn company, Hudson + West Co. (Sloane’s bicoastal partnership with Meghan Babin, former editor of Interweave Knits) have been most popular on our Instagram feed.

Aside from designs, what will the book include?

We interview each designer, so you will learn a little about their design journey and, of course, their favorite local things, particularly places to go that you might not know about and restaurants to try. Then, we take you on our three-day Yarn Crawl from Santa Rosa up in Sonoma County all the way down through Napa County to the East Bay and San Francisco itself down through Santa Cruz to Pacific Grove on Monterey Bay. We definitely recommend taking more than three days, if you want to do the whole tour – we had to be ruthlessly efficient in our research trip due to time constraints, but our doing so means you can take your time and enjoy everything a little more thoroughly.

Woman models a gray sweater on a beach.

What surprising things did you learn about San Francisco while doing your research?

That walking around is no joke! Coming from the east and being used to walking everywhere (New York City and Washington, D.C., for us are walking and subway-riding cities), the hills of San Francisco are deceptive. What seems like a doable walk is an intense workout. We also were surprised/not surprised to notice the quality of the light. As intensely visual people, we were both struck by that West Coast golden light, and we think Alli did a great job of capturing it in our photos.

There has been an explosion of local “bookazines,” such as the By Hand serial and Nomadic Knits. How would you say One More Row Press is different?

We start with the question “Where shall we (as knitting people) go next?” Then we work hard to find local designers, some new and others more established, who design across many categories and for varying skill levels, and then we collaborate with them to find yarn partners that make each project sing.

Beyond the interviews and yarn crawls, we also seek out local photographers and models who bring the designs to life on location. We focus on curating a collection that is rooted in place with additional information that allows you to go to that place and make your own personal connections (or be an armchair travel knitter).

Woman models a white sweater with pom poms.

What other cities or places are next for your series?

That is the question we are asked AND that we ask everyone we meet! Our “To Visit” list includes: Chicago (where Kathleen grew up), Kyoto (or Tokyo), London, Detroit (people keep mentioning it, and there are a lot of yarn stores in the area, so we are totally intrigued), and Los Angeles. We have also talked about Italy, Cuba, Australia, Spain, Portugal, and Ireland, though we have been focused on individual cities thus far.

It’s a matter of finding the right people (designers, dyers, LYSes) and making the timing work for everyone (including us with our own jobs and families to manage). We are also in talks to do a crochet book with a handful of designers using their favorite buildings as inspiration for elegant, wearable crochet garments and accessories.

Post-Rhinebeck Untangling: Heather Love of Hellomello

A woman knitting while surrounded by yarn.

This is the 14th in a series of blog posts featuring the fabulous sponsors of the 2019 Rhinebeck Trunk Show.

Hellomello Handspun is a Brooklyn hipster indie yarn company: dyer Heather Love was using farm-fresh yarn before it was cool.

Heather starting out selling handspun, hence the name, and then fell down the rabbit hole of sourcing local wool, like the super springy and soft Cormo she offers on a range of hand-dyed colorways (designer Paula Pereira used it for Yullana, a sweater that’s part of a collection she launched this past weekend at Indie Untangled and the New York Sheep and Wool Festival).

Tell me about how you got started dyeing yarn.

I’ve always been a bit of a textile nerd, so by the time I made it to art school I was a pretty experienced seamstress and had a regular side hustle “restyling” vintage clothing and stitching for a few local designers. Because of this, I made an effort to spend most of my studio time exploring other artistic avenues, including glass and photography. With the exception of a few bookbinding classes, my only textile class was a year-long African Dye Resist intensive that I took for fun.

Really and truly, hand-spinning was what got me started down the rabbit hole though. I took a class 10 or 12 years ago and got hooked. Fleeces were purchased. There was a lot of experimentation with carding and dyeing. Pretty soon, I had “too much” handspun and started selling it. It’s funny how things circle back around sometimes.

Purple hand-dyed yarn.

How did you come to source local yarn blends and how challenging is it to do this?

At a certain point, I realized that I couldn’t keep up spinning everything by hand — most people seemed more interested in my dye work, anyway. The problem for me was that I really wasn’t inspired by the idea of using a standard Superwash wool. Like most hand-spinners, I crave the tactile spring and softness of lanolin-rich wools. So in 2010, I decided to try sending a few fleeces to the mill for processing and had a small batch of my own yarn made. What I got back changed everything.

There are a lot of challenges in manufacturing. Sourcing fleece is just the start. Everything about milling takes time, a long time, and a lot can go wrong along the way. Prices climb higher with every season, but, in the end, I know it’s a worthwhile endeavor and I love being able to create amazing yarns that no one else has. My runs are very limited but that’s what keeps it interesting. Every batch is a little different and, with hand dyeing, every skein is uniquely beautiful.

What inspires your colorways and your colorway names?

Brooklyn by way of Boston. The city is ever changing, sometimes exhausting, always inspiring: music, fashion, traffic and graffiti. There is always something new to photograph and explore. I am lucky to have lived in such vibrant cities and have met so many wonderful people along the way.

A hank of bright orange yarn.

Do you have a favorite color or colors, and have they changed since you became a dyer?

I don’t have a favorite, I need the whole box of crayons. For me, it is all about the interaction and influence of colors on one another. I love how a color changes based on what it is paired with. The more vibration, the better I like it.

Is there a color that you would love to dye, but that is challenging to create?

At the moment, I’m obsessed with super-saturated neons. I’ve been doing a lot of experimenting with layering color and over dyeing these lately and there are a couple of surprises in the works for VKL in January.

A black cropped sweater with bobbles.

Paula Pereira’s Yullana sweater in Hellomello Cormo.

When and how did you learn to knit?

My grandmother taught me to knit and crochet when I was young. As a kid I spent a lot of time stitching intricate little acrylic outfits for my army of Barbies. I favored crochet for its quicker finish until I started knitting garments for myself in high school. These days, I can knit much more quickly than I crochet.

Do you enjoy any other crafts in addition to knitting?

Sewing is my other craft job. I wrote book called 30 Minute Sewing a few years back. I’ve also worked as an on-set tailor, stylist, costume designer and sewing instructor. I especially love the quiet pleasure of hand sewing techniques like embroidery, Sashiko and quilting.

What are some of your favorite FOs you or your customers have made with your yarn?

I was floored when my friend told me that Stephen West used my yarn in his Amazing Technicolor Dream Sweater and featured it in one of his sweater books — I had no idea.

Recently, there was also a really beautiful Soldotna by Pia Cooperman.

Melissa Fitzpatrick made a killer Tecumseh.

But, one of my all-time favorite neons is the Maria Sweater by Yamil Anglada. It’s like bottled sunshine.

What to stash this week at Indie or not

A woman models a mustard textured sweater.

One of my favorite parts of the Indie Untangled Rhinebeck Trunk Show is getting to see indie yarn in action with the beautiful samples on display. I’m particularly excited to see designer Paula Pereira’s capsule collection that’s debuting at the show. This collaboration between Paula and two indie dyers from my hometown of New York City — Debbie of Murky Depths Dyeworks and Heather of Hellomello Handspun — is a sophisticated and fun set of designs. It includes three sweaters, a triangular shawl knit with a textured fabric and a pair of socks with a geometric stitch motif.

A collage with a night sky and purple yarn.

If you’ll be at Indie Untangled today, you’ll also get to see Kate and Nancye of Dragonfly Fibers’ Petrified Forest colorway, inspired by Petrified Forest National Park in Arizona, in person. It is available to preorder online until next Friday, October 25. As always, 10% of sales will be donated to the National Park Foundation.

Christmas packages

Is your mother a hamster? Does your father smell of elderberries? Or do you just need a shrubbery? Then you’ll want to preorder this Monty Python Advent Calendar from Fairy Tale Yarn Co.

Purple bags

Laura’s Hocus Pocus-inspired Bag of the Month collection shipped out early, so you can get the extras in time for Halloween. Pounce like a black cat today at 9 a.m. Pacific.

A taupe lace wrap.

Fall definitely requires a light layer of warmth, so check out this new lace wrap from White Lies Designs.

What to stash this week: finally fall

Yarn socks in an orange fall pattern.

In time for cooler whether, Laura of Slipped Stitch Studios is bringing back her original fall fabrics for preorder. The fabrics are knit and crochet themed, because we all know that fall is the best knitting time. Preorders go live today at 9 a.m. Pacific and end Monday at midnight.

Meg of Nutmeg Fibers now has expanded sizing for her Stella Crop Sweater.

Pre-Rhinebeck Untangling: Pom Pom Quarterly’s Sea Change issue

An African American woman models a blue and sand textured wrap on the cover of Pom Pom Quarterly

The cover features Seelig by Katrin Schubert, modeled by Arrish Wol. All photos by Shingi Rice, with make-up by Eleanor Hammond.

This is the ninth in a series of blog posts featuring the fabulous sponsors of the 2019 Rhinebeck Trunk Show.

Pom Pom Quarterly‘s autumn issue focuses on the conversations about racism and white supremacy in the fiber industry that have been taking place since January. Called “Sea Change,” it includes sand- and surf-inspired garments by designers and makers, including some who were brought to editors Lydia Gluck and Meghan Fernandes’ attention due to the movement for more diversity and inclusion in the knitting community.

Over its seven-year history, Pom Pom has featured models of diverse races and ages, and has plans to continue working with a larger range of designers. I asked Lydia how she and Meghan tackled this topic in the issue, which was released August 30, and how they plan to continue to address inclusivity going forward.

How did you decide on the sea as a metaphor for the ongoing discussion about diversity and white supremacy in the fiber industry?

We had been thinking about a sea-themed issue for a while, as it’s almost an obsession for me; I grew up on the Welsh coast and will always go for a salty dip if I can. The sea is also part of Meghan’s father’s background. He is from the tiny seaside state of Goa in India, and that heritage really resonated for Meghan at this time. I guess the sea has always been a source of solace and inspiration, but we hadn’t quite found the right time to do the issue. When we were thinking about putting together this autumn we realised it was the perfect time for the sea theme. We think that the outward-looking feeling that the shore gives, along with the place for reflection it provides is a great way to embody the expansive feeling of trying to create a genuinely inclusive and welcoming space. The sea is always changing, and we hope to carry on growing and changing too.

How was your approach to this issue of the magazine different than previous ones?

We had been spending a lot of time following and engaging with the racism, diversity, and inclusion conversations that have been more present online in the knitting world and felt that we had to start putting what we were learning into practice. We want to make Pom Pom a good option for people who feel that they aren’t represented in the knitting world at the moment. For this issue we put more time into making sure our line-up of contributors and collaborators was more diverse in various ways, and we hope that through diversity will come inclusion and we know Pom Pom will only be richer for it.

Our approach has also been different in terms of layout; we added pages to the magazine so that we could increase the font size – something we have wanted to do for a long time and finally have been able to because we have changed the way we ship the magazines (yay logistics!). We also added sizes to make our sizing more inclusive. We owe so much to the BIPOC and other marginalised voices who have been bringing to our attention what needs to change to make publications accessible and inclusive and we couldn’t be more grateful that they have done such difficult and dangerous work to make our world a better place. They are the heroes in this story.

A woman models a mosaic sand and blue sweater

Trove by Emma Ducher, modeled by Gina Patch.

What does diversity and inclusion look like for Pom Pom?

Diversity and inclusion looks like the magazine being accessible, welcoming to, and representative of anyone who wants to be part of our community. We want to work with and amplify the voices of people whose perspectives and experiences aren’t usually included in and reflected by the media.

Who has most inspired the Pom Pom team as you’ve taken on anti-racism work?

The team behind Unfinished Object have been particularly inspirational. Without those voices, we don’t think the movement would have burst forth in January in the way that it did. We are all making progress, and continuing to make progress now thanks to their work.

A sand colored cabled sweater modeled by the sea

Fata Morgana by Sylvia Watts-Cherry

What advice would you give to crafters and fiber business owners looking to take on anti-racism work?

Remember that whether racism exists in the knitting world is not a debate. That’s step one. Then educate yourself; we would say visiting Unfinished Object is a good place to start, and the anti-racist educators @rachel.cargle and @laylafsaad have plenty of resources. Make sure to be respectful when you are visiting spaces held for and by marginalised people, and check whether an answer to your question already exists before asking it.

The most important thing is to be ready to learn and get things wrong. There’s a lot of fear around saying the wrong thing, but we think it’s important to make sure that fear doesn’t come from a place of defensiveness or thinking that people will deliberately misinterpret you. If you get something wrong and receive critique from the community, it’s vital to listen and make sure you take feedback on board. No one is expected to be perfect, but we think it’s worth holding yourself to a high standard, while being kind to yourself. We can and must do better as a community, and in order to do that we have to be ready to rigorously examine our deeply embedded biases and our unequal societies.

And, if it’s possible for you, do pay people for the education you have received from them. Ko-fi is a great way to do that. Again we want to emphasise that we are following the lead of others in this regard, and we advise doing the same.

I’ve noticed this is the first published design for a few of the designers in the magazine. How do you work with designers who haven’t self-published a knitting or crochet design before? How are you finding new designers and dyers?

We have always worked with designers who haven’t been published or self-published before. Most issues of the magazine have had an open call for submissions because we are always interested in finding people who are not yet part of the knitting scene. We try and provide as much support as we can when we are working with new designers. We know there’s a lot about the process that might be new, so we are on hand to answer questions and can provide help with technical aspects, for example getting assistance with grading if needed. We are always honoured when someone entrusts their vision to us, whether they are a new designer or not, so our main concern is making sure we do their creativity justice.

We also spend a lot of time looking for new designers and dyers online through social media, and if appropriate reach out to people who we think would be interested in working with us. Sometimes people email us too! If we go to shows we make sure to go and check out stands that we don’t yet know.

A peach hat with cables

Timbre by Meghan Fernandes

Have either of you knit any of the designs from the issue (aside from Meghan’s Timbre hat, of course!) or do you plan to knit them?

I am working on Astragal by Ainur Berkimbayeva in some beautiful avocado-dyed yarn from Hey Mama Wolf, and I’m planning to make Eventide by Inyoung Kim next. Meghan is waiting to get her hands on some of Ocean Rose’s yarn to make Fata Morgana by Sylvia Watts-Cherry. If we had time we would make every pattern… but at least we get to live vicariously through our reader’s projects online!

Speaking of Timbre, how did you decide to include a pattern from Meghan in this issue?

When Pom Pom first started we both designed a lot of the patterns (we did all of them for Issue 1!) but as the business has grown we’ve had less and less time to design. Turns out running a magazine is pretty time-consuming! And of course we love making the patterns that we publish. But every now and then, if we have time, we like to design, and if we feel we have an idea that fits the brief then we’ll pitch it to the other and to the team. Meghan’s hat was perfect for this issue because the mohair cables skim over the surface and look like little rivulets, and the rhythmic quality of cables made us think of the sound of waves. I designed a sweater (Woodwardia) for Issue 28 this year which I loved, but we both feel that one design a year is probably plenty for us!

Are there plans for a plus size issue?

We don’t have plans for a specific plus size issue at the moment. We have increased our sizing, so we are intending for every issue to feature a larger range of sizes so that our patterns are accessible to more bodies. We plan to continue featuring a range of models of different sizes too.

What to stash this week: A sweet end to summer

Colorful yarn cakes on a cake stand with the words The Great British Baking Shawl

The Great British Baking Shawl MKAL from Mary of Lyrical Knits is a homage to the lighthearted reality TV competition. And just like the show, Mary promises it will be “calorie free, campy and lots of fun!”

An ombre of 7 hanks of blue yarn on a piece of weathered wood.

Meg of Nutmeg Fibers is debuting Meadow, a 75/25 cotton/linen base that comes in a 3-ply DK weight and 2-ply sock/sport weight. You can preorder it until midnight Central time on September 25.

A silver stockinette stitch motif ring with a pair of wooden knitting needles.

Accessorize your fall outfits with some of Jen of Porterness Studios’ latest designs, including a yarn cake ring and yarn cake and knitting needle pendant. Take 20% off through Monday, September 23 with the code Rhinebeck20IU.

A bag with black, red and yellow Stranger Things fabric.

You thought you escaped the Upside Down? The Slipped Stitch Studios Stranger Things Bag of the Month extras are on sale and ready to ship today at 9 a.m. Pacific time.

Skeins of purple and grey yarn.

The next Eden Cottage Yarns update will go live today at 7 a.m. UK time and will include yarn packs for the Woodbine pullover from Issue 9 of Laine magazine.

A pink lace scarf with beads.

The new beaded Faerie Fire scarf or stole from Joan of White Lies Designs is knit in 100% Mongolian Cashmere, and includes the addition of Czech glass beads.

Signups for October House Fiber Arts’ fourth quarter Sock Club are now open.

The Knot House gets ready for Indie Untangled and Rhinebeck

A woman with light brown hair, pearls and a pink sweater takes a selfie with a woman with gray hair and a black shirt.

This is the fifth in a series of blog posts featuring the fabulous sponsors of the 2019 Rhinebeck Trunk Show.

You can always depend on Heather and Cathy, the owners of The Knot House yarn shop in Frederick, Maryland, to stay on top of trends in the fiber world. Their shop always features the hottest indie dyers and they themselves are prolific sweater knitters.

I asked them to walk us through their preparations for Rhinebeck and Indie Untangled, and give a look at what’s new for their in-house yarn line.

Who are you both most looking forward to seeing at the Indie Untangled Rhinebeck Trunk Show?

I don’t think there is anyone specific we look forward to seeing. The biggest treat is meeting the customers that don’t live locally that support us! We get to put faces with names and hopefully get to see some of their FOs. I love it when Mom and I are separated and people say, “Oh, hi, Heather, where’s your Mom?” Everyone loves Mom. We also love to see other LYS owners, indie dyers, podcasters and designers.

Tell me about some of the most recent dyers that you’ve stocked your shop with.

This past summer we added Hu Made, Lichen and Lace and Life In the Long Grass. Of course we have some new things we will be adding this fall such as a Western Sky Knits worsted, Skein and a few others we are working on.

Are there any indie dyers and designers that you think should be on knitters’ radars?

Yes! As for indie dyers, I think knitters should pay attention to Swamp Bunny and Murky Depths Dyeworks. There are so many talented dyers…

Designers: Tara-Lynn Morrison (I love her recent Frid Sweater). I like Tamy Gore‘s recent patterns. We also think Lily Turner of Wishbone Yarn creates magnificent yarns and designs. We are also watching others such as Denise Bayron, Handmade Closet, Christina Danaee and Camilla Vad.

Multicolored yarn in a large pyramid.

What’s new with your in-house yarn line?

Thanks for asking about our Knot House Yarns line! I have added La Di Da Worsted base for the 2019/2020 season. It is a 4-ply (plied twice) 100% Superwash Merino (same as the La Di Da DK). Mom and I are currently looking at new bases to add in the spring.

I should also add that Mom and I will be vending at the Black Mountain Indie Extravaganza the weekend following Rhinebeck! It will be our first event out of The Knot House and we are both excited and nervous. Dates for the event are October 25th and 26th it will be held during SAFF at Black Mountain Yarn Shop.

What are your favorite projects that customers have made with your hand-dyed yarn?

Oh my. There are a couple of favorites. I don’t know how many people have made the Ranunculus, but it has been a favorite this summer, along with the Soldotna Crop. It is so fun to see the color combos.

A link and taupe sweater in front of shelves stocked with a rainbow of yarn.

What are you each planning to wear to both Indie Untangled and the New York Sheep & Wool Festival?

Mom will be wearing her Black Thorn and Tweedside, both Lily Turner designs.

I will be wearing Andrea Mowry’s The Daydreamer, Thea Coleman’s Violet Aster and Caitlin Hunter’s Ghost Horse.

Tell me the projects that are currently on your needles.

Mom is working on Stonecrop and a couple of other test knits. I am working on the Feeling Groovy Cowl by JumperCables and Campside Drop by Alicia Plummer.